Earlier quoted context omitted.
Indeed they are, as is much of the Western canon. They are the products of a period and locale in which white supremacy was more or less unquestioned by a large proportion of the English-speaking population. "The Elements of Style" is still useful and interesting, but its limitations and origins must be acknowledged. Among them is that it is a collection of usage patterns chiefly used by and intended for a specific c…
> They are the products of a period and locale in which white supremacy was more or less unquestioned by a large proportion of the English-speaking population. By that standard, James Baldwin's writing is a relic of white supremacy and homophobia because he wrote when both were more or less unquestioned. Or, by a more sensible standard, you have carelessly besmirched a writer's reputation by associating him with whit…
White supremacy is more than klan rallies in Alabama. It was a major part of thinking and writing in the US and English-speaking world in general for a long time, a mindset and set of assumptions and lessons that changed how everyone did pretty much everything. It's hard to imagine any major piece media emerging from the 19th-20th centuries that does not bear the mark of white supremacy in one form or another.