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De La Soul’s Legacy Is Trapped in Digital Limbo

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Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#21
post #9

If you haven't heard "3 Feet High and Rising", you're really missing out. It's one of the best ever made. Was the first album I ever bought (on cassette!).

It was my second after Ton Loc's "Loc'ed after dark". "3ft High and Rising" is timeless though and still sounds good today

The Funky Cold Medina one? Olllllld school...

Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#23
post #9

If you haven't heard "3 Feet High and Rising", you're really missing out. It's one of the best ever made. Was the first album I ever bought (on cassette!).

Stakes is High ends with Pony Ride, Stakes is High, and Sunshine. Put that together with Itzsoweezee, Dinninit, Supa Emcees, Brakes... I think it's their best album.

Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#24

I worked on 3 feet high and rising as a sound engineer. They were a total riot, I had absolutely no clue they would go on to such renown. All the records they sampled had their labels blacked out with marker. I freaked them out a bit by recognizing Hall and Oates and Steely Dan samples. I don't know anything about the clearance problems, but it's true that this was one of the first records that used samples so extens…

OMG that is AMAZING. What. You worked on both 3 feet high and rising and All Hail the Queen. WOW. Sorry about the not very informational post, don't fully follow the HN recommendations. BUT I AM LOOSING IT. WOW.

Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#25

I worked on 3 feet high and rising as a sound engineer. They were a total riot, I had absolutely no clue they would go on to such renown. All the records they sampled had their labels blacked out with marker. I freaked them out a bit by recognizing Hall and Oates and Steely Dan samples. I don't know anything about the clearance problems, but it's true that this was one of the first records that used samples so extens…

Can't this post be used against you in court to prove you complicit in copyright infringement?

Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#26

I worked on 3 feet high and rising as a sound engineer. They were a total riot, I had absolutely no clue they would go on to such renown. All the records they sampled had their labels blacked out with marker. I freaked them out a bit by recognizing Hall and Oates and Steely Dan samples. I don't know anything about the clearance problems, but it's true that this was one of the first records that used samples so extens…

Maybe you can shed some light on who plays (or what sample is) the sax "solo" in "ring ring ring".. nothing on the web, nothing on the booklet; not the same album, but maybe you heard things ...

Fat Larry's Band - Act Like You Know

Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#28
post #8

Funny how you never forget when a band blows you off. Even so many years ago. I just started working with the Umass student group that put on concerts on campus (UPC). I did stage crew and security. The 1991 spring concert was the big one, an all day affair, with a purchased stage students put together. Del La Soul didn't show. Bob Dylan showed (Mr. Dylan as he liked to be called), had to go on early. He was not to h…

I was at the '92 Spring Fling. Incredible line up.

Re: De La Soul’s Legacy Is Trapped in Digital Limbo

#29
If you haven't heard much De La Soul, then you may be interested in the 20th anniversary mix that Wax Poetics magazine and DJ Chris Read did recently for the album "Stakes Is High"[1].

As far as I know it's legal, and it gives a great introduction to the group's style (It's also my favorite De La album!).

[1]: https://soundcloud.com/wax-poetics/de-la-soul-stakes-is-high...

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