Well that's opened up a fascinating new world to me. Is there a name for that regular logarithmic by linear music notation in the first image? I suddenly feel like a whole lifetime of musical enjoyment has been denied to me by the utterly utterly ridiculous staff notation system.
Recreating Daft Punk's Da Funk with Overtone and Leipzig
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Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#22Well that's opened up a fascinating new world to me. Is there a name for that regular logarithmic by linear music notation in the first image? I suddenly feel like a whole lifetime of musical enjoyment has been denied to me by the utterly utterly ridiculous staff notation system.
Tablature is another common notation system: https://en.wikipedia.org/wiki/Tablature
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#23Well that's opened up a fascinating new world to me. Is there a name for that regular logarithmic by linear music notation in the first image? I suddenly feel like a whole lifetime of musical enjoyment has been denied to me by the utterly utterly ridiculous staff notation system.
Musical keys are "mathematically" interchangeable. The physical keys that correspond to notes not in the key of C major (alternatively, A minor) are colored black for practical reasons. That is, for knowing one's place while playing the piano.
Fortunately I sorted this out in college, and I've enjoyed making music for my own enjoyment since.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#24Haha. This is awesome. I wonder what the final output would be. A full song?
I was a bit disappointed by the output. Is this the quality of music that is produced regularly by this software? The only thing that sounded good to my ears was the baseline piece, by itself. It sounded true to the original. The rest sounded like a Casio keyboard from the 80s. Not flattering to the depth of Da Funk. I was expecting something closer to the original, not something with the same tones measures and BPM…
This is the exact same sort of sound you'd get if you picked up any DAW or hardware studio and tried to recreate the song in a few moments.
It's almost certainly possible to create something true to the original, but there's no way it would be suitable for a "recipe" for showing people how Overtone/SuperCollider works.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#25Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#26Off topic but Sam Aaron an overtone contributor and the creator of Sonic Pi is currently looking for advice re the funding of his work on Sonic Pi https://twitter.com/samaaron
He has set up a Patreaon page [0] for those interested in contributing his live coding, development of Sonic Pi and Overtone.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#27Well that's opened up a fascinating new world to me. Is there a name for that regular logarithmic by linear music notation in the first image? I suddenly feel like a whole lifetime of musical enjoyment has been denied to me by the utterly utterly ridiculous staff notation system.
It's a representation of a midi step sequencer. It's pretty standard in all DAW (Digital Audio Workstation) software. Staff notation is way more nuanced than this. In order to represent all the details on the midi ui it requires layers (like photoshop) for all the different parameters. On staff notation it's all there on one page. Staff notation might be a bigger learning curve but it's also a far superior way of com…
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#28Earlier quoted context omitted.
Tablature is another common notation system: https://en.wikipedia.org/wiki/Tablature
For those that don't want to learn how to read proper notation, usually.
[1] Great studio guitarist Glen Campbell supposedly couldn't read music at all, just went along with what he heard and made it work; Tommy Tedesco by comparison could read sheet music upside down.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#29Earlier quoted context omitted.
It's a representation of a midi step sequencer. It's pretty standard in all DAW (Digital Audio Workstation) software. Staff notation is way more nuanced than this. In order to represent all the details on the midi ui it requires layers (like photoshop) for all the different parameters. On staff notation it's all there on one page. Staff notation might be a bigger learning curve but it's also a far superior way of com…
I recall some composers notes such as 'with great vigor' or 'like raindrops' on sheet music. Midi step sequences would have a hard time representing the "emotion" some composers are looking for.
"In the morning on an empty stomach"
"Hypocritically"
"With a lot of difficulty"
“With conviction and a rigorous sadness”
“With a healthy superiority”
“Don’t eat too much”
“Shake like a leaf”
“Do not cough”
“Go away”
“Like a nightingale with a toothache”
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#30Well that's opened up a fascinating new world to me. Is there a name for that regular logarithmic by linear music notation in the first image? I suddenly feel like a whole lifetime of musical enjoyment has been denied to me by the utterly utterly ridiculous staff notation system.
Take a tune, and now arrange some graph paper like the "note pattern view" in a sequencer, with one difference. Instead of arranging the pitches in the normal way, arrange them by the order they come in the tune. (so the first note of the tune will be the "lowest" pitch, second note the second "lowest" and so on.
You might see some interesting things that you didn't hear!
Probably Mozart would be a good target to do this with, and pop music would not, but I could be wrong on that. Possibly this is over your head, but possibly not.
Then if you want to add a ton more formalism, read a little about serialism, and apply this technique to a twelve tone piece. You will be rewarded for your efforts, as a previously difficult to follow piece makes much more sense. Doesn't mean you'll find it pleasing to listen to though.