Earlier quoted context omitted.
>I have taken from the comments that it was only the case, that she rehashed ideas from other books, and I wanted to point out, that while this is a big deal for academic papers, it is not for books and basically expected. In addition to near verbatim quotes, she is also accused of copying stories beat for beat. That's much different than rehashing a few ideas from other works. It is not expected and it is very much…
So I won't defend what was done here, there doesn't seem much to argue. > copying stories beat for beat. That's much different than rehashing a few ideas from other works. It is not expected and it is very much considered plagiarism by fiction writers. Some operas are a greek play. There rehashes of the Faust, the Beggars Opera is a copy of a play from Shakespeare, there are modern versions of Pride and Prejustice, t…
The stories this authors copied were either unpublished manuscripts she got access to in writers groups or very obscure works that it’s unlikely her readers had read.
Second, the examples you gave were extremely transformative. Just look at the differences between Westside Story and Romeo and Juliette. It’s a musical for goodness sake. It subverts expectations by letting Maria live through it.
The writings at issue are short stories, so there’s less room for transformation in the first place. And there was clearly not even a strong attempt at transformation. The author even kept some of the same character names.
There was no attempt to subvert expectations largely because the audience had expectations, since they weren’t aware of the originals.
>change settings
She didn’t even do that.
> for books nobody bats an eye
If a popular book were revealed to be a beat for beat remake of an obscure novel with the same setting, similar dialogue, some of the same character names, and few significant transformative elements, you can bet your life there would be a scandal.