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In search of the perfect writing font

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Re: In search of the perfect writing font

#31
post #19

Earlier quoted context omitted.

A typeface is the design, a font is a specific incarnation of it. Helvetica Bold 12pt and Helvetica 18pt are two different fonts from the same typeface, Helvetica. This comes from letterpress days where “font” referred to a collection of lead characters of a given typeface, weight, and size.

No, couchand is right. Now a font is the file (you're almost right on it’s origin, it originates from steel punchcutting where each point size did need it’s own font). So a font is helvetica-bold.otf not Helvetica Bold. Helvetica Bold is a weight of Helvetica. (All of this is likely to alter slightly though with the advent of variable fonts.)

Except, arguably he’s also wrong.

One definition it font is as described above. Another, as defined by usage, is as the original author used

Re: In search of the perfect writing font

#33
post #27

I disagree with iA'a philosophy. I like to write fiction with proportional serif fonts, often quite similar to fonts that would be used in print. Sometimes I change fonts to defamiliarize the text, which helps me read it with fresh eyes. The last couple years I've mostly been using the Mate font. https://www.fontsquirrel.com/fonts/mate

I don't know why, but that font is giving me some serious comic sans ms vibes.

Re: In search of the perfect writing font

#34

This view seems to have fallen to the wayside, but I vehemently prefer rasterized / bitmapped fonts. Every type of font smoothing looks blurry to me and causes eye strain. Of course, very few modern fonts look good without smoothing - only a few of the old standbys (Arial, etc...) have usable bitmapped versions. While Linux handles this fine, Windows requires replacing Segoe UI at the registry level in order to fully…

Have you tried a finer resolution display, and moving your display further away? Eye strain will be notably reduced if you move the display 3 feet away from your eyes (requires less convergence and less accommodation), and at that distance 220 ppi starts to have pixels that are close to indistinguishable, even for folks with 20/20 vision.

Personally i sit close to the monitor because i cannot see that far. I could scale things up, but then i lose screen real estate (and a lot of stuff break with non-default scaling, including some of my own programs). I could lower the resolution, but anything non-native looks blurry as hell. For a while i used a 42" TV and while it was nice, it was blurry.

So i get the best results by sitting closer to the monitor. I want to be able to see the pixels and have screen real estate, so i use a 27" 1920x1080 monitor (LG... something, i don't remember the model, although TBH i'd prefer to use a smaller monitor with a smaller resolution, but any panel with a lower resolution than 1920x1080 has awful image quality and personally i see even IPS panels as a step backwards compared to my Sony CRT and cannot wait for OLED panels... hopefully in sane sizes and DPI). I also have a 2560x1440 monitor (Dell U2713HM) which i bought after seeing several artists at a previous job use it and liking the image quality, but i have stopped using it both because things are a bit too tiny for my taste and because in high end games my GPU (GTX 980) starts to struggle a bit unless i lower the settings considerably. Although TBH often i prefer to play games in a window so i can have some stuff still visible around (especially in Window Maker, my WM of choice, which is generally distraction free) and with 2560x1440 i can use 1920x1080 for the window resolution which often matches the UI scale the game uses but with 1920x1080 as the native resolution i need to use something smaller like 1600x900 which often crushes the UI, making it blurry. But that is a small price to play.

But FWIW, i don't mind antialiased fonts even though bitmaps do indeed look much crisper to me too.

Re: In search of the perfect writing font

#36
The best font is the one you're most used to. When I've been involved with people testing their new "greatest ever" font, their user testing always shows people have a strong preference for what they're familiar with. Even if that's Arial or Comic Sans.

Re: In search of the perfect writing font

#37
post #21
post #9

I used to tell myself I couldn't code or write without the perfect font. I'd spend hours looking for it, and end up not getting any work done. When I finally did get around to actually working, five minutes in and I'd forget about the font completely. I have a (rather lazy) friend who's been asking me to help him start a blog for years now. I've promised to after he produces his first block of content, and he keeps s…

I recently converted my dynamic DB-driven blog to a static website. I did not predict how badly the added latency between having an idea, writing down the first flawed paragraph, saving a draft, reading what I wrote, then revising and publishing would reduce my writing output. Sure, I can write in Google Docs, but because it's not on my site one click away from being "out there" I am far less compelled to write down…

That’s why all my blog content resides in dropbox. One text file in the right place, and boom! A new post.

Re: In search of the perfect writing font

#39
If you want a blog post about actual innovation with monospaced fonts, try Class Based Contextual Positioning in MonoSpaced Fonts by Andreas Larsen, which is used in his Monoid font[0][1]. It also deals with this problem of characters not having the same natural width, but in a way that actually preserves the monospace characteristic.

I wish its usage would spread to other fonts. It's probably a lot of work to implement though.

[0] https://medium.com/larsenwork-andreas-larsen/class-based-con...

[1] http://larsenwork.com/monoid/

Re: In search of the perfect writing font

#40
post #9

I used to tell myself I couldn't code or write without the perfect font. I'd spend hours looking for it, and end up not getting any work done. When I finally did get around to actually working, five minutes in and I'd forget about the font completely. I have a (rather lazy) friend who's been asking me to help him start a blog for years now. I've promised to after he produces his first block of content, and he keeps s…

It's nice to know I'm not the only one running on OCD-fueled procrastination.
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