I remember the idea that DRM is not about controlling the viewers directly, but about controlling the makers of playback devices (both hardware, as in GPUs and TVs, and purely software). The point is not in making the bits uncopyable at all, but to prevent the makers of things like Roku or Chrome from making the access too easy, like skipping ads, let alone downloading.
Most viewers are not computer-savvy, even if they spend every day in an office facing a computer screen. If 90% of audience would know or bother to go no farther than the legal distribution channels, and won't be able to plainly download the high-res media in one click, the DRM has worked.
It suffices to make pirating inconvenient enough for the uninitiated, and let the advanced and determined minority pirate away, of course always threatened and stigmatized, to keep the operations low-key. A small amount of pirates, imho, only improves the profits, because they brag about having just seen the new hot thing in all its glory, and thus induce FOMO in their audience.
Of course the legally-buying, technology-naive audience is inconvenienced. But they know no better, and the whole point of control is, well, making people submit to what they rather won't, isn't it?