Earlier quoted context omitted.
His description is not wrong. You are conflating the two things. In the Content ID system, as he said, the claimant is the only arbiter of the claim, and the appeal. If it's not resolved, by the claimant, then it exits the Content ID system and then, and only then, can be handled by the DMCA process.
Isn’t that I what I wrote? Yes, the claimant is the only arbiter of the Content ID appeal, but if the uploader wants to take things further, they can force the matter from a Content ID claim to a DMCA takedown, which can ultimately be decided by a court - if a takedown is filed, a counter-notification is filed, and the rightsholder decides to sue. It is not permanently in the hands of the claimant. If the uploader be…
I think you may be underestimating the number of takedowns that are impossible to appeal.
Also:
> I don’t know for sure, but I believe those contracts are intended to make it so people can’t upload copies, let’s say, of obviously infringing feature films, and then force Sony Pictures to go through the DMCA takedown process with what may be an eleven year old kid in Vietnam, who would be all-but-impossible to sue.
That description seems slanted to the most favorable possible case for Sony and YouTube, there. A very common case is "used two seconds of footage for fair use commentary on it", or "used no footage at all, and the claim is a mistake", and those claims can't be appealed either.