Earlier quoted context omitted.
> On Sunday, June 30 [2019], it was announced that Scooter Braun and his company, Ithaca Holdings LLC, acquired Scott Borchetta’s Big Machine Label Group in a deal that’s reportedly worth over $300 million. Through buying Borchetta’s company, Braun now also has ownership of Taylor Swift’s master recordings made when she was with the label, including her first six albums. https://www.bustle.com/p/why-doesnt-taylor-swi…
> in a deal that’s reportedly worth over $300 million So if she were to really put the money where her mouth is, she could probably buy the rights to her old records with her reported $360 million of net worth, or find a more friendly recording label willing to do so.
Taylor Swift: Don’t know what else to do
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Re: Taylor Swift: Don’t know what else to do
#32Earlier quoted context omitted.
I think there are two things that weaken Swift’s message here 1/ There’s no need to call out gender If you think that'll weaken her message, you haven't been paying attention to society lately. This will resonate strongly with the people she intends it to resonate with. Maybe you mean it makes the message less compelling to you personally. I'm not sure Taylor cares about that though... 2/ When your net worth is measu…
Please don’t give her anymore ideas. She should just take her money and retire peacefully dressing fancy and traveling the world.
Re: Taylor Swift: Don’t know what else to do
#33Re: Taylor Swift: Don’t know what else to do
#34Re: Taylor Swift: Don’t know what else to do
#35Is this the end of hacker news?
Re: Taylor Swift: Don’t know what else to do
#36Evidently, starting next year, Swift will have the legal right to do something harmful to the owners of Big Machine Records- rerecord her old songs. The owners of that company currently have the legal right to prevent her from playing her old songs. There are many artists who I think have been exploited by the executives of their industry, but Taylor Swift isn't one of them. I expect that she was generously compensat…
Re: Taylor Swift: Don’t know what else to do
#37I think there are two things that weaken Swift’s message here: 1/ There’s no need to call out gender — “be a good little girl and shut up”, referring to “these men”, etc. Not during 2019’s entertainment industry harassment crisis. This is an intellectual property rights issue but it feels like Swift is trying to nudge it in another direction, unfairly. 2/ When your net worth is measured in the hundreds of millions of…
People using social issues to manipulate situations in their favor? Say it isn't so! It's the unintended consequence (intended, to some) that people have been trying to warn the ultra-identity-politics movement about. I had a disagreement with a project collaborator recently, and when I referred to them in the third person, they demanded I use different pronouns for them...different than what they advertise to everyone else publicly. What can you say to that? People are using these social talking points as unassailable offense tactics, because it's cheap and easy power. Nothing new here.
Re: Taylor Swift: Don’t know what else to do
#38Re: Taylor Swift: Don’t know what else to do
#39I think there are two things that weaken Swift’s message here: 1/ There’s no need to call out gender — “be a good little girl and shut up”, referring to “these men”, etc. Not during 2019’s entertainment industry harassment crisis. This is an intellectual property rights issue but it feels like Swift is trying to nudge it in another direction, unfairly. 2/ When your net worth is measured in the hundreds of millions of…
2. It feels like straight up bullying because that's what this is.
Re: Taylor Swift: Don’t know what else to do
#40Can someone explain the background here? I only have a vague idea of how the music industry works. I don't understand what's going on here.
It is I guess similar to the case where you might get hired as a programmer for XYZ Corp, and while there you use their resources and facilities to create an Uber or AirBnB app which goes on to make billions for the company. If you leave the company, the IP stays with them and they can continue to make money off it and not give a dime to you.
However, the corollary to this is that in the music industry, the IP is really not worth anything without the artist themselves performing the music, in most cases. I get that in this case, the owners of the IP want to still make royalties and money from the actual performance of the music, but I don't understand why they would restrict the artist (Ms. Swift) from performing or recording her music in the interim?? They would still get some APRA royalties from the performance.
NB: IIRC, Paul McCartney does not own the rights to the Beatles music catalog nowadays. It more recently belonged to Michael Jackson, and now to whoever bought it from his estate. But in this case, there is no 'don't perform' clauses in place, so Paul can still sing those old Beatles hits in public, and the owner of the catalog gets a split of the royalties.