There's one root cause for most, if not all of the things mentioned about Patreon in this post: Jack Conte took VC money. Neophilia is a progressive and incurable disease of venture capital. VCs aren't looking to build sustainable, profitable businesses. They are looking to buy entire market segments for later enshittification. Your job as a founder of a company asking for VC money is to construct a parallel state ar…
I wonder when Varoufakis’ introduction of the word technofeudalist got into the techie vernacular.
How to compete with Patreon
171–180 of 234 posts
Re: How to compete with Patreon
#172Re: How to compete with Patreon
#173There's a lot of talk about tipping, consumers, etc. Being a Patron (which is what Patreon was trying to do) traditionally meant supporting someone, no matter what their output. If your tortured genius put out one work a year, so be it. If they popped out Sunflowers then even better! There doesn't have to be any quid pro quo at all. It's what we now call Basic Income financed by someone's surplus. Don't overthink it.…
If it's a gift, does that mean it goes towards your yearly gift tax limit?
Re: How to compete with Patreon
#174Earlier quoted context omitted.
Almost all succesful creators on Patreon give you benefits for subscribing (early access to content, behind the scenes, etc.), so I don't see how you could possibly convince the IRS that it's a gift.
At EU there is a tax issue so you pay money + 23% VAT. It isn't consider a gift as you a gaining something (access to page) so you need to pay tax on that. This is one thing that bothers me with patronite and other platforms. I wish I could simply send a gift (without acces to anything) and not to pay another tax on already taxed money.
Many EU states tax tips as well (all the way -> VAT/corporate/income/social tax)
Re: How to compete with Patreon
#175There's a lot of talk about tipping, consumers, etc. Being a Patron (which is what Patreon was trying to do) traditionally meant supporting someone, no matter what their output. If your tortured genius put out one work a year, so be it. If they popped out Sunflowers then even better! There doesn't have to be any quid pro quo at all. It's what we now call Basic Income financed by someone's surplus. Don't overthink it.…
Re: How to compete with Patreon
#176There's one root cause for most, if not all of the things mentioned about Patreon in this post: Jack Conte took VC money. Neophilia is a progressive and incurable disease of venture capital. VCs aren't looking to build sustainable, profitable businesses. They are looking to buy entire market segments for later enshittification. Your job as a founder of a company asking for VC money is to construct a parallel state ar…
I wonder when Varoufakis’ introduction of the word technofeudalist got into the techie vernacular.
Re: How to compete with Patreon
#177Re: How to compete with Patreon
#178Earlier quoted context omitted.
If you can find a niche it can work. My friend built his own website to sell his erotic art.
How do smaller creators manage payments in the adult space? I thought it was impossible.
Re: How to compete with Patreon
#179There's a lot of talk about tipping, consumers, etc. Being a Patron (which is what Patreon was trying to do) traditionally meant supporting someone, no matter what their output. If your tortured genius put out one work a year, so be it. If they popped out Sunflowers then even better! There doesn't have to be any quid pro quo at all. It's what we now call Basic Income financed by someone's surplus. Don't overthink it.…
Almost all succesful creators on Patreon give you benefits for subscribing (early access to content, behind the scenes, etc.), so I don't see how you could possibly convince the IRS that it's a gift.
It doesn't ACT like 'a gift', it acts like a paycheck. If a guy gets paid by a car dealership because he's the owner's kid without having to do anything, the IRS doesn't care whether he has to work for real but it very much cares whether he pays his taxes on his income.
Re: How to compete with Patreon
#180There are BTC lighting payments and the podcasting 2.0 movement to compete with Patreon. Mostly for podcasts and music atm but that will change.
The biggest proof to me that nobody uses Monero is that something as simple as proving payments is like pulling teeth. Yes, you can go into advanced settings and copy a payment proof. But then how do you get it to a retailer? What does the retailer do with it. It's not part of the normal consumer flow use case, and that tells me that people still think of it like a toy and not a serious tool.
But to your point of not being able to use btc normally, in everyday life. Sure, but it's chicken and egg. If artists start to make some serious satoshis, they will naturally look for a nice place to exchange, it will come.
Meanwhile, I can now listen to a music podcast, stream satoshis back, the satoshis are split between podcaster (DJ) and artist. If I boost (send some extra satoshis) during the playing of a song, it goes to that creator.
This is a nice example of such a podcast: https://podverse.fm/podcast/toxrW9Ju1