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Supreme Court Sides with Cox in Copyright Fight over Pirated Music

nytimes.com

191–200 of 369 posts

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#191

Earlier quoted context omitted.

> The lower court found the Betamax maker liable because the tape recorder was “not suitable for any substantial noninfringing use” and infringement “was either the most conspicuous use or the major use of the Betamax product.” I don't know anyone who sold television recordings, it was always for personal use. How could the lower court get this so wrong? Was this just one uninformed judge? Or was this actually less c…

Given that that judgement was made in 1981, it's possible that the judges (who were likely a bunch of depression era old dudes) had zero knowledge or exposure, and had never even thought much about, personal video recording before a bunch of lawyers tried to explain it to them during the case. We have see this happen repeatedly with modern tech cases.

Judges asking things that are obvious to us make for great headlines and quotes, like "what is a website?" or "what is an API?" and "shows" how out of touch they are, but like a judge (trying to) define pornography, making sure the plaintiff, the defendant, and the judge are on the same page seems to me (I am not a lawyer) just good procedure. First everyone has to agree on what a website or an API is before passing judgment on legal matters concerning them that all parties will abide by.

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#192
post #168

Earlier quoted context omitted.

> The lower court found the Betamax maker liable because the tape recorder was “not suitable for any substantial noninfringing use” and infringement “was either the most conspicuous use or the major use of the Betamax product.” I don't know anyone who sold television recordings, it was always for personal use. How could the lower court get this so wrong? Was this just one uninformed judge? Or was this actually less c…

The Ninth Circuit court of appeals understood correctly what the primary use of Betamax would be, but they believed that personal home recording was not fair use, and was thus copyright infringement. They interpreted the law as only allowing libraries to record TV or radio broadcasts. The Supreme Court ruling for this case found that time-shifting was fair use, but only by a narrow 5-4 margin. Fair use could have gon…

We have to remember that at the time of the decision, there really wasn't any source of things to copy with a Betamax recording device besides commercial broadcast TV and other copyrighted materials.

Camcorders and such devices where you could make your own content were very rare, if available at all.

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#193
post #40

Earlier quoted context omitted.

AI training might be copyright infringement. But there’s no cases or laws to establish that. I don’t think this case or anything else has been affected by AI training on copyrighted material, if it is deemed infringing.

It's been demonstrated that some companies, even F10 ones, have been using pirated content to train their AI.

Yes, but not demonstrated that that training is illegal.

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#194

Earlier quoted context omitted.

I think a better analogy would be crack pipes sold in minimarts in a box that says "for tobacco use only". Crackheads estate sues the pipe mfr says you knew people were using it for crack and are proximately liable for facilitating the drug use.

I watched a drug addict lovingly turn a plain lightbulb into a meth pipe.

Sure, and aluminum foil can be used to smoke heroin. But they have primary obvious uses. That's the difference, vs knowing 99% of customers are going to use it for something nefarious. Even better example would be whippets or NOs meant for culinary or automotive use, but also usable for teens getting high. If manufacturers are aware and turn a blind eye, they can become liable.

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#195
post #66

Just to try and understand the decision, an analogy that’s coming to mind would be like saying a van manufacturer wouldn’t have liability if it’s used in a bank robbery. However if the manufacturer sold it with the intent for the buyer to use it for bank robbery (the manufacturer having the intent in this case, as well as the robber themselves), then they could become partially liable. Have I got that right?

An example closer to home is those file sharing sites that allow you to pay to "download faster" which skirt very close to the line, if not go over it.

But Grokster et al openly advertised that you could get all music "for free".

Where the gray area is would be something that arguably can ONLY be used for piracy (an example of what this would be is hard to imagine, but maybe a device that can ONLY duplicate encrypted blurays and cannot do it for non-encrypted ones - yes I know there are arguments even here via fair use/backup/personal copy) and/or something that is substantially advertised as for piracy - something that nobody would have a reason to buy unless they were pirating, perhaps - something where free/open source similar software exists but can't be used to pirate?

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#196

Earlier quoted context omitted.

There's a lot more 23 year olds to this time around. I don't think you can intimidate them down this time.

They didn't exactly intimidate them down last time either. Piracy decisively won the war on piracy.

No, they won. Piracy stayed at a microscopic level rather than becoming the usual way people got things. It stagnated, and maybe shrank. That's why they don't want to go into the piracy stopping business, it's a waste of time and money for them when they could be going after and negotiating with AI.

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#197
post #31

Earlier quoted context omitted.

I'm not sure I agree that any single fixed term makes sense. Rather, I think it'd be better if the exponential cost to society (in terms of works that don't happen, and works that don't happen based on those works that didn't happen and so on compounding) was just part of the yearly renewal price. Do maybe everyone gets 7 years flat to start with, then it costs $100*1.3^(year). So after another 25 years it'd be aroun…

I think I like the idea, but I can't help wondering if it would have unforeseen consequences. Could this approach undermine the protections afforded by open-source licenses? (IANAL.)

>I think I like the idea, but I can't help wondering if it would have unforeseen consequences.

As I said in a sibling comment, quickie comments on HN should be taken more as mental stimulation and kickoff points for further discussion as opposed to "final bill that has been revised in committee and is going to the floor for a full vote". The details of implementation are certainly critical, and not trivial either! I'm fully in support of thinking through various use cases. But part of why I'm interested in alternate approaches is that they might give us finer grained tools.

>Could this approach undermine the protections afforded by open-source licenses? (IANAL.)

I have actually considered that as well but didn't add it into a quickie comment. If we take the second path of approaches I listed there, then thinking about it all open source software would fall under a special even more permissive class of the tier 3, in that it already has "fair, reasonable and non-discriminatory" licensing for all right? Except that it's also free. The motivation here is the "advancement of the useful arts & sciences" and the public good, so having it be explicit that "if you're releasing under an open source license and thus giving up your standard first, second, and part of your third period of IP rights and monopoly, you're excluded from needing to pay a license fee because you've already enable the public to make derivative works for free for decades when they wouldn't otherwise anyway."

All that said, I'll also ask fwiw if it'd even be that big a deal given the pace of development? I do think it'd be both ideal and justified if OSS had a longer period for free, that's still a square deal to the public IMO. But like, even if an OSS work went out protection (and keep in mind that a motivated community that could raise even a few thousand dollars would be able to just pay for an extra decade no problem, the cost doesn't really ramp up for awhile [which might itself be considered a flaw?]) after 10 years, how much is it worth it that 2016 era OSS (and no changes since remember, it's a constantly rolling window) now could have proprietary works be worth it against 10 year old proprietary software all getting pushed into the public domain far faster? That's worth some contemplation. Maybe requiring that source/assets be provided to the Library of Congress or something and is released at the same time the work loses copyright would be a good balance, having all that available for down the road would be a huge win vs what we've seen up until now.

Anyway, all food for thought is all.

Re: Supreme Court Sides with Cox in Copyright Fight over Pirated Music

#200

Earlier quoted context omitted.

> The lower court found the Betamax maker liable because the tape recorder was “not suitable for any substantial noninfringing use” and infringement “was either the most conspicuous use or the major use of the Betamax product.” I don't know anyone who sold television recordings, it was always for personal use. How could the lower court get this so wrong? Was this just one uninformed judge? Or was this actually less c…

Given that that judgement was made in 1981, it's possible that the judges (who were likely a bunch of depression era old dudes) had zero knowledge or exposure, and had never even thought much about, personal video recording before a bunch of lawyers tried to explain it to them during the case. We have see this happen repeatedly with modern tech cases.

I doubt that. Home video recording, while a new thing in 1981, was not substantially different from making personal mixtapes on tape from radio or vinyl records which had been popular for decades. My grandfather had dozens of 4 track mixtape reels he made in the 60s. You could even go further back and say it wasn't any different than taking a photo of artwork for personal use. You didn't have to be that young in 1981 to understand what home video recording is.
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