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I Am An AI Hater

anthonymoser.github.io

161–170 of 515 posts

Re: I Am An AI Hater

#161

> Critics have already written thoroughly about the environmental harms, the reinforcement of bias and generation of racist output, the cognitive harms and AI supported suicides, the problems with consent and copyright... This paragraph really pisses me off and I'm not sure why. > Critics have already written thoroughly about the environmental harms Didn't google just prove there is little to no environmental harm, I…

> This paragraph really pisses me off and I'm not sure why.

No hate, but consider — when I feel that way, it’s often because one of my ideas or preconceptions has been put into question. I feel like it’s possible that I might be wrong, and I fucking hate that. But if I can get over hating it and figuring out why, I may learn something.

Here’s an example:

> Didn't google just prove there is little to no environmental harm, INCLUDING if you account for training?

Consider that Google is one of the creators of the supposed harm, and thus trusting them may not be a good idea. Tobacco companies still say smoking ain’t that bad

The harm argument is simple — AI data centers use energy, and nearly all forms of energy generation have negative side effects. Period. Any hand waving about where the energy comes from or how the harms are mitigated is, again, bullshit — energy can come from anywhere, people can mitigate harms however they like, and none of this requires LLM data centers.

Re: I Am An AI Hater

#162

Earlier quoted context omitted.

That goes for all art. It either stirs you or it doesn't. I find https://www.youtube.com/watch?v=9tjstsWoQiw to be one of the most beautiful pieces ever recorded, others can't listen to it and think it is bland and a terrible recording. You can't argue about taste.

But then why wouldn't AI generated art be able to stir me? Why is a human being in the loop so important as to be supposedly essential?

Because it is mimicking human input. Effectively you are getting a mixture of many pieces of artwork that humans made distilled down into some sloppy new one that was made without feeling, purpose or skill and that can be described by its prompt, a few kilobytes at best. Original human art can only be approximated but never captured with 100% fidelity regardless of the bitrate, that is what makes it unique to begin with. Even an imitation by another human (some of which can be very good) could stir you in the exact same way but they'd be copies, not original works.

Anyway, this gets hairy quickly, that's why I chose to illustrate with a crappy recording of a magnificent piece that still captures that feeling - for me - whereas many others would likely disagree. Art is made by its creator because they want to and because they can, not because they are regurgitating output based on a multitude of inputs and a prompt.

Paint me a Sistine Chapel is going to yield different results no matter how many times you would give that same prompt to Michelangelo depending on his mood, what happened recently, what he ate and his health as well as the season. That AI will produce the same result over and over again from the same prompt. It is a mechanistic transformation, not an original work, it reduces the input, it does not expand on it, it does not add its own feelings to it.

Re: I Am An AI Hater

#164

Earlier quoted context omitted.

A human might generate a piece of media using AI (either via a slot machine spin or with more advanced workflows like ComfyUI) and once they deem it looks good enough for their purpose, they might display it to represent what they want it to represent. If Guernica was AI generated but still displayed by Picasso as a statement about war, it would still be art. Tools do not dictate what art is and isn't, it is about th…

This is a debate that existed long before LLMs with things like action painting. If I give you a Jackson Pollock and a piece from someone who randomly splattered paint on a canvas until it looked like Jackson Pollock, are they the same?

Same in what sense? That is the real question, and perhaps not even the important one when it comes to art. Because, if the Pollock is more "important," there is an implication that it's better because it's by a more famous person, while art should be able to come from anywhere and anyone.

Re: I Am An AI Hater

#165

> Critics have already written thoroughly about the environmental harms, the reinforcement of bias and generation of racist output, the cognitive harms and AI supported suicides, the problems with consent and copyright... This paragraph really pisses me off and I'm not sure why. > Critics have already written thoroughly about the environmental harms Didn't google just prove there is little to no environmental harm, I…

> Im uneducated here, honestly. I don't ask a lot of race-based questions to my LLMS I guess

You can't even ask it anything for genuine curiosity it starts to scold you and makes assumptions that you are trying to be racist. The conclusions I'm hearing are weird. It reminds me of that one Google engineer who quit or got fired after saying AI is racist or whatever back in like 2018 (edit: 2020).

Re: I Am An AI Hater

#166

Earlier quoted context omitted.

Which artists care about coding AI like Copilot? All the ones I talked to simply do not care. Regarding economic means, I asked them whether they'd care if they lived in a post scarcity society where they could make art all day and not have to worry about their material needs being met, ie they're rich, and it turns out if that were the case, they didn't care about what people did with AI, be it image generation or c…

Where can I sign up for the post scarcity society? Asking for my artist friends.

You can't, hence my point about their fear being economic, not philosophical.

Re: I Am An AI Hater

#168

Earlier quoted context omitted.

this is a claim shockingly contrary to what every artist I know, and I myself as an amateur, believe

Which artists care about coding AI like Copilot? All the ones I talked to simply do not care. Regarding economic means, I asked them whether they'd care if they lived in a post scarcity society where they could make art all day and not have to worry about their material needs being met, ie they're rich, and it turns out if that were the case, they didn't care about what people did with AI, be it image generation or c…

Sounds like you were maybe having some one-sided conversations with all the many artists you spoke to.

Re: I Am An AI Hater

#169

> Critics have already written thoroughly about the environmental harms, the reinforcement of bias and generation of racist output, the cognitive harms and AI supported suicides, the problems with consent and copyright... This paragraph really pisses me off and I'm not sure why. > Critics have already written thoroughly about the environmental harms Didn't google just prove there is little to no environmental harm, I…

> Didn't google just prove there is little to no environmental harm, INCLUDING if you account for training?

I don't think they, have, no. Perhaps I'm overlooking something, but their most recent technical paper [0], published less than a week ago, states, "This study specifically considers the inference and serving energy consumption of an AI prompt. We leave the measurement of AI model training to future work."

[0]: https://arxiv.org/html/2508.15734v1

Re: I Am An AI Hater

#170

Earlier quoted context omitted.

Picasso's Guernica was born of hate, his hate of war, of dehumanization for petty political ends. No computer will ever empathize with the senseless inhumanity of war to produce such a work. It must forever parrot.

A human might generate a piece of media using AI (either via a slot machine spin or with more advanced workflows like ComfyUI) and once they deem it looks good enough for their purpose, they might display it to represent what they want it to represent. If Guernica was AI generated but still displayed by Picasso as a statement about war, it would still be art. Tools do not dictate what art is and isn't, it is about th…

Agreed, tools do not dictate what art is and isn't - but using those tools for art doesn't relieve them from being ethically justified.

If generating the piece costs half a rain forest or requires tons of soul crushing badly paid work by others, it might be well worth considering what is the general framework the artist operates in.

Using more resources to achieve subpar outcomes is not generally something considered artful. Doing a lot with little is.

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