Earlier quoted context omitted.
TV shows are about human life and sexuality is as much part of life as anything. A lot more than violence. I do also wish this wasn't such a taboo. But the US is far from the only country that's so sensitive about it. Pornography in China is forbidden, in India is very iffy. In Islamic countries it can be extremely illegal. Even in the Netherlands where I'm from movies have become a lot more prudish since the 70s/80s…
In the 80s/90s, on Dutch TV we'd have daytime deodorant commercials on public channels featuring naked women applying the product. Wasn't even considered sexual content, and in no way shielded from kids either. The context isn't sexual, and it's a perfectly normal body part. The sexualization of the human body is nothing but a cultural invention.
It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
31–40 of 63 posts
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#32Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#33Earlier quoted context omitted.
Twitter and Reddit have shown that the population doesn't care if porn is mixed in with everything else. It's fine, it's fun, and it's harmless. The American WASP prudishness needs to die. We love our violence in film and drama. We should love our sexuality too. Game of Thrones was better for it.
Game of Thrones got a little too "rapey" for many (myself included).
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#34Lightning in a bottle is par for HBO.
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#35Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#36I don't see how HBO can maintain their reputation and prestige with the way Zaslav is running things. Canceling niche, creative, and risk-taking shows and removing accesses to back catalog shows like Westworld entirely. Flooding HBO with cheap Discovery reality shows, and now forcing HBO Max to merge apps with Discovery. All of these are great ways to dilute the HBO brand and make it insignificant.
Personally though, whose life is so great today that they need to escape by watching something depressing? Most people I know (and knew) were generally feeling beat down, afraid for the future, tired of not being able to say what they feel, etc.
The HBO content thesis of "just make it more fucked up" is not going to sell as well as it did.
I liked GOT because it was fun escapism into a simpler world, with dragons and wars instead of [insert tiresome/pretentious thing about Western society]. (Also because it was written in the 90s.) If they want to recapture their lost market they should try producing more optimistic/escapist programming. Adapt something that people want to watch. I'd pay for it if there was something like GOT.
Doubt that it will happen in the current cultural/political climate though.
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#37I find interesting that HBO, a US TV network, has become a worldwide brand name in a way that CBS,[1] NBC, and ABC didn't; only BBC has also transcended its home country this way, and did so with a 50-year head start. To global audiences HBO is associated with Game of Thrones , The Sopranos , and other top-quality TV; The Last of Us seems to be on its way to adding to the list. Outside TV networks, I would count Disn…
> I find interesting that HBO, a US TV network, has become a worldwide brand name in a way that CBS,[1] NBC, and ABC didn't; That's because CBS, NBC and ABC are national broadcast networks while HBO is a cable network, like CNN. CNN is broadcast internationlly. > only BBC has also transcended its home country this way, That's only because of the british empire. Who but their former slave colonies watches BBC? > None…
No. There are many lists of "top TV shows" or "most watched TV shows", some of which focus on the now, some try to be of all time. Regardless, Friends doesn't really crack the top 5 on any list that I can find (and isn't on most top 20 lists either).
While Friends is a favorite rewatch show, the overwhelming majority of people want to see the latest, they want to be part of the zeitgeist.
Some lists:
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#38Earlier quoted context omitted.
> The Last of Us I watched an episode and a half of that and gave up. Had enough of zombie movies. They're all the same.
I'd estimate there's been a total of about 5 minutes of scenes with zombies in the last... 3 episodes?
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#39I don't see how HBO can maintain their reputation and prestige with the way Zaslav is running things. Canceling niche, creative, and risk-taking shows and removing accesses to back catalog shows like Westworld entirely. Flooding HBO with cheap Discovery reality shows, and now forcing HBO Max to merge apps with Discovery. All of these are great ways to dilute the HBO brand and make it insignificant.
The article talks about how great the HBO gritty depressing character dramas like The Wire , The Last of Us , etc., were. That kind of content was interesting and fresh in the 90s and 00s. Personally though, whose life is so great today that they need to escape by watching something depressing? Most people I know (and knew) were generally feeling beat down, afraid for the future, tired of not being able to say what t…
In the 1950s and 1960s, even though the economy was doing great, there was a lot of darkness in the world. There was the cold war, which was terrifying (you kids think it’s bad now?), we still had World War 2, Korea, and even World War 1 veterans around. We were still coming to grips with The Holocaust, and counterculture was just starting up with The Beats (not the Liverpool moptops). We had mass starvation, race riots, and a lot of fear.
Fiction, in those days, was pretty fluffy and optimistic.
The last couple of decades, before the current one, had seen a lot less of that kind of darkness, and escapism became fairly dark. Dystopian fantasy became en vogue, etc.
Things are getting dark again. I suspect fiction may lighten up.
We’ll see…
Re: It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO
#40I don't see how HBO can maintain their reputation and prestige with the way Zaslav is running things. Canceling niche, creative, and risk-taking shows and removing accesses to back catalog shows like Westworld entirely. Flooding HBO with cheap Discovery reality shows, and now forcing HBO Max to merge apps with Discovery. All of these are great ways to dilute the HBO brand and make it insignificant.
The article talks about how great the HBO gritty depressing character dramas like The Wire , The Last of Us , etc., were. That kind of content was interesting and fresh in the 90s and 00s. Personally though, whose life is so great today that they need to escape by watching something depressing? Most people I know (and knew) were generally feeling beat down, afraid for the future, tired of not being able to say what t…
Episode 1: 0.588 million
Episode 7: 1.083 million
For comparison, House of the Dragon ended the season with 1.855 million.
Source: https://www.forbes.com/sites/paultassi/2023/03/03/the-last-o...
The ratings are also worth looking at: https://www.ratingraph.com/tv-shows/the-last-of-us-ratings-1...
So I don’t think your assessment necessarily holds water.