The biggest thing for me is the cinematography. 80s/90s movies were filmed as if you're standing alongside the cast. * Many more shots from eye level * Significantly less jumpcuts * People actually cast shadows onto the environment, and filmmakers would fearlessly shoot scenes with full bright or full dark elements in them without trying to make everything dark and bright visible simultaneously * Waist-up or even ful…
While cinematography isn't the whole answer, I think it's a big contributor to why so much feels aggressively middling these days. Modern shows are aggressively aesthetic. There's huge overuse shallow depth of field, resulting in blurry backgrounds. Watch modern movies with this mind, and you start noticing the reliance on a sharp foreground and blurry background is extreme to the point of bizarre. Cinematography sho…
I've ranted about this so much to friends, it's so distracting to me.
I have the hypothesis that some of it is due to how easy (or easier?) it is to quickly review footage to tell if the focus is set right when it's so aggressively shallow, but regardless of the "why" the monotony of it drives me crazy.
I want to see the environments the characters are in, I want the visceral grounding of the feel of that environment. I watched "Portrait of a Lady on Fire" and it felt so primal, and watching how intentional the sound design alone is I can see why.
> In such environments (visual and aural), nothing seems real and nothing seems like it matters.
That's a great description about the strange disembodiment I've felt in modern shows for a while now.