The new literalism plaguing today’s movies

I can't speak for others, but I have a pretty limited tolerance for very explicit, heavy depictions of violence, for bad things happening to animals, or for downer endings.

I fully recognize that these don't make for bad cinema. I also recognize that they're often more effective as surprises. But they are going to dramatically cut into how much I enjoy a movie. And movies aren't like books, where if the tone isn't quite what you're in the mood for you just stop reading, they're more immediately confrontational, and backing out is a bigger deal (and almost a faux pas, walking out of a movie is seen as commentary on its quality). Previews are also going to avoid spoiling twists or dramatic moments, which, again, makes sense, but makes them poor tools for assessing tone. This means I'm often tempted to read the plot summary before watching, which feels silly, but if I want to challenge myself and watch things not quite to my taste and things that aren't just kid's movies without just sometimes paying for the pleasure of having a bad time, I'm not sure how else to approach it.

It also feels like other people have almost the opposite perspective, where of a movie doesn't have something really emotionally heavy or challenging to watch they can't take it seriously. I'm not sure what makes sense here, and maybe my tastes are just the problem, but it feels bad to spend fifteen dollars and two hours of my time to be in a space that's too loud, has only very expensive food, and leave depressed by what feels to be to be an overly cynical or myopic message or an artistic vision obsessively depicting the many ways human beings can be physically harmed, in as much detail as possible. Again, I don't think it's bad or wrong, I certainly don't want it to be banned or require disclosure, I just struggle to decide where I fit in the market, and I worry that my purchasing patterns support a narrative that leads to less of what I want.

There are movie critics that go on a rollercoaster ride and then complain about a lack of subtext

I’m a Gen Xer. Voltron and Robotech were the big ones for me and my friends but these Americanized shows didn’t lead us to anime in general. We weren’t really exposed to real anime and to the degree we were (Akira comes to mind) we couldn’t get our hands on it. Even as a teen when I could finally buy it on VHS selection and availability were very limited. (Manga was somewhat more available.) It’s not surprising to me most of our peers don’t watch it. I still watch it now and almost have the same problem from the opposite angle: There’s so much available finding the good stuff that isn’t just yet-another mediocre shonen or isekai, or is cringey soft porn is difficult.

> almost always

Well, you've just revealed which kind of “content” you watch (by revealing which kind you don't). A lot of well known films were shot on full frame, and never had any other variant.

Frankly, seeing them in theatres “as intended” would require inventing a time machine, or not missing some special film screening event, as they were made quite some time ago.

Also, back then, when they still had to make film prints for distribution, and had to deal with wide screen theatres and regular screen theatres (you couldn't just ignore the other half, and lose a potentially significant share of income), both filming and editing took that into account. Shots in one aspect ratio were usually composed to look god when cut to the other, and professional cameramen (working with both types) constantly kept that in mind anyway. Same for possible TV screening versions later.

Now compare that to the modern nameless editors working for giant corporations which pretend that it's an impossible task that has never been done, and either crop automatically, or let the “smart computer” toss a coin to shift responsibility.

Edit: By “theatres” I've meant types of film projectors installed in their halls. Some had multiple, switchable lenses, etc., some had only one. Keep in mind that to show a multi-reel movie without pauses you need at least two projectors (or a special feeding system for spliced together film if the number of screenings is worth the work), and a third one is often added for redundancy and required maintenance work, so there's a lot of investment to make already.