When I was learning to play the saxophone my instructor had an old copy of the Real Book. The transcriptions of songs by some of the jazz legends would blow my mind. I thought the people being able to transcribe those were geniuses (still do). They had no sophisticated software to help them. It was all done manually by listening to countless hours of recordings over and over again. All those chord changes, harmonies,…
I've spoken to a few professional arrangers, and I always ask "How many times did you have to listen to that to write it down?" "Just once." Genius indeed. Or 10,00 hours. Or both.
The Real Book
141–143 of 143 posts
Re: The Real Book
#142Earlier quoted context omitted.
Jamming over a tune that you don't know is called "faking." That's a skill unto itself. ;-) But I think it's also a skill worth learning.
I've spent a lot of time playing bass on stage with band's I've never rehearsed. I heard a saying the other day you might like... bass players aren't paid to play quickly, they are paid to hear quickly.
Re: The Real Book
#143Earlier quoted context omitted.
I just checked since I’ve never heard it played with that Bb7 in bar 4... I’ve got one of the old unlicensed editions and it has the “right” changes, Cm7 / Cm7 / Fm7 / Fm7. Some of the stuff in the legal versions is particularly wonky.
That's very interesting. I've only been playing piano for a few months and I was very surprised/distressed to notice this discrepancy.