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How Condé Nast bought and destroyed Pitchfork

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181–190 of 213 posts

Re: How Condé Nast bought and destroyed Pitchfork

#181

Earlier quoted context omitted.

Dirty Projectors, one of probably many pale UK bands that I haven't dug into. Belle and Sebastian aren't generally my vibe for some reason, but I think do have a few songs I get on my Spotify radio from time to time

Dirty Projectors are a US band (from Brooklyn).

Oh ya I guess that was a simple inference mistake based on what they asked.

Re: How Condé Nast bought and destroyed Pitchfork

#182

Earlier quoted context omitted.

It's right there in the comment. Or do you think that the programmers in here have the exact pulse on how a former hipster icon like Pitchfork went down?

> It's right there in the comment. The comment you replied to is not nearly as straightforward as you. It actually reads: "why are you being a bigot?"

[flagged]

Re: How Condé Nast bought and destroyed Pitchfork

#183
From roughly 2006-2012 this site greatly influenced my taste. I visited the site multiple times a day and read pretty much everything they published. I used to always check the site at 11pm when they reliably published a new set of 5 album reviews.

At some point banner ads for big liquor companies started to show up. Then coverage for mainstream music became more frequent. This was a clear signal that they had sold out and their reputation was shot. I view them now as the new incarnation of Rolling Stone magazine. Still feel for the writers who got fired in this latest reorg.

Re: How Condé Nast bought and destroyed Pitchfork

#184

Earlier quoted context omitted.

> It's right there in the comment. The comment you replied to is not nearly as straightforward as you. It actually reads: "why are you being a bigot?"

[flagged]

This is not the case, has historically never been the case, and unless human nature changes drastically, will never be the case. Whether you care about something has far more influence on your knowledge and relevance than the color of your skin. Also, by the way, she grew up in the United States.

Re: How Condé Nast bought and destroyed Pitchfork

#185

Earlier quoted context omitted.

The terms of the Conde's acquisition state they are not allowed to interfere with the operation of the site. The depth of articles or the decision to pull in Wired content is strictly an editorial decision made by Ars editorial leadership.

And editorial leadership isn't dependent on Condé for their employment?

No. It’s run as a separate company inside the company.

And technically Condé does not own Ars, Advance does. Different leadership group.

Re: How Condé Nast bought and destroyed Pitchfork

#186

Earlier quoted context omitted.

The terms of the Conde's acquisition state they are not allowed to interfere with the operation of the site. The depth of articles or the decision to pull in Wired content is strictly an editorial decision made by Ars editorial leadership.

Got a bridge to sell to you then. Or if you live at the north pole, a refrigerator?

Very insightful piece of analysis. Why don’t you email the Ars editors your theory that they are corporate Condé stooges and see what they say? As I mentioned in a sibling comment it’s actually Advance that owns Ars, not Condé, and it’s a different leadership group.

Re: How Condé Nast bought and destroyed Pitchfork

#187

Earlier quoted context omitted.

Every year they don't ruin the New Yorker, I breathe a sigh of relief. Granted, Si Newhouse bought it in 1985 - the only time the magazine's ownership changed! - and so maybe it enjoys a sort of grandfathered status at Conde Nast even with Newhouse dead? I mean, I say that, but they recently ruined the previously-excellent iPad app, which has resulted in me going back to paper issues, but if that's the extent of the…

I’m not so sure. I wouldn’t blame Condé Nast for this. But I’m sick of the New Yorker writers basically making shit up and pretending it’s true. Ragebaiting autofiction, but within the boundaries of acceptable Ivy League New York 23 year old discourse. Is that not ruined?

Uh, citation needed.

Re: How Condé Nast bought and destroyed Pitchfork

#188
post #175

Earlier quoted context omitted.

Ah thanks. I agree. And I think this led to the subsequent devaluation of the term “artisanal” due to its wild overuse. I don’t remember seeing “artisanal” TV dinners when I was a bachelor in the 1990s!

I always have to laugh when there's a cheese plate at some midrange business hotel that describes it as artisinal.

Just ask "Who's the artisan? I want to go to his workshop!"

Watch the confusion.

Re: How Condé Nast bought and destroyed Pitchfork

#189

Earlier quoted context omitted.

Got a bridge to sell to you then. Or if you live at the north pole, a refrigerator?

Very insightful piece of analysis. Why don’t you email the Ars editors your theory that they are corporate Condé stooges and see what they say? As I mentioned in a sibling comment it’s actually Advance that owns Ars, not Condé, and it’s a different leadership group.

Here's more insightful analysis:

Go to the bottom of the Ars Technica page, behold the Conde Nast logo and the following text:

CNMN Collection WIRED Media Group © 2024 Condé Nast. All rights reserved. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 1/1/20) ... blah blah, no more company names.

They publicly wave around the Conde Nast name. Not Advance. Not anything else except WIRED.

Re: How Condé Nast bought and destroyed Pitchfork

#190
post #106

Earlier quoted context omitted.

Speaking of video game reviews, that's why I've focused on Rock Paper Shotgun back in the day when they didn't do "reviews" but "Wot I think". Each article was an honest and earnest, detailed description of a human experience and their genuine thoughts. You wouldn't always agree with the reviews but it'd always be an interesting and informative read.

What do you think of RPS now? I read your comment as implying you might not like RPS so much anymore, but I may have misunderstood.

I feel they still have some flavour they used to, but it got diluted. Partially it's the natural author / rehiewer turnover,Partially it's the volume of Deals and Hardware video articles and generic press release news. They don't even call them wot I think anymore :).

It's still the single gaming site I follow the most. But it's not quite as concentrated fun as it used to be.

Cannot speculate how much of that is due to being bought out and integrated a few years back. I think it's correlation as much as causation.

Some of the old gang have started their own things but they tend to be very niche.

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