I’ve known many pop stars (have worked in the pro audio industry for decades) and one thing that is common among them is that they are very interesting people. Very rarely interested - mostly involved in being interesting. I think there has to be a balance, personally. If you spend your life trying to be as interesting as possible, it gets very spiritually depleting. If you do take an honest interest in others, thoug…
The realities of being a pop star
151–160 of 249 posts
Re: The realities of being a pop star
#152While this is a fascinating perspective, I find this analysis of the source of hate online to be under-examined and self serving. Sure, any public figure will be the target of hatred, negative projection, ridicule. And doubtless that's doubly true for female celebrities. But much of this is driven by envy - envy fuelled by the gilded age level of inequality we're currently experiencing. By the performative nature of…
Re: The realities of being a pop star
#153I really don’t see this. Female singers seem to be enjoying about as much freedom to do and act in whatever way they please as it’s possible without basically letting them get away with criminal behavior… and even then many openly talk about doing drugs and other stuff that would get anyone else in trouble. Is it possible I am blind to some patriarchal society traits that make us “hate” women and she’s right about that?? If not, why some women still believe that??
Re: The realities of being a pop star
#154Earlier quoted context omitted.
> The most common refrain is that popstars often write their music. This is misleading: they write the lyrics, suggest a general vibe, and some rough melodies or chords. And even this is a stretch many times. They are not composing or producing the music in any larger sense, and this is the pivotal part of actually making music. To be fair, if they write the lyrics, define the vibe/feel of the song, and compose the m…
The operative word was "rough". They give a few hints; they're not painstakingly mapping out the melodies and chords for every instrument and determining what those instruments are, and how they sound. If you're writing for a guitar and voice, then you've basically got a song, but pop music is built on sometimes hundreds of different instruments and effects.
Re: The realities of being a pop star
#155Earlier quoted context omitted.
> The most powerful man in the US right now is just a reality TV star. That's a strange characterization; he was famous across the country before there was even a concept of "reality TV".
He was known by an order of magnitude more people after he became a reality tv star.
Re: The realities of being a pop star
#156I’ve known many pop stars (have worked in the pro audio industry for decades) and one thing that is common among them is that they are very interesting people. Very rarely interested - mostly involved in being interesting. I think there has to be a balance, personally. If you spend your life trying to be as interesting as possible, it gets very spiritually depleting. If you do take an honest interest in others, thoug…
I would guess that the balance is difficult for regular people and impossible for famous people.
But even regular people try too hard to be interesting sometimes. Attention is a currency in our culture; its too often traded poorly.
Re: The realities of being a pop star
#157Earlier quoted context omitted.
> Your average NBA, NFL, MLB, NHL athletes are broke 5 years after they are out of the league. Fame, is mostly a curse. I'm not familiar with the financials of music / media production (I didn't read the linked article yet, sorry). But I feel this over-pitying attitude towards professional sports players is misplaced. They do often go broke after their career. That is sad. It is also completely avoidable with _very_…
I know nothing about pro sports, but: To be a good "team player", it's good to be liked by your teammates. If you want to be friends with your teammates, who all spend money like there's no tomorrow, it probably helps if you do the same. I'm not saying you can't save up as an athlete, but it's probably harder than we think.
Re: The realities of being a pop star
#158Is this limited to females or even those in pop? I think any star is at risk here. I'd argue male athletes are targets at least as often. See: public discourse on Travis Kelce.
Re: The realities of being a pop star
#159Earlier quoted context omitted.
> Your average NBA, NFL, MLB, NHL athletes are broke 5 years after they are out of the league. Fame, is mostly a curse. I'm not familiar with the financials of music / media production (I didn't read the linked article yet, sorry). But I feel this over-pitying attitude towards professional sports players is misplaced. They do often go broke after their career. That is sad. It is also completely avoidable with _very_…
You're right, of course. But often there are obvious and "easy" answers that are anything but easy for the person who needs those answers. "Just cheer up, depressed person!" "Just eat less and exercise more, fat person!" "Just stop shooting up, heroin addict!" "Don't accept generic lifestyle creep, pro athlete who's teammates are all living it up like they live in a gangsta rap music video!" I'm sure there are lots o…
Re: The realities of being a pop star
#160Earlier quoted context omitted.
The operative word was "rough". They give a few hints; they're not painstakingly mapping out the melodies and chords for every instrument and determining what those instruments are, and how they sound. If you're writing for a guitar and voice, then you've basically got a song, but pop music is built on sometimes hundreds of different instruments and effects.
That seems like quite a high bar, to the extent that I'm not sure we could ever credit anyone with creating a pop song if it applies. Everyone seems comfortable crediting Lennon and McCartney with their various Beatles songs, for example, but were they doing all the things you describe? Did they do more to create those songs than, say, Taylor Swift does for hers? It's not obvious to me that it's the case.
You could argue that Harrison and Starr always deserved some of the writing credit, since they often determined their parts, and I wouldn't actually disagree with that -- though Lennon and McCartney were kinda control freaks, so I'm not sure how much leeway was actually given. When they started bringing in extra instruments, again, there is arguably some extra credit to be given to Martin and others, but Lennon and McCartney were still strongly directing what was to be played.
For what it's worth -- and this is going to get me hated even more than my popstar-skepticism -- I don't really like the Beatles that much. But it's transparent that they did more than Taylor Swift because they were specifically and precisely writing the melodies for the instruments being played.