Also do not be fooled by resolution, low bitrate 1080p can look worse than 480p, and many services are quietly throttling bandwidth.
High quality 1080p should be 8-10mb/s.
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Also do not be fooled by resolution, low bitrate 1080p can look worse than 480p, and many services are quietly throttling bandwidth.
High quality 1080p should be 8-10mb/s.
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> It’s not. It’s enough to deter casual piracy. There is some value in that. Casual pirates wouldn't bother right-clicking in the first place unless it's to store a local copy that they won't even know how to share effectively (since they're casual). The only thing DRM achieves for netflix is deterring new customers and hurting existing ones.
> The only thing DRM achieves for netflix is deterring new customers and hurting existing ones. Out of their more than 231 million subscribing households around the world, I don't think more than 5,000 feel the way you think. Even if 55,000 felt that way it doesn't matter.
If we accept that enabling DRM on some of their content has some value to Netflix, which it obviously does, and we accept that it doesn't impose unacceptable user experience tradeoffs, which it obviously doesn't, then it is rational for them to enable it on all of their content.
There is probably a hypothetical cost/benefit break-even point where it actually degrades the user experience a little and thus is only acceptable in cases where it is absolutely needed, but it seems unlikely this is significant enough to even be quantifiable.
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It's not worthless though, because if it didn't exist - some browser extension would appear the next day which adds a nice little download right next to the play button.
> a nice little download right next to the play button This is obviously what we would actually want.
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Most pirates are not subscribed in the first place. They just download something someone else had removed DRM from, which also makes it a superior experience. It only takes one pirate with a decent computer to encode a good DRM-free copy for it to be shared via BitTorrent. It is pointless to deter casual piracy when one "professional" pirate is enough to free the content.
> It is pointless to deter casual piracy when one "professional" pirate is enough to free the content. For the piracy scene, sure. It’s irrelevant. But for normal people the difference is huge. They may not know how to pirate content, where to go to find it, or be willing risk downloading it and getting in trouble (scary FBI warnings and ISP letters). But once it’s trivial due to the lack of protection it will be all…
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Why? Photocopy is obviously lossy since there is a very noisy digital-analog-digital conversion going on. But a capture card is capturing a digital signal. There should be no loss except for video decoding/encoding artifacts.
You're not understanding how lossy compression encoders work. Try recompressing a JPEG a few dozen times. Or take an MP3 and export it from Audacity, open the export, export as MP3 again a dozen times and see what it sounds like. All those artifacts keep getting amplified every time you re-encode until it's practically just the artifacts. Every time you render and recompress you're losing information, it's lossy comp…
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Why? Photocopy is obviously lossy since there is a very noisy digital-analog-digital conversion going on. But a capture card is capturing a digital signal. There should be no loss except for video decoding/encoding artifacts.
You're not understanding how lossy compression encoders work. Try recompressing a JPEG a few dozen times. Or take an MP3 and export it from Audacity, open the export, export as MP3 again a dozen times and see what it sounds like. All those artifacts keep getting amplified every time you re-encode until it's practically just the artifacts. Every time you render and recompress you're losing information, it's lossy comp…
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Not worthless, actively harmful to the user experience, and therefore actively harmful to the bottom line.
But I doubt the harmed people will feel materially less harmed if some tiny fraction of content isn't in harm's way while the rest still is.
Widevine has been privately cracked/bypassed. The method hasn't been made public as it would obviously get patched rather quickly (if it even can be patched). That's why Netflix content is available almost immediately on any decent tracker. The quality would not look nearly as good if it was grabbed using a capture card. Like others have mentioned, it's security theater for the content owners who most likely require…
Just because piracy is possible doesn’t mean they should make it as easy as it can be for users. There’s value in even minor hurdles. They clear think it’s worth it.
> There’s value in even minor hurdles.
The hurdles only exist for the people who are paying them. It makes piracy more attractive relative to paying, by making the experience you get when you pay worse.
> They clear think it’s worth it.
They're corporations. Management is under pressure to be seen doing something about piracy and the DRM vendors saw an opportunity to sell them some snake oil.
Widevine has been privately cracked/bypassed. The method hasn't been made public as it would obviously get patched rather quickly (if it even can be patched). That's why Netflix content is available almost immediately on any decent tracker. The quality would not look nearly as good if it was grabbed using a capture card. Like others have mentioned, it's security theater for the content owners who most likely require…
It's not even private anymore. Anyone can easily find tools on GitHub or other sites[0] that can download widevine'd content. It's easy to find L3 keys on GitHub too. There are public sites[1] that get the decryption keys but using their own keys on the backend if you cant find keys or don't know how to dump the keys. There is an all-in-one tool[2] that lets anyone with 0 knowledge of DRM to dump content from practic…
Earlier quoted context omitted.
Why? Photocopy is obviously lossy since there is a very noisy digital-analog-digital conversion going on. But a capture card is capturing a digital signal. There should be no loss except for video decoding/encoding artifacts.
You're not understanding how lossy compression encoders work. Try recompressing a JPEG a few dozen times. Or take an MP3 and export it from Audacity, open the export, export as MP3 again a dozen times and see what it sounds like. All those artifacts keep getting amplified every time you re-encode until it's practically just the artifacts. Every time you render and recompress you're losing information, it's lossy comp…