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Lessons I learned working at an art gallery

henrikkarlsson.xyz

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Re: Lessons I learned working at an art gallery

#21

I refuse to believe that not answering every single email within an hour is a good predictor of anything other than being glued to your phone. I think extending it to a reasonable amount of time, maybe a business day max, works out pretty well. Sometimes people respond really fast because they’re taking regular breaks and other times they don’t respond all evening because they’re putting on their kid’s birthday party…

I have found that folks like Jensen, Elon, Jobs, etc answer their emails in 5-10 min. You be the judge.

Re: Lessons I learned working at an art gallery

#22
Thanks for sharing. Henrik Karlsson is one of my favourite writers on the internet at the moment. His other piece called "Everything that turned out well in my life followed the same design process" [1] left such a big impression on me and I return to it frequently, highly recommend.

1: https://web.archive.org/web/20240816150009/https://www.henri...

Re: Lessons I learned working at an art gallery

#23
post #11

Some years ago I decided that, at some point in my life, I would try and involve myself with a gallery or museum. As with all things, it depends, but it seems to me that in such places you can find some of the most authentic and driven people out there. And it's probably quite fun to work with them.

> the most authentic I have found the most authentic folks are the low-key ones that have a booth at an arts festival or some other show. I've been to galleries, and thought the vibe was really un-authentic. maybe I've been to the dysfunctional ones. Maybe that it is that galleries are more about something else than the art, more meta. (and they sold art not like this community gallery) Don't know the reality of muse…

The small community galleries I know are filled with artists who also have a booth at the local arts festivals - and they definitely sell art!

Re: Lessons I learned working at an art gallery

#24

I refuse to believe that not answering every single email within an hour is a good predictor of anything other than being glued to your phone. I think extending it to a reasonable amount of time, maybe a business day max, works out pretty well. Sometimes people respond really fast because they’re taking regular breaks and other times they don’t respond all evening because they’re putting on their kid’s birthday party…

[deleted]

Re: Lessons I learned working at an art gallery

#25

I refuse to believe that not answering every single email within an hour is a good predictor of anything other than being glued to your phone. I think extending it to a reasonable amount of time, maybe a business day max, works out pretty well. Sometimes people respond really fast because they’re taking regular breaks and other times they don’t respond all evening because they’re putting on their kid’s birthday party…

Yep, this wouldn’t necessarily apply to everyone — especially those who balance multiple roles

Re: Lessons I learned working at an art gallery

#26

Thanks for sharing. Henrik Karlsson is one of my favourite writers on the internet at the moment. His other piece called "Everything that turned out well in my life followed the same design process" [1] left such a big impression on me and I return to it frequently, highly recommend. 1: https://web.archive.org/web/20240816150009/https://www.henri...

Great essay, just read it

Re: Lessons I learned working at an art gallery

#27
post #8
post #6

Earlier quoted context omitted.

Artists tend to be in art production mode or sales mode. When in sales mode and doing exhibitions, etc., good ones are very responsive. They work for a a year, or maybe several, then there are sales to be had over the corse of a month or so. The work they are selling is finished. Would you work on something for years, and then when the time comes to maybe sell it — not answer the phone?

People that work at art galleries are not artists.

Though they do play a crucial role in selling and promoting the art

Re: Lessons I learned working at an art gallery

#28
The article glosses over the bosses and board members, but it feels that’s where the story is. Often art institutions are not optimized to make money for the organization, but rather to employ specific people or make specific people visible in a desired way. Hence the workshops and fundraisers. I suspect that’s why the boss, eventually becomes just a „first boss”.

Re: Lessons I learned working at an art gallery

#29

Some years ago I decided that, at some point in my life, I would try and involve myself with a gallery or museum. As with all things, it depends, but it seems to me that in such places you can find some of the most authentic and driven people out there. And it's probably quite fun to work with them.

People there not just working for financial gain but for the preservation and promotion of something meaningful (I mean in most cases)

Re: Lessons I learned working at an art gallery

#30

I refuse to believe that not answering every single email within an hour is a good predictor of anything other than being glued to your phone. I think extending it to a reasonable amount of time, maybe a business day max, works out pretty well. Sometimes people respond really fast because they’re taking regular breaks and other times they don’t respond all evening because they’re putting on their kid’s birthday party…

Unfortunately it's one of those hacks that makes your look like a superhuman. I hate it but obsessively answering emails and messages as soon as possible has given me so many opportunities that it feels like a cheat code. It's nothing reasonable about it but it's just the way things are.
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