Has anyone been able to get anything substantial done with Fable in the first place? I more or less had totally given up on using it since the alignment checks were so sensitive that it pretty much always threw me back to Opus.
No, almost anything related to my job is flagged for "cyber" and my company currently has no plan to try and enroll into mythos. I'm not sure if anyone has been able to enroll solo. It did help with some worldbuilding for my book (it wasn't incredible which gives me some hope for writers). So far opus 4.8 is the most reasonable model.
Claude Fable 5.1 and Claude Mythos 5.1
161–170 of 1001 posts
Re: Claude Fable 5.1 and Claude Mythos 5.1
#162“ Claude Fable 5.1's writing is generally a step up from earlier Claude models, with fewer stock phrases and less unexplained jargon. In some cases, though, its prose is denser than Claude Fable 5's: sentences run longer and there are fewer paragraph breaks.” I cancelled my pro max Claude subscription last week; codex is much more succinct. I am curious if this is getting better. I don’t think Anthropic realizes that…
One thing I've noticed and HATE, is that when you increase thinking-effort, that seemingly increases response-length. Meaning that X.High is longer than High, which is longer than Medium, etc. Which is kind of the inverse of how people work; a really smart person can condense difficult ideas into simple[r] terms. Whereas people who struggle speak a lot but say very little. High/X.High do seem to deliver better qualit…
Re: Claude Fable 5.1 and Claude Mythos 5.1
#163Re: Claude Fable 5.1 and Claude Mythos 5.1
#164(I work at Anthropic) Beyond all the benchmarks, I think Fable 5.1 is a big improvement in writing style. It sounds a lot less stereotypically like other Claude models, has (imho) a much more natural style, and responds to my style instructions more reliably. More work to be done (and we will!) but reading better prose makes me so much happier. Another point I expect not to get much attention until it all happens at…
As a fervent Claude Code user who made the switch to GPT 5.6 Sol over Opus 5 over hard-to-read prose this makes me happy. I love your product but the current models are very hard to work with if you need to do a lot of context switching. Brevity is key.
Re: Claude Fable 5.1 and Claude Mythos 5.1
#165(I work at Anthropic) Beyond all the benchmarks, I think Fable 5.1 is a big improvement in writing style. It sounds a lot less stereotypically like other Claude models, has (imho) a much more natural style, and responds to my style instructions more reliably. More work to be done (and we will!) but reading better prose makes me so much happier. Another point I expect not to get much attention until it all happens at…
I have a pet theory that the Opus prose style/smell we all have grown weary of is due at least in part to the models writing more for themselves and each other than for humans. They're packing lots of signal into fewer words and they don't care if it sounds cringe because it works better as glue in long-running tasks. I'm also thinking of the 2017 novel "Void Star" where AIs who operate everything have long since lef…
There's a huge difference between the kind of prose you see in final output vs CoT windows. The final output is very much not what I'd call "packing lots of signal into fewer words" (aside perhaps from "Claude-isms" being easy enough to scan for if for some reason you actually wanted to scan for them, which other agents might want to for all I know); and if agents are writing for each other then presumably they could stick to CoT-speak (unless it's a distillation risk?).
Re: Claude Fable 5.1 and Claude Mythos 5.1
#166Curious to see how Astra does.
Re: Claude Fable 5.1 and Claude Mythos 5.1
#167Has anyone been able to get anything substantial done with Fable in the first place? I more or less had totally given up on using it since the alignment checks were so sensitive that it pretty much always threw me back to Opus.
It's probably a good model for folks doing basic software stuff, or humanities related tasks, but I work in cybersecurity on the defense/detections side and I haven't been able to use it for anything even with being in the CVP. It downgrades to Opus every time.
I do think probably ralph looping a binary locally first is going to be best to get 100% recovery of types and function behaviors then letting a smarter model churn the final steps.
Re: Claude Fable 5.1 and Claude Mythos 5.1
#168Earlier quoted context omitted.
I've developed a habit of adding into my prompts "please keep your response concise and succinct" or "I'm trying to cram, please only provide the minimum level of technical detail necessary to understand this topic" I find it helps immensely but it'd be nice if I didn't have to do that.
I don't understand that complaint, although it seems to be a common one. The whole problem with the way models talk nowadays is that they are succinct to a fault, going to the extent of coining new buzzwords and misusing existing ones. What I want to see is a shift towards plain language.
Re: Claude Fable 5.1 and Claude Mythos 5.1
#169I noticed they reset the usage and I was kind of happy because this week it was using my quota much faster; I assumed they fixed that. Apparently it is for the celebration of 5.1?
On top of that, recent versions of Claude had a ton of tools added, and all those tools use up significantly more context/usage than before, so the moment you open a Claude session you are already using a lot more (I forget how much more) usage ... just to do the same exact thing you did last week.
Re: Claude Fable 5.1 and Claude Mythos 5.1
#170> This required us to add a watermark—a numerical way of determining the likelihood that Claude was involved in writing a piece of text—to the outputs of models released after August 2, 2026. As we recently explained, this watermark is invisible to anyone who does not have the detection API. It has no practical impact on the quality or content of Claude’s outputs and contains no information about the user, their orga…