Anyone looking to get into silent film, I'd strongly recommend comedies (including, and perhaps especially, Chaplin and Keaton) as a good starting point. I've gotten to the point that I can truly enjoy a lot of silent dramas, but IMO the comedies are far more approachable for a modern audience. Good gateway drug. Just off the more famous films ( The Great Dictator and Modern Times and maybe City Lights for Chaplin, o…
> M (… this is maybe the most modern-feeling of this whole bunch) Because it has sound?
That's a good point—it has synchronized sound, not just a vaguely-connected soundtrack, though it's not properly a "talkie", either. I was thinking more of the form, pacing, and presentation, though (I did, shamefully, get The Great Dictator entirely wrong by classing it as a silent, as another poster pointed out)