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Good Writing

paulgraham.com

151–160 of 345 posts

Re: Good Writing

#151
pg is an expert at cranking out vapid, insubstantial pieces of writing that the gullible eat up as the pronouncements of genius. If I actually wanted to be known as a writer the last person I'd consult for advice is Paul Graham.

Re: Good Writing

#152
post #23
post #15

I believe that it is not that style helps the content to be more right, not in the way PG believes (like in the example about writing shorter sentences), it is that a richer style (so, not shorter, but neither baroque: a style with more possibilities) can reflect a less obvious way of thinking, that carries more signal. I'll make an example that makes this concept crystal crisp, and that you will likely remember for…

I think the intended implication goes the other way: "But while we can't safely conclude that beautiful writing is true, it's usually safe to conclude the converse: something that seems clumsily written will usually have gotten the ideas wrong too." In this sense it's similar to "Who speaks bad, thinks bad and lives bad. Words are important!" by Nanni Moretti in Palombella Rossa. Hopefully that's not too much italian…

>In this sense it's similar to "Who speaks bad, thinks bad and lives bad. Words are important!" by Nanni Moretti in Palombella Rossa.

Nonsense. I've known many writers who are wonderfully eloquent at transmitting their essential message well with text, but fumble their way through live discourse as if they were high-schoolers in their first classroom presentation.

Some people just communicate better by certain means, and with writing, there's a breathing space that some can't manage with speech, in which you can better organize your otherwise interesting ideas.

Re: Good Writing

#153
post #65
post #15

I believe that it is not that style helps the content to be more right, not in the way PG believes (like in the example about writing shorter sentences), it is that a richer style (so, not shorter, but neither baroque: a style with more possibilities) can reflect a less obvious way of thinking, that carries more signal. I'll make an example that makes this concept crystal crisp, and that you will likely remember for…

Reminds me of a line by Douglas Adams describing some particularly crude alien invaders: “The ships hung in the sky in much the same way that bricks don’t.” He could have written something like: “The blocky ships hovered seemingly in defiance of gravity.” Instead he picked a phrasing that’s intentionally a little hard to parse, but the reader feels clever for taking the time to get the joke, and remembers it. Paul’s…

To me the first sentence sounds much better than the second, so by pg's standard it's better.

Re: Good Writing

#155
post #15

I believe that it is not that style helps the content to be more right, not in the way PG believes (like in the example about writing shorter sentences), it is that a richer style (so, not shorter, but neither baroque: a style with more possibilities) can reflect a less obvious way of thinking, that carries more signal. I'll make an example that makes this concept crystal crisp, and that you will likely remember for…

I find Paul Graham's writing style to be a bit off. I think he is too overly reductive and simplistic in his use of language and imprecise in his choice of words, and I genuinely don't understand the praise for his writing. You should read his work because these are the thoughts of a highly influential VC, not because they are gems of grammar, logic, and rhetoric. Sometimes a longer, more nuanced word has all the right connotations, and sometimes a more complex sentence carries the perfect rhetorical structure. Paul Graham's writing seems to ignore (or perhaps purposely eschew) such details.

Re: Good Writing

#156
post #15

I believe that it is not that style helps the content to be more right, not in the way PG believes (like in the example about writing shorter sentences), it is that a richer style (so, not shorter, but neither baroque: a style with more possibilities) can reflect a less obvious way of thinking, that carries more signal. I'll make an example that makes this concept crystal crisp, and that you will likely remember for…

Yes I think I know what you are getting at. Although PG essays are great if the idea is new to you. But for this one I am thinking "yes I know" skim skim skim! I have experienced the same thing. Anyone who has has their writing edited probably has.

Re: Good Writing

#157

The point about end-notes being a mechanism to ease the strain of fitting tree-like ideas into a linear essay is lovely. It brings to mind David Foster Wallace's writing, which is obsessively end-noted and if you listen to his speeches, you can see that he basically tortures himself in sanding down his ideas, much like PG says. PG's ideas in here, to the extent that I agree with them (which is not fully), does break…

A tree structure of ideas naturally fits into a linear essay of text, so I don't understand this. The opening paragraphs of a section of text are a broad theme on which subsequent paragraphs expand. Paragraphs also carry a similar structure in their sentences, and every great essay builds large trees of logical ideas within a linear rhetorical structure. A footnote as an expansion is a crutch: either the text of the footnote is important enough to appear on the page, in which case you should generally find a way to put it in the prose, or it is not, in which case you should omit it entirely.

The only truly good use of expository footnotes is to expand on things that the reader might be interested in (and point to further reading), but are orthogonal to the main argument of the essay. They are not for expansion of the tree of logical arguments present in the body of the essay.

Re: Good Writing

#158
post #130

In french we have this very old expression : "ce qui se conçoit bien s'énonce clairement". "what is well understood will be clearly phrased". It's been consistently used by parents and teachers since the 17th century, so i guess there must be some truth to it.

A similar idea in English is David McCullough's quote, "To write well is to think clearly."

Re: Good Writing

#159
post #93

Earlier quoted context omitted.

If you understand some area and would like to explain it and use writing as a tool, you need to make it legible to the reader. Good writing is distilling and simplifying and forcing things through an explanatory process that rubs off some of the rough edges while at the same time clarifying. That loses specific things. Understandability and nuance can be in conflict. Legibility is not specific to governments.

That’s your thesis but it’s not clear to me how it’s related to those in Seeing like a State

[dead]

Re: Good Writing

#160
post #67
post #29

Look, anything that gets HN people to write second drafts of comments, I'm fine with it. I mean... no, ok, just going to leave it there.

Writing wise I have a great deal of respect for you (and other top commenters) because you don't have people edit and review what you say you just write it (and take lumps or accolaydes). Something I've mentioned before is I can't get over the fact that Paul has mulitiple people review his essays prior to publishing (which others have defended when I've made the same comment before). I (as most people do) write clien…

What is wrong with having someone edit and review? It is just feedback. If the writing itself is an assignment editing is normal. If the writing is part of another process maybe not.

For fly.io I can see the appeal of unedited content as it can be rougher (as in breaks style guides and whatnot) and I like that roughness in blogs. E.g. you might get a British idiom come through or a more conversational style.

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