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Classical statues were not painted horribly

worksinprogress.co

221–230 of 351 posts

Re: Classical statues were not painted horribly

#221
post #164

Earlier quoted context omitted.

> I am reminded of reading some classicists' attempt to create garum in the kitchen by making some unpleasant horror of mashed fish or something back in the eighties or nineties. No one ever mentioned in those kinds of write-ups back then that they still make fish sauce in Italy. A more modern example might be that recently discovered Babylonian Lamb Stew [0]. Most of the scholarly reconstructions of the stew follow…

I have been reading cookbook from 1767. And mostly you get ingredients and probably not all of them. And sometimes you get amounts. And useful instructions like boil so many times... I have understood that with those really old recipes, the person recording them might at best have been in the same room. But probably was not a chef.

Old recipes are more memory cues for experienced cooks than the modern step-by-step guide for amateurs we are used to. They're scanty in detail because they assume quite a lot of existing knowledge.

It's the difference between "a chicken stew flavoured with turmeric and cumin, then rice enough to cook in and fully absorb the broth" and "first, take 500g of boneless skinless chicken thighs..."

Re: Classical statues were not painted horribly

#222
post #111

Earlier quoted context omitted.

Reconstructioniats say that they only show th colours they can prove existed. The article suggests they obstinately do this because they know it creates a spectacle. I think there's another explanation - if they use their own judgement to fill in the gaps (making the statues more classically beautiful) then everyone will accuse them of making it all up, even if they were to base it on fairly rigorous study of e.g. th…

Yes, the suggestion that they're trolling goes too far. However, I did a tiny bit of investigating, and according to this write-up it does seem like Brinkmann presents his work as resembling the originals https://www.smithsonianmag.com/arts-culture/true-colors-1788... But they still don't add anything without direct evidence - where there's evidence in later statues for more subtle colouring, they include that.

I’m reminded of a Reddit thread long ago about a reconstruction of Roman garum by some American scientists. In their paper they conclusively declared that it tasted foul and a Filipino Redditor replied saying “This actually sounds a lot like the fish sauce we use in SE Asia. I wonder if people from a different culinary tradition would find it less off putting or even tasty?” Cue a bunch of Redditors downvoting the poor sap to hell for daring to disagree with the scientists’ assessment of the flavor.

Re: Classical statues were not painted horribly

#223
post #28

I will die on this hill, because I'm right. Painters put on the first layer in saturated colors like this, then add detail, highlight and shadow. The base layer stuck to the statues, and the rest was washed away. This whole thing just won't go away because many people are operating outside their area of expertise on this subject. Painters layer paint, starting with a saturated base color. These archaeologists are sim…

>This whole thing just won't go away because many people are operating outside their area of expertise on this subject.

The point the author made in the article is that the reconstructors are well aware of this, and are, in a way, trolling the masses to raise awareness and attract attention to the classical art and museums.

Keeping history alive generally isn't a profitable enterprise.

Re: Classical statues were not painted horribly

#224

Earlier quoted context omitted.

Imagine if we refused to publish any material or exhibit recreations of dinosaurs because the only evidence we have are fossilized skeletons and a few skin texture impressions.

You've highlighted a very cogent comparison! Dinosaurs in the first Jurassic Park were fairly well represented considering what we knew in the late 80s. But our knowledge of dinosaurs has grown, with feathers being the most emblematic change. Yet the Jurassic Park movies steadfastly refuse to put feathers on their 3D monsters in the current movies, because viewers do not expect feathers on the T-Rex. We might be at t…

I've not seen the latest Jurassic Park movie, but I've seen a clip with velociraptor's with feathers, and maybe quetzlcoatalus too? Along with colourful skin on eg compsagnathus.

They seem to have moved on a bit, they're balancing audience expectations with latest research, I expect.

Re: Classical statues were not painted horribly

#225
post #220

Earlier quoted context omitted.

What do you mean by “exceptions”? Who are we, in our own infinitesimal slice of human history, to judge historic taste in art? And is naturalism the be-all, end-all of good taste? If so, we need to throw out the majority of art in the 20th century. This is a question for an art historian, not some anon on a tech forum. (For what it’s worth, I find Medieval and Renaissance art to be about equally tepid despite the dif…

"some anon on a tech forum" Don't sell yourself short. Post some art from those 800 years that doesn't suck, and I'll change my views. Sure, there's plenty of crap in 20th century art. I've seen examples of that. But that's a different subject.

Like I said, I find the majority of European art before 1800 or so to be fairly dull, so I can't really answer this question. The prevailing technique improved remarkably post-Renaissance, and that's enjoyable to an extent, but the same themes get repeated over and over and over again.

If you're looking for art with an impact, the iconography of Andrei Rublev (and other icon painters during this period) is still massively influential in the Russian Orthodox Church today. 600+ years of direct use and inspiration! The lack of naturalism is not a deficiency.

Re: Classical statues were not painted horribly

#226
post #111

Earlier quoted context omitted.

Yes, this is what tfa says, and it's a good point. But tfa also points out that the archaeologists/reconstructionists know that what they're producing differs from the original. The thing is the discipline of reconstruction means that they only use pigments that they have direct evidence of, and this is just the saturated underlayers. The problem is this is seldom explained when the reconstructions are presented to t…

Reconstructioniats say that they only show th colours they can prove existed. The article suggests they obstinately do this because they know it creates a spectacle. I think there's another explanation - if they use their own judgement to fill in the gaps (making the statues more classically beautiful) then everyone will accuse them of making it all up, even if they were to base it on fairly rigorous study of e.g. th…

They're making it up no matter what they do, since we don't know how these things were originally painted and have no way of knowing. They should just present the reconstructions as interpretations and actually try to do a good job painting them. I agree with the article that what they're doing now is harmful to the public understanding.

Re: Classical statues were not painted horribly

#227
post #78

Did he talk to people who make those reconstructions? Why speculate from that outside perspective when you could talk to people who worked on them and the decisions they made. I think that would be very interesting. As is that‘s completely missing and it feels a bit like aimless speculation and stuff that could be answered by just talking to the people making those reconstructions. My experience is that people doing…

Whether intentionally or unintentionally, these researchers have cultivated a public perception that the classical statues we admire looked totally ridiculous and were actually hideous. It is difficult to interpret it as unintentional, when the more absurd your reconstruction, the likelier you are to get press attention and get invited to special events at international galleries.

https://journals.openedition.org/techne/2656?lang=en

https://www.smithsonianmag.com/arts-culture/true-colors-1788...

https://www.npr.org/2022/07/12/1109995973/we-know-greek-stat...

https://bigthink.com/high-culture/greek-statues-painted/

https://www.newyorker.com/magazine/2018/10/29/the-myth-of-wh...

https://steemit.com/news/@beowulfoflegend/greek-statues-were...

Re: Classical statues were not painted horribly

#228

Earlier quoted context omitted.

Yes, the suggestion that they're trolling goes too far. However, I did a tiny bit of investigating, and according to this write-up it does seem like Brinkmann presents his work as resembling the originals https://www.smithsonianmag.com/arts-culture/true-colors-1788... But they still don't add anything without direct evidence - where there's evidence in later statues for more subtle colouring, they include that.

I’m reminded of a Reddit thread long ago about a reconstruction of Roman garum by some American scientists. In their paper they conclusively declared that it tasted foul and a Filipino Redditor replied saying “This actually sounds a lot like the fish sauce we use in SE Asia. I wonder if people from a different culinary tradition would find it less off putting or even tasty?” Cue a bunch of Redditors downvoting the po…

love me some red boat fish sauce!

Re: Classical statues were not painted horribly

#229
The matte effect is a huge part of why these look bad. Marble does an amazing job of showing off the subtle variations in the carving and matte paint flattens everything out. A glossier finish and literally any variation of tones would vastly improve the effect.

Re: Classical statues were not painted horribly

#230
post #78

Did he talk to people who make those reconstructions? Why speculate from that outside perspective when you could talk to people who worked on them and the decisions they made. I think that would be very interesting. As is that‘s completely missing and it feels a bit like aimless speculation and stuff that could be answered by just talking to the people making those reconstructions. My experience is that people doing…

Whether intentionally or unintentionally, these researchers have cultivated a public perception that the classical statues we admire looked totally ridiculous and were actually hideous. It is difficult to interpret it as unintentional, when the more absurd your reconstruction, the likelier you are to get press attention and get invited to special events at international galleries. https://journals.openedition.org/tec…

To get closer to an answer to this you should still talk to the people doing the actual work?

I know that many scholars have an uncomfortable relationship to the PR work their research institutions are doing, but they themselves don’t strike me as unapproachable or closed to nuanced discussion. Seems weird to ignore that perspective and wildly speculate from the outside.

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