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The greatest shot in television: James Burke had one chance to nail this scene (2024)

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Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#151
post #105

Earlier quoted context omitted.

Check out Technology Connections. This is way, way, way more in depth than anything one can find on TV.

If anybody wants some more encouragement to check out Technology Connections ... the vibe is hour+ long Andy Rooney pieces.

Damning with faint praise. He was never a first-rate reporter, AFAIK. More like Paul Harvey.

Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#153

Earlier quoted context omitted.

I personally feel like _The Day The Universe Changed_ (his second documentary) is better. I love Connections but the basic thesis (there are hidden connections between disparate developments in science and technology) ends up pretty scattershot, spreading out like Brownian Motion. _tDtUC_ is much more focused. Largely based on Kuhn's _Structure of Scientific Revolutions_ for individual stories, it traces how the unde…

> " I love Connections but the basic thesis (there are hidden connections between disparate developments in science and technology)... " Good grief, no. The basic thesis of Connections 1 was that humanity has become fatally dependent on technology (the "technology trap" he speaks of), that that dependence continues getting deeper and deeper, and it's hard to predict what technologies will emerge or where technology w…

Agree with your comments on Connections 1.

Better still, like a well-written essay, there is closure to the series. All the ends left about in the preceding episodes are drawn together neatly in the final one.

Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#154
post #87

This is my pet peeve. I don't know the show, but when I first watched this clip (under the title of "greatest shot on television") I totally bought in to the hype and thought it really was amazing. You start out just walking alongside him, and only slowly realize where you are and what is about to happen, and everything is perfectly timed and composed: he ends his walk, reaches the conclusion of his explanation, and…

What if we instead look at the last clip as “the one shot” Personally I don’t think that takes anything away

Well, he is standing still, the camera is stationary. For just that last segment, it is easy to answer "how did he do it?" Write out his remarks, rehearse with a timer, then figure out at what point in the countdown to begin speaking.

The main thing is that he has say basically one sentence right in a single take, but he is a seasoned television announcer, so that in itself is not too surprising.

The much longer segment, including walking with a moving camera at exactly the right timing, would have been much harder to get in a single take. (Not to mention that that Saturn V lying on its side is probably not even in the same location.)

Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#155

Earlier quoted context omitted.

The amount of sound creation in documentaries, particularly nature docus featuring long-lens shots of animals in the wild, is a whole 'nother domain of lying-to-tell-the-truth. The Conversation 's treatment (there are many others): "The animal sounds in most nature documentaries are made by humans – here’s how they do it and why it matters" (2024) https://theconversation.com/the-animal-sounds-in-most-nature... >. Bur…

I think Full Metal Jacket is the only war movie that correctly delays the sound of an explosion. The sounds in combat footage of WW2 are all dubbed in, as the cameras did not record sound.

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Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#156
post #87

This is my pet peeve. I don't know the show, but when I first watched this clip (under the title of "greatest shot on television") I totally bought in to the hype and thought it really was amazing. You start out just walking alongside him, and only slowly realize where you are and what is about to happen, and everything is perfectly timed and composed: he ends his walk, reaches the conclusion of his explanation, and…

The press location is surely double-digit seconds sonically from the launch site. So the simultaneous launch rumble is also an edit.

> … when Itchy plays Scratchy's skeleton like a xylophone, he strikes that same rib twice in succession, yet he produces two clearly different tones. What are we, to believe that this is some sort of a magic xylophone?

Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#157

Earlier quoted context omitted.

I personally feel like _The Day The Universe Changed_ (his second documentary) is better. I love Connections but the basic thesis (there are hidden connections between disparate developments in science and technology) ends up pretty scattershot, spreading out like Brownian Motion. _tDtUC_ is much more focused. Largely based on Kuhn's _Structure of Scientific Revolutions_ for individual stories, it traces how the unde…

> " I love Connections but the basic thesis (there are hidden connections between disparate developments in science and technology)... " Good grief, no. The basic thesis of Connections 1 was that humanity has become fatally dependent on technology (the "technology trap" he speaks of), that that dependence continues getting deeper and deeper, and it's hard to predict what technologies will emerge or where technology w…

I just watched the first episode. The simulated nuclear attack did terrify me.

That said, his commentary about telecommuting is spot-on. At 39:49 of https://archive.org/details/the-day-the-universe-changed-s01... .

"The point about all this technological pizazz isn't the gee-whiz high-tech stuff. It's the secondary effects of using it. Take say what this chip could do to change the pattern of work. With this you could have telecommuting, that's where you work at home from a screen and you never go into the office.

Great! No more rush hour. But what does that do to the public transportation system and the taxes it uses. Or to the car manufacturers and their workers' jobs, and the rest of the economy that depends on their output?

Or to the concept of the city itself, with its support systems and businesses. Or to the downtown properties where maybe your pension fund's invested.

Not to speak of working at home day in and day out and what that might do to a marriage. And what do you get out of work when it's only you? What would be the effect of isolating and fragmenting the community like that?

From just one application of this microchip."

Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#159
post #87

This is my pet peeve. I don't know the show, but when I first watched this clip (under the title of "greatest shot on television") I totally bought in to the hype and thought it really was amazing. You start out just walking alongside him, and only slowly realize where you are and what is about to happen, and everything is perfectly timed and composed: he ends his walk, reaches the conclusion of his explanation, and…

Reminds me of the 3 minute rube Goldberg machine in "this too shall pass" by Ok Go. https://youtu.be/qybUFnY7Y8w?si=DBSqRMciDY41QPzD I thought they really did it all in one cut but there are at least two. Still a great music video and song.

Honestly that would still be impressive if it were 20 cuts.

Re: The greatest shot in television: James Burke had one chance to nail this scene (2024)

#160
post #87

This is my pet peeve. I don't know the show, but when I first watched this clip (under the title of "greatest shot on television") I totally bought in to the hype and thought it really was amazing. You start out just walking alongside him, and only slowly realize where you are and what is about to happen, and everything is perfectly timed and composed: he ends his walk, reaches the conclusion of his explanation, and…

I'm not seeing it. Starting at "if you mix those gasses..." to after "...you get that." seems to be a single shot.

Just a reminder, we didn't have AI editing tools at the time. Traditional editing tools of the time would probably be obvious. Maybe you're responding to the focus change where the camera operator adjusts the focal plane from Burke to the rocket in the distance.

That focus change makes me certain the shot wasn't reverse projection as the screen would have to be exceedingly large (too large to keep sufficiently flat.)

I remember seeing film (yes, film!) on the news of the Voyager 2 launch and I remember seeing this episode of Connexions on PBS shortly after.

I'm honestly flummoxed you think there's a cut in the final shot of that sequence. I just don't see it. Maybe it's a generational thing

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