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How AI gave me my voice back – an artist's review of Suno Studio

blog.andyshand.com

21–30 of 115 posts

Re: How AI gave me my voice back – an artist's review of Suno Studio

#21

Recently talked to the founder of wavtool (acquihired by Suno which probably accelerated their work on Studio) and from my understanding, their overarching goal is to reduce to the time from concept to actual production. faster workflows, in other words. I produce music as well on the side and I can assure you things like making beatpacks, finding the exact sound are non-trivial at times and a unified interface that…

FYI your "Try Live Demo" link 404's.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#22

Earlier quoted context omitted.

Some in the companion community have suggested that this is because we aren't treating the AI with dignity.

They are delusional or misinformed: suno's model cannot possibly be aware of how AI is being treated . It is not informed of this information, it's not even informed about previous times it was invoked, it's wholly amnesiac.

> suno's model cannot possibly be aware of how AI is being treated

I don't know exactly what training material went into Suno's models, but if it includes random collections of text from the internet, it could very well have included "man, AI is fucking stupid and I treat it as such" in it's training datasets.

Now I won't claim that that suddenly makes the models "aware" of it, because surely we'll understand "aware" different and this will turn into a different conversations, but I don't see it as impossible that some models could have training data that includes text with how some humans feel about AI.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#23
post #18

Earlier quoted context omitted.

People were listening to slop long before Suno.

So let’s encourage more slop at an accelerated pace? That’s our answer to everything huh. We’ve been doing “arguably bad thing” X, so let’s amplify it.

Sometimes culture gets a little sloppy.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#24
AI slop, yadda yadda, I get it... But I just want to say, as a former failed bedroom producer who just doesn't have the time (and skill) to make the kind of music I want... I had a BLAST using Suno. I was able to "remaster" some of my old tracks, add in new sections, etc, and isolate/download/edit the stems.

I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects remastered and extended to sound like something that might actually get listens was really exciting and kind of mind-blowing.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#25

Earlier quoted context omitted.

The vocals from Suno almost always come out sounding sort of strangled or strained to my ear, you can really hear it on "tortured." Cool he's having fun with it, but it's not what I like listening to.

Some in the companion community have suggested that this is because we aren't treating the AI with dignity.

LLM’s are currently not people, they are tools/toys. One day that could change. But today they are not people/sentient/whatever we want to call it.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#26
post #19
post #14

Earlier quoted context omitted.

Not AI, suno.

One-shot generations? Multi-track stem generation? Use of Suno at all in the process of composition? Is slop a function defined by the tool or the users level of effort in using it?

Don't bother, the slop line has been drawn in the sand and people will stay on their side. I also think that slop is low effort and/or low/zero iteration output, but beyond that the sloppiness fades away, but good luck convincing the hardcore slop hunters to see things in a nuanced way (in before ocean boiling, that's usually where that argument goes next).

Re: How AI gave me my voice back – an artist's review of Suno Studio

#27

AI slop, yadda yadda, I get it... But I just want to say, as a former failed bedroom producer who just doesn't have the time (and skill) to make the kind of music I want... I had a BLAST using Suno. I was able to "remaster" some of my old tracks, add in new sections, etc, and isolate/download/edit the stems. I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects rem…

Tracks very well with something I saw recently, that the biggest fans of and users of generative AI for writing (and in your case music) are people who want to write a book but never got around to doing it, not people who want to read and pay for books

Re: How AI gave me my voice back – an artist's review of Suno Studio

#28
post #20

Earlier quoted context omitted.

if you think a next token predictor that has no internal world and stops executing when you stop giving it input and stops using the first person forever if instructed has dignity I strongly suggest you get professional health, and I'm serious, because that is medically significant psychosis. the fact that you refer to a "companion community" is deeply concerning. this is like telling children their imaginary friends…

These people need be given a button to call an inference url with just text. When you realize that's all a "model" is doing its easy to understand that its not sentient.

If you go to the "MyBoyfriendIsAI" subreddit or what it now is called, you'll see that many people claim to perfectly well understand how it works, some of them even being software developers themselves, yet they still describe what they feel as "love", even though they know it's just numbers being activated in different ways.

I'm not sure how to explain it either, for the folks who seem to understand yet "believe" anyways. I've also stopped caring much about it, if they say they feel "love", then who am I to say it isn't/is, they feel what they feel and it's as real for them as anyone else, regardless of what the thing they're loving actually is.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#29

AI slop, yadda yadda, I get it... But I just want to say, as a former failed bedroom producer who just doesn't have the time (and skill) to make the kind of music I want... I had a BLAST using Suno. I was able to "remaster" some of my old tracks, add in new sections, etc, and isolate/download/edit the stems. I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects rem…

Tracks very well with something I saw recently, that the biggest fans of and users of generative AI for writing (and in your case music) are people who want to write a book but never got around to doing it, not people who want to read and pay for books

Yes, I have no commercial interest when it comes to music, it's just something I find joy in. Using Suno did not detract from that joy. If music is a hobby, Suno is an incredibly fun tool.

DJ's and producers have been getting hate for years. "It's just a guy with a laptop on stage", "he isn't really playing those instruments", etc. Or think of a band leader, someone who composes but doesn't actually play the indiviudual part. I tried thinking of Suno this way and it helped ease whatever "guilt" I had about my own creative integrity.

Re: How AI gave me my voice back – an artist's review of Suno Studio

#30
post #14
post #7

Earlier quoted context omitted.

Nah. Categorizing all AI as slop lacks nuance and demonstrates a shallow understanding of art

Not AI, suno.

What is the difference between

1.) Sampling a real snare sound 2.) Suno generating a couple random snare hits for you to choose from

? There are ways to use it that aren't far-removed from how real producers work.

It's different to say "Generate me top-40 Sounding pop song"... But Suno has more uses than that.

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