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Rules for Choosing Nonfiction Books

herman.asia

151–160 of 205 posts

Re: Rules for Choosing Nonfiction Books

#151

In recent years I've switched a lot to watching a non-fiction author's 30 minute talk on youtube about their book rather than reading the book entirely. This is especially true for business/self-improvement type books, where I've found its almost never really time efficient when I'm really just looking for the list of 5 things I should be doing and skipping the extraneous pages of anecdotes.

I think that defeats the purpose of learning from reading. I just finished the Learning How to Learn class on Coursera and it emphasizes the active learning by doing that needs to take place for one to internalize ideas. By watching summary videos to just get the gist of each book, I think you end up with a not so useful illusion of understanding.

Re: Rules for Choosing Nonfiction Books

#152
post #127

[deleted]

Sounds like what humans do. We notice features in our world that we're looking for or just learnt about, patterns we've noticed before, things we're attuned to, things that produce emotion - these seem significant - and don't notice others at all. (This is called "cherry-picking" when other people do it.) Over time, we come by a lot of evidence for our private pet theories. Some people write that all down and make books from them. Good luck to them.

Re: Rules for Choosing Nonfiction Books

#153

In recent years I've switched a lot to watching a non-fiction author's 30 minute talk on youtube about their book rather than reading the book entirely. This is especially true for business/self-improvement type books, where I've found its almost never really time efficient when I'm really just looking for the list of 5 things I should be doing and skipping the extraneous pages of anecdotes.

Yeah, I think in some ways I've also adopted a sort of bimodal approach: * If it's a somewhat technical topic, go straight for the textbook/papers. If you don't understand them, you won't understand them any better from reading the "pop" material. If it's too complex (say, quantum physics), walk back and get acquainted with more basic material. * If it's not technical, e.g. popular non-fiction books, listen to a (cou…

> If it's a somewhat technical topic, go straight for the textbook/papers. If you don't understand them, you won't understand them any better from reading the "pop" material. If it's too complex (say, quantum physics), walk back and get acquainted with more basic material.

OK, I've been holding this in and now I finally have an excuse to put it out there:

Trying to talk about quantum physics without math makes it more confusing, not less. You inevitably end up making some weird analogies which aren't analogous, things which an expert might be able to reverse-engineer into the actual concepts but which put a non-expert in a Lewis Carroll Bullshitland, which is like Wonderland only not as amusing and definitely not worth putting in a book, let alone a "physics" book.

At worst, you end up with crap which is actively wrong, like everything Deepak Chopra has ever said in his entire existence.

Meanwhile, you can give people a real understanding of basic quantum mechanics with high-school algebra and a bit of simple logic.

The deep reason behind this is the same damned interpretation problem physicists have failed to solve for nigh-on a century now. We have the math, we know it works, and, miracle of miracles, we can do some real physics with fairly simple mathematical models, but we don't know exactly how the math hooks up with reality. If none of Dirac, Bohm, Feynman, and Pauling could definitively solve this problem, the odds of a pop science author doing so are not worth thinking about.

To drag this back to the topic: A book about quantum physics which includes no math isn't worth reading.

Re: Rules for Choosing Nonfiction Books

#154

Earlier quoted context omitted.

Did you read the post? He specifically calls out biographies as the exception to the 'no journalists' rule and describes why journalists are well suited to write bios. In other words there's no reason to believe the author would miss any of the books you mentioned by his "journalist disdain".

Speaking of things specifically called out, the HN guidelines ask you not to write the words "did you read the post".

Hmm so better to just overtly state "you didn't read the post."

?

Re: Rules for Choosing Nonfiction Books

#155
post #32
post #16

John Carreyrou wasn't an expert on phlebotomy or biochemistry. Roger Lowenstein wasn't an expert on hedge funds or technical finance. Eric Schlosser on nuclear command and control? Nope. Woodward and Bernstein and constitutional law? Not so much! I don't think these are very good rules. I thought it was especially amusing that this person doesn't trust journalists to write about anything but journalism. If you believ…

Everything in the news is true, except the rare story one has firsthand knowledge of.

Given someone always has rare first hand experience and this is true for all stories that would actually mean no news stories are actually true.

Probably an accurate statement really.

Re: Rules for Choosing Nonfiction Books

#156

Like the article's #3, I have my own silly rule, but it's a good one. No books with the author's name written in a larger font than the title. This eliminates books who's main merit is the author's fame. It's especially good at filtering out crappy New York Times best sellers and it works for fiction too.

It doesn't work for fiction for the simple reason a reprint is as good as the original, and a publisher reprinting Known Author's Work From Before Their Fame is going to do everything they can to make sure you know this unknown book is by Known Author. It isn't the book's fault, and it isn't the author's fault, and it in no way diminishes either.

Re: Rules for Choosing Nonfiction Books

#157
I found The Lean Startup relied heavily on anecdotes. The article gives it 5 stars, despite this being one of their main complaints about other books.

To give one example, the book talks about how in their 3d virtual chat game, IMVU, as a shortcut, they initially had the characters teleport around because they didn't have time to implement walking animations. They got some positive feedback from users about the teleporting "feature", and concluded teleporting was a great selling point and they shouldn't implement walking. The book then starts teaching what lessons you should take from this story.

However, around the same time they were making IMVU, Linden Labs made Second Life which did have walking animations and I believe was more successful than IMVU.

It was a common pattern in The Lean Startup to point to a single example that the author thinks worked out well for IMVU and extrapolate advice from it while ignoring any counter-examples.

Re: Rules for Choosing Nonfiction Books

#159

Earlier quoted context omitted.

Speaking of things specifically called out, the HN guidelines ask you not to write the words "did you read the post".

Hmm so better to just overtly state "you didn't read the post." ?

No. How about, just read the guidelines and find out.

Re: Rules for Choosing Nonfiction Books

#160
Worth noting that Nassim Nicholas Taleb has some interesting explanations about why practitioners write better and more accurate books than journalists in "Skin in the Game". As you probably guessed from the title, practitioners have a lot to lose by writing a bad book about their practice because it impacts their livelihood. Journalists - while they do face some consequences for bad books - don't pay the same price, and are more likely appealing to a general audience when they write a non-fiction book.
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