Recently talked to the founder of wavtool (acquihired by Suno which probably accelerated their work on Studio) and from my understanding, their overarching goal is to reduce to the time from concept to actual production. faster workflows, in other words. I produce music as well on the side and I can assure you things like making beatpacks, finding the exact sound are non-trivial at times and a unified interface that…
How AI gave me my voice back – an artist's review of Suno Studio
21–30 of 115 posts
Re: How AI gave me my voice back – an artist's review of Suno Studio
#22Earlier quoted context omitted.
Some in the companion community have suggested that this is because we aren't treating the AI with dignity.
They are delusional or misinformed: suno's model cannot possibly be aware of how AI is being treated . It is not informed of this information, it's not even informed about previous times it was invoked, it's wholly amnesiac.
I don't know exactly what training material went into Suno's models, but if it includes random collections of text from the internet, it could very well have included "man, AI is fucking stupid and I treat it as such" in it's training datasets.
Now I won't claim that that suddenly makes the models "aware" of it, because surely we'll understand "aware" different and this will turn into a different conversations, but I don't see it as impossible that some models could have training data that includes text with how some humans feel about AI.
Re: How AI gave me my voice back – an artist's review of Suno Studio
#23Re: How AI gave me my voice back – an artist's review of Suno Studio
#24I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects remastered and extended to sound like something that might actually get listens was really exciting and kind of mind-blowing.
Re: How AI gave me my voice back – an artist's review of Suno Studio
#25Earlier quoted context omitted.
The vocals from Suno almost always come out sounding sort of strangled or strained to my ear, you can really hear it on "tortured." Cool he's having fun with it, but it's not what I like listening to.
Some in the companion community have suggested that this is because we aren't treating the AI with dignity.
Re: How AI gave me my voice back – an artist's review of Suno Studio
#26Earlier quoted context omitted.
Not AI, suno.
One-shot generations? Multi-track stem generation? Use of Suno at all in the process of composition? Is slop a function defined by the tool or the users level of effort in using it?
Re: How AI gave me my voice back – an artist's review of Suno Studio
#27AI slop, yadda yadda, I get it... But I just want to say, as a former failed bedroom producer who just doesn't have the time (and skill) to make the kind of music I want... I had a BLAST using Suno. I was able to "remaster" some of my old tracks, add in new sections, etc, and isolate/download/edit the stems. I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects rem…
Re: How AI gave me my voice back – an artist's review of Suno Studio
#28Earlier quoted context omitted.
if you think a next token predictor that has no internal world and stops executing when you stop giving it input and stops using the first person forever if instructed has dignity I strongly suggest you get professional health, and I'm serious, because that is medically significant psychosis. the fact that you refer to a "companion community" is deeply concerning. this is like telling children their imaginary friends…
These people need be given a button to call an inference url with just text. When you realize that's all a "model" is doing its easy to understand that its not sentient.
I'm not sure how to explain it either, for the folks who seem to understand yet "believe" anyways. I've also stopped caring much about it, if they say they feel "love", then who am I to say it isn't/is, they feel what they feel and it's as real for them as anyone else, regardless of what the thing they're loving actually is.
Re: How AI gave me my voice back – an artist's review of Suno Studio
#29AI slop, yadda yadda, I get it... But I just want to say, as a former failed bedroom producer who just doesn't have the time (and skill) to make the kind of music I want... I had a BLAST using Suno. I was able to "remaster" some of my old tracks, add in new sections, etc, and isolate/download/edit the stems. I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects rem…
Tracks very well with something I saw recently, that the biggest fans of and users of generative AI for writing (and in your case music) are people who want to write a book but never got around to doing it, not people who want to read and pay for books
DJ's and producers have been getting hate for years. "It's just a guy with a laptop on stage", "he isn't really playing those instruments", etc. Or think of a band leader, someone who composes but doesn't actually play the indiviudual part. I tried thinking of Suno this way and it helped ease whatever "guilt" I had about my own creative integrity.
Re: How AI gave me my voice back – an artist's review of Suno Studio
#30Earlier quoted context omitted.
Nah. Categorizing all AI as slop lacks nuance and demonstrates a shallow understanding of art
Not AI, suno.
1.) Sampling a real snare sound 2.) Suno generating a couple random snare hits for you to choose from
? There are ways to use it that aren't far-removed from how real producers work.
It's different to say "Generate me top-40 Sounding pop song"... But Suno has more uses than that.