Earlier quoted context omitted.
I’ve been working my way through Ebert’s Great Movies of late and was surprised to discover you can’t find some films online, legally or otherwise. E.g., this one: https://en.wikipedia.org/wiki/The_Pledge_(film) (There’s two DVD rips listed by the indexer I use but neither of them is the complete film, and no streaming service has it.)
A silly example of a movie like that I've looked for off and on in a digital/streaming form for a long time is my favorite Marx Brothers movie, "A Night in Casablanca." (I know, I know, it's one of their least 'significant' movies -- but IMO it's their most fun and watchable one).
How Spotify and Discover Weekly Earn Me $400/month
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Re: How Spotify and Discover Weekly Earn Me $400/month
#152Earlier quoted context omitted.
I’ve been working my way through Ebert’s Great Movies of late and was surprised to discover you can’t find some films online, legally or otherwise. E.g., this one: https://en.wikipedia.org/wiki/The_Pledge_(film) (There’s two DVD rips listed by the indexer I use but neither of them is the complete film, and no streaming service has it.)
It's on Netflix: https://www.netflix.com/gb/title/60004419 I found it using this: https://www.justwatch.com/uk/search?q=The%20Pledge&content_t...
(This appears to be a recent change by Netflix where they list movies that can’t actually be viewed. Another example of a movie listed by Netflix but not viewable there is the documentary “The Wrecking Crew” - https://www.netflix.com/title/70105364)
This movie really doesn’t seem to be legally streamable. I found a supposed Bluray rip of it via TPB, and an HN reader emailed me links to a couple very poor quality DVD rips on various sketchy web sites, and there’s some even worse quality CD sized rips on Usenet. The physical media is no longer for sale, and I’m not sure it was ever released to BR, the torrent I found (and still transferring) notwithstanding.
Re: How Spotify and Discover Weekly Earn Me $400/month
#153Earlier quoted context omitted.
I have been at it for a very short period of time but I mainly think in terms of what cycles can i make that will rarely repeat themselves and result in interesting compositions. Typically I start by defining a main loop, and then have a synth of my choosing randomly select notes and timings. I listen to this randomness until I realize what I don't like about it, then I change the parameter. Something that helps is e…
Okay, nice! There are a bunch of langs/environments like chuck, supercollider, MAX. What fits best is mainly about style and preference. A nice way to learn about setups/approaches is to watch algorave videos.
Re: How Spotify and Discover Weekly Earn Me $400/month
#154Earlier quoted context omitted.
Is it though? The author makes $400 a month, that's not even close to being a living. Mis metrics and revenue match up with my own experience with Spotify and they are very difficult to achieve. Now imagine that your musical project has 4 people instead of 1, now it's $100 a month per person. Except just kidding, because you'll need to pump all that money (and personal money from members) back into the band to keep t…
It's a success because he considers it to be one. Also he's earning more money from his music on Spotify than he was through other means. He explicitly says he's not trying to earn a living from it. > Of course that’s not enough to support a full-time artist but that’s not what I’m trying to be. I don't tour, I don't sell merch and I'm not on a label. I just want to make music and Spotify is making that possible.
Re: How Spotify and Discover Weekly Earn Me $400/month
#155Earlier quoted context omitted.
Just curious; what genre(s) would that be? I have found the most surprising things on there ...
I was listening to Vocal Trace for a long time. Most commercial services might have the studio albums, but the DJ mixes are better IMHO, and I've been listening to Digitally Imported streams for nearly 20 years at this point, so I'm used to their curation [1]. Lately, I've been listening to their Synthwave channel; I don't know how widely that music is distributed, it's basically new music in the style of 80s synth a…
Re: How Spotify and Discover Weekly Earn Me $400/month
#156Earlier quoted context omitted.
It has always been, and always will be, about convenience first. Pre-Spotify and pre-bandcamp, getting music you could play on multiple devices was hard . Piracy was the only reliable way you could have the same songs on your walkman, your mp3 player, your phone, and your computer. Bandcamp is nice, in that it offers DRM-free music in high quality, but Spotify offers raw, unadulterated convenience . And Convenience i…
Yes, convenience is important, but Spotify also appeals to certain groups which can't reasonably be served by physical media distribution (and individual song sales) at all. I use Spotify to listen mostly to classical music, and I might want to hear something performed by 10 or 20 different performers. There is no way I could afford that by buying "songs" individually. As a side note, Spotify treats classical listene…
This is actually largely to do with what metadata they take and then how they present it. And it’s really tricky.
The metadata associated with classical music is generally speaking more complex than (say) a rock track. Until relatively recently there was not (IIRC) a clear format laid out in the DDEX standards (which are the metadata standards associated with delivering music and other media) for how you present the numerous different elements of metadata associated with a classical release. So it is a real mess.
I don’t think Spotify necessarily even takes the full metadata spec that you can associate with a classical release.
So for example: you may have a recording of the Allegro - which is the third (also written III) movement from Beethoven’s Symphony number 6 - also know as the Pastoral, also known as Op.68 or Opus 68 (and as the “Pastorale” in German) which is in the key of F major.
I need to be sure that the track I’m listening to is not the 4th (IV) movement which is also Allegro and definitely not the 1st (I) which is Allegro but not too much - Allegro non troppo.
Now - I want the version recorded in Austria by the Weiner Philharmonic conducted by Simon Rattle produced by Stephen Jones and released on Warner Classics. You however may well prefer the Decca version conducted by Erich Kleiber with the London Philharmonic (but not the London Philharmonia!) produced by Victor Olof. Or you may want the Kleiber-conducted version with the Royal Concertgebouw Orchestra. How do you distinguish?
As you can see there are a whole load of different pieces of metadata on which people might search - and when it comes to classical repertoire these things really matter to the listener. The way labels try to address it currently on Spotify is to simply stuff as much as possible into the track title. Spotify now have some of this listed in the “song credits” but that is relatively recent. And the info on many tracks is far from complete.
There are some specialist classical services addressing this - but the problem is I would prefer not to have to subscribe to an additional service just for classical music when most of it is sort of available on my streaming service of choice.
So yeah. It’s a mess :)
Re: How Spotify and Discover Weekly Earn Me $400/month
#157Thanks for sharing with actual numbers! I'll check out your music too. Discover Weekly is how I find a lot of new music similar to my music, I trust it more than most of the other playlists Spotify or Apple Music create. So far, I've probably discovered 300-400 new songs using Discover Weekly.
That's awesome— thanks!!
Re: How Spotify and Discover Weekly Earn Me $400/month
#158Earlier quoted context omitted.
Yes, convenience is important, but Spotify also appeals to certain groups which can't reasonably be served by physical media distribution (and individual song sales) at all. I use Spotify to listen mostly to classical music, and I might want to hear something performed by 10 or 20 different performers. There is no way I could afford that by buying "songs" individually. As a side note, Spotify treats classical listene…
> As a side note, Spotify treats classical listeners horribly, ignoring their requests (such as to show more of song titles, or search by label), which I do not understand, because these are the customers that would most likely pay a premium to get better features. This is actually largely to do with what metadata they take and then how they present it. And it’s really tricky. The metadata associated with classical m…
This really doesn't take that much and it isn't an impossible goal. And yet Spotify wasn't able to implement these two things for years, even though people keep begging them to.
Re: How Spotify and Discover Weekly Earn Me $400/month
#159It's gatifying as a spotify user to think maybe someday soon there could be a population of artists that make a reasonable living uploading their own music and sustaining their efforts without the need for merch, marketing, or touring -- instead just quietly subsisting on doing something they love doing.
Re: How Spotify and Discover Weekly Earn Me $400/month
#160Earlier quoted context omitted.
> As a side note, Spotify treats classical listeners horribly, ignoring their requests (such as to show more of song titles, or search by label), which I do not understand, because these are the customers that would most likely pay a premium to get better features. This is actually largely to do with what metadata they take and then how they present it. And it’s really tricky. The metadata associated with classical m…
I agree it's a difficult problem to solve in general. But I set the bar much lower. I'd be happy if I could a) search by label (or limit the results to a certain label, for non-classical folks that is Decca, Deutsche Grammophon, etc), and b) instead of seeing 6 tracks all named "Requiem in D Minor, K.626:3. Sequentia:" be able to tell which one is the "Confutatis". This really doesn't take that much and it isn't an i…