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My experience writing and selling a short story

superamit.substack.com

161–165 of 165 posts

Re: My experience writing and selling a short story

#161

superamit (or anyone else who writes fiction really), would you publish your stories on a "substack for fiction"? I already built it, although it is in Portuguese. https://www.confabulistas.com.br It would be easy to translate to English and try it in the US market. Is there any interest for that? It is just like Substack. You create your page, people subscribe and get your fiction by email. The main difference is th…

Professional author here. Personally, this wouldn't be for me, at least not right now. But it may be for others, and it's neat that you built it!

Why it's not for me:

These days, the choice between self publishing and traditional publishing is really a question of what I want my job to be. If I'm willing to be a writer/editor/publicist/graphic designer/etc., then modern digital distribution means self publishing makes a lot of sense. It potentially also makes a lot of sense for people who already have largish followings, as it increases profits per sale. (People with following can also monetize those followings directly via things like Patreon, or likely your "paid subscribers" feature.)

For me, though, all I really feel comfortable doing is writing. I don't want to publicize, or format books, or cultivate a following that I can turn into patrons and monetize. I'm a slow writer, so unlikely to produce a steady enough stream of content to make a serialization/patron model viable. I also strongly dislike being on social media, which would really limit my exposure.

Being in control of publicity is empowering for some authors, but for me it would make the work harder, not easier. So I prefer traditional publishing, where my only job is to write the stories and have professional interaction with agents and editors. Self-advocacy isn't a major part of my job as an author, and I'm an author who doesn't want it to be. I'm to have (and indirectly pay) agents and editors to let me have a writing career without needing to do work I find onerous.

Best of luck to you, though. And things change, so who knows? Maybe someday something like this will be exactly what I need. I know a brilliant author who was traditionally published for decades, but has now reclaimed her rights and is self publishing to much greater satisfaction.

Re: My experience writing and selling a short story

#162

Earlier quoted context omitted.

Things like rent and food were also relatively cheaper back then too.

Rent as a percentage of income is remarkably steady historically because it’s always as high as the market will bear. That’s the rationale behind Georgist Land Value Taxes. You can pay it to the government and the landowner or the landowner, the amount of rent will be the same. Food has gotten cheaper as well as tastier and higher quality over time. The proportion of income spent on food has been dropping for well ov…

> Rent as a percentage of income is remarkably steady historically

https://www.realestatewitch.com/rent-to-income-ratio-2022/

and

https://www.federalreserve.gov/econres/notes/feds-notes/diff...

and

https://www.theatlantic.com/business/archive/2012/04/how-ame...

So, depends on what you mean by steady. ~3%-ish growth (at the worst) in my book is not steady.

But yea, totally less expensive and wider availability of high quality food is great to be reminded of, thanks!

Re: My experience writing and selling a short story

#163

Earlier quoted context omitted.

I was trying to ease the OP in, coming from Michael Crichton, not give an exhaustive list. Also your list is 100% male.

James Tiptree Jr was female. But yes, most of my list is male. Would you like to propose more female writers? Edit: if you haven't read anything from Alice Sheldon (a.k.a. James Tiptree Junior, a.k.a. Raccoona Sheldon) I wholeheartedly recommend you chase down anything of hers and read it. It is not an accident that she is first in my list because she is, for me, one of the absolute best SF authors of all time. Same…

Any recommendations on where to start with Tiptree/Sheldon?

Re: My experience writing and selling a short story

#164
post #163

Earlier quoted context omitted.

James Tiptree Jr was female. But yes, most of my list is male. Would you like to propose more female writers? Edit: if you haven't read anything from Alice Sheldon (a.k.a. James Tiptree Junior, a.k.a. Raccoona Sheldon) I wholeheartedly recommend you chase down anything of hers and read it. It is not an accident that she is first in my list because she is, for me, one of the absolute best SF authors of all time. Same…

Any recommendations on where to start with Tiptree/Sheldon?

I prefer shorter stories so I would recommend two of my favorites of Tiptree's: The Screwfly Solution (https://en.wikipedia.org/wiki/The_Screwfly_Solution) and The Man who Walked Home, included in the collection of shorts Ten Thousand Light Years from Home.

Or take a look at wikipedia where there's a list of her works and see which ones have titles that sound interesting:

https://en.wikipedia.org/wiki/James_Tiptree_Jr.#Works

I think you'll find a few that catch the eye :)

Re: My experience writing and selling a short story

#165
post #35

Earlier quoted context omitted.

To me it seems conscientious. It is good to know if story elements are likely to trigger issues from some historical parallel or other such. This is kind of like taking a moment to consider any scientific experiment in order to check if it may approach or even exceed some moral boundaries. Everything is contextual, and these are not so much hard limits as they are social harmonics that one could tune into or reflect…

What you said I vibe with. But notice that even if it was presented in that precise context (“do you intend to invoke this theme?”) the author internalized it as story problems , hence we enter the territory of self-censorship. Also, I think it would be very optimistic to assume an editor is deploying the word “problematic” about your story as anything other than an attack on its appropriateness and validity. > where…

> Also, I think it would be very optimistic to assume an editor is deploying the word “problematic” about your story as anything other than an attack on its appropriateness and validity.

It's also plausible that it's "problematic" because the white savior theme has been so overdone it won't make the story interesting or stand out in any way. That's certainly problematic from a writer's perspective.

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