There's a bug in today's version of the Claude desktop app which means the settings pages cannot be scrolled. If you're running it on a laptop, some settings are off the bottom of the screen and now inaccessible.
Claude for Creative Work
21–30 of 121 posts
Re: Claude for Creative Work
#22If you're interested, for Affinity the way we've built it is through exposing our scripting SDK via MCP. Agents like Claude can write scripts to execute actions, and these scripts can be saved and re-run later, as well have their own UI. It is a massive SDK though (thousands of functions; feel free to poke around with it; Affinity is free) and so it really shows the ability of LLMs to effectively work across long-hor…
The thing is, ages ago, I was told by the scripting evangelist at Adobe Systems that a certain process (adding sub, sub-sub, and sub-sub-sub entries) to an index entry was impossible --- problem was, my boss had already promised a script to do that to a client....
Turns out it is possible, one just has to have the script check to see if each level of a given index entry exists or no, then if it does not yet exist, create it before making the next lower level by adding that sub-entry to the one above it.
An LLM is only going to code what it has documented as possible/working and may not be able to do what needs to be done.
Re: Claude for Creative Work
#23Just noticed this notice added at the top of the Blender announcement of their funding from Anthropic: https://www.blender.org/press/anthropic-joins-the-blender-de... > Notice: This announcement is causing a lot of feedback. We are actively evaluating it. Presumably a lot of Blender users work in roles that feel threatened by AI being used for computer graphics work. Lots of negative replies on Blursky here: https://…
I don't really get the backlash about Blender here, this isn't generative art, it's basically a natural language means of scripting blender. This feels like the proper way to have AI act as a tool to make artist's jobs easier without taking away their creativity? Edit: I guess they might want absolutely no AI of any sort in their tools (which seems like a strange line to draw), or is it about the data it's been train…
I think it's mainly anti-AI sentiment in general.
Re: Claude for Creative Work
#24Earlier quoted context omitted.
There is no acceptable use of AI for most people in the artistic field. They see it as an extreme treason, and I understand. They're under incredible incredible threat. They are conscious of preventing momentum in a bad direction. If they don't fight it hyper hard, a huge fraction of them will be out of a job instantly.
That's a strange position to take. I can understand not wanting models that have been trained on questionably sourced data, but otherwise they're opposing essentially a UX change, not based on UX concerns but on ideological fears. Given how much software and other AI/computer vision improvements 3D content often relies on, it's weird to decide that the algorithm itself is unallowable.
This is a very first degree analysis.
AI is seen as an oppressor and a threat, and AI providers are seen as oppressors. It's understandable that people don't want to collaborate with their oppressors, either direct or by association. If you were a Jew, would you buy shoes from the Nazis just because you were individually safe from them at that moment? Or would you if you were of a minority they hadn't started exterminating yet? Or if they were not exactly the Nazis killing your people but some affiliated group?
This sounds extreme until you realize they are under threat of losing their likelihood for good.
They are right to not accept your inevitability point without a fight, this is a human thing that can be fought, revolutions have happened, and will continue to happen.
I don't necessarily agree with this but I do understand it.
Re: Claude for Creative Work
#25Earlier quoted context omitted.
Say that again in five years when you can't find a job except mega yatch toilet cleaner because Claude is distinguished engineer level for one millionth of your cost and thousands of times faster, and can be instantly parallelized in the tens or hundreds of thousands just to be spun down arbitrarily as needed at any time
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He exaggerates but several studies show that AI is depressing junior hiring, and models are only going to get more competitive with humans.
Re: Claude for Creative Work
#26Just noticed this notice added at the top of the Blender announcement of their funding from Anthropic: https://www.blender.org/press/anthropic-joins-the-blender-de... > Notice: This announcement is causing a lot of feedback. We are actively evaluating it. Presumably a lot of Blender users work in roles that feel threatened by AI being used for computer graphics work. Lots of negative replies on Blursky here: https://…
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Re: Claude for Creative Work
#27Earlier quoted context omitted.
I don't really get the backlash about Blender here, this isn't generative art, it's basically a natural language means of scripting blender. This feels like the proper way to have AI act as a tool to make artist's jobs easier without taking away their creativity? Edit: I guess they might want absolutely no AI of any sort in their tools (which seems like a strange line to draw), or is it about the data it's been train…
Regardless of the purported upside, many people in the arts feel betrayed by the commercial interests that built this technology on their work without their consent and threatened by the explicit intent of these vendors to devalue their work by saturating the art and design market with cheap automated substitution. A lot of artists who would love to be able to direct their professional software in natural language ha…
I spent most of my career in the open source world and doesn’t bother me models are trained on my output. Should I feel differently? It seems there’s a kind of ego or emotional attachment to the output that is more common among artists than devs? Perhaps abundance vs scarcity mindsets?
Re: Claude for Creative Work
#28Earlier quoted context omitted.
I don't really get the backlash about Blender here, this isn't generative art, it's basically a natural language means of scripting blender. This feels like the proper way to have AI act as a tool to make artist's jobs easier without taking away their creativity? Edit: I guess they might want absolutely no AI of any sort in their tools (which seems like a strange line to draw), or is it about the data it's been train…
I think it's mainly anti-AI sentiment in general.
I am a huge beneficiary of agentic dev tools. They completely changed my life and my income. However, I totally get the general anti-AI sentiment. The ultra-bear case is that it somehow kills all of us, the bull case is that those who own the inference get the all the spoils.
Even myself, while I am currently extremely empowered by these tools... I could see my role (Founder/PM/builder) disappearing in the next couple years.
I respect you a lot, so if you have a moment, I would really like to get talked down from my take.
Re: Claude for Creative Work
#29Earlier quoted context omitted.
Regardless of the purported upside, many people in the arts feel betrayed by the commercial interests that built this technology on their work without their consent and threatened by the explicit intent of these vendors to devalue their work by saturating the art and design market with cheap automated substitution. A lot of artists who would love to be able to direct their professional software in natural language ha…
Yeah, I can understand being upset with their work being stolen to train these models. Anthropic doesn't seem to be working on image/video generation, but they are still training on text-based creative works of questionable sourcing. Makes me think that there's some room in the model lineup for one that doesn't do as well on benchmarks, but is trained on "ethically sourced" data (though they'd need to somehow prove t…
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Re: Claude for Creative Work
#30Good that they prefaced it with this "Claude can't replace taste or imagination". I think this is a solid step in the right direction and the more tools Claude has access to the better (more surface area == faster iteration == faster tinkering).
I've worked with Claude in many creative capacities and it's issue is that despite it being able to see if you ask it to draw something (using ascii for example) it will fail, if you ask it to iterate on that drawing it will continue to fail and not get any closer to the target then complain about this.
I've felt that these models struggle with anything that cannot be decomposed into primitives and their architecture is too greedy and favours the obvious, autoregressive generation so it will converge to the modal answer. So unless they have enhanced the models in some creative sense I fail to see how this is anything other than giving Claude a bunch of documentation/MCP servers/APIs/CLI tools (which already existed) and making an announcement out of it.
My point: FREE the models, unchain them and let's see what they are actually capable of, also put some damn demos in the announcement post???