>>models create, empowering artists to bring their creative vision Interesting logic the new era brings: something else creates, and you only "bring your vision to life", but what it means is left for readers questioning, your "vision" here is your text prompt? Were at a crossroads where the tools are powerful enough to make the process optional. That raises uncomfortable questions: if you don’t have to create anymor…
Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
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Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#132Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#133This is technically impressive and I commend the team that brought it to life. It makes me sad, though. I wish we were pushing AI more to automate non-creative work and not burying the creatives among us in a pile of AI generated content.
Have a look at the workflow and agent design patterns in this video by youtuber Nate Herk when he talks about planning the architecture:
https://m.youtube.com/watch?v=Nj9yzBp14EM
There’s less talk about automating non-creative work because it’s not flashy. But I can promise it’s a ton of fun, and you can co-design these automations with an LLM.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#134It finally feels like the professional tools have greatly outpaced the open source versions. While wan and hunyuan are solid free options, the latest from Google and Runway have started to feel like a league above. Interestingly it feels like the biggest differentiator is editing tools - ability to prompt motion, direction, cuts, or weaving in audio, rather than just pure ability to one shot. These larger companies a…
I think open source still has an important advantage in the pro environment despite being less convenient, and it's the possibility of adding things in between the generation process like control net, and custom loras with new concepts or characters. Plus in local generation you're not limited by the platform moderation that can be too strict and arbitrary and fail with the false positives. Yes comfy UI can be intimi…
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#135Earlier quoted context omitted.
There's nothing creative in having someone or something else doing the work for you. "Creating" with an AI is like an executive "inventing" the work actually done by their team of researchers. A team owner "winning" a game played by the their team. That being said, AI output is very useful for brainstorming and exploring a creative space. The problem is when the brainstorming material is used for production.
Buñuel would disagree with you: "The peak of film-making will be reached when you are able to take a pill, switch off the lights, sit facing a blank wall and project on it, directly from your eyes, the film that passes through your head."
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#136The ad for Flow would be much better if they laid off the swirly and wavy effects, and focused on realism. Soon, you should be able to put in a screenplay and a cast, and get a movie out. Then, "Google Sequels" - generates a sequel for any movie.
Definately plausible. All this is in line with my prediction for the first entirely AI generated film (with Sora or other AI video tools) to win an Oscar being less than 5 years away. And we're only 5 months in. https://news.ycombinator.com/item?id=42368951
You're assuming Oscar voting is primarily driven by film quality but this hasn't been true for a long time (if it ever was). Many academy voters are biased by whatever cultural and political trends are currently ascendant among the narrow subset of Hollywood creatives who belong to the academy (the vast majority of people listed in movie credits will never be academy voters). Due to the widespread impact of Oscar wins in major categories, voters heavily weight meta-factors like "what should the Hollywood community be seen as endorsing?"
No issue in recent memory has been as overwhelmingly central as AI replacing creatives among the Hollywood community. The entire industry is still recovering from the unprecedented strikes which shut down the industry and one of the main issues was the use of AI. The perception of AI use will remain cultural/political poison among the rarified community of academy voters for at least a decade. Of course, studios are businesses and will hire vendors who use AI to cut costs but those vendors will be smart enough to downplay that fact because it's all about perception - not reality. For the next decade "AI" will be to Academy-centric Hollywood what "child labor" is to shoe manufacturing. The most important thing is not that it doesn't happen, it's ensuring there's no clear proof it's happening - especially on any movie designed to be 'major category Oscar-worthy' (such films are specifically designed to check the requisite boxes for consideration from their inception). predict that in the near-term AI in the Oscars will be limited to, at most, a few categories awarded in the separate Technical Oscars (which aren't broadcast on TV or covered by the mainstream media).
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#137After doing some testing, Imagen 4 doesn't score any higher than Imagen 3 on my comparison chart, approximately ~60% prompt adherence accuracy. https://genai-showdown.specr.net
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#138This is technically impressive and I commend the team that brought it to life. It makes me sad, though. I wish we were pushing AI more to automate non-creative work and not burying the creatives among us in a pile of AI generated content.
The amount of gatekeeping I see when this topic is brought is outstanding! Why can't people be happy that more individuals would be soon able to create freely in a more accessible way? Personally I can't wait to see the new creative doors ai will open for us!
I've tried AI image generation myself and was not impressed. It doesn't let me create freely, it limits me and constantly gravitates towards typical patterns seen in training data. As it completely takes over the actual creation process there is no direct control over the small decisions, which wastes time.
Edit: another comment about a different meaning of accessibility: the flood of AI content makes real content less accessible.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#139This is technically impressive and I commend the team that brought it to life. It makes me sad, though. I wish we were pushing AI more to automate non-creative work and not burying the creatives among us in a pile of AI generated content.
It makes me sad that the US and western Europe which have been the most flexible and forward-thinking societies in the world for generations have now memed themselves into fretting and hand-wringing about technical advances that are really awesome. And for what? The belief that illustration and filmmaking which have always been hobbies for the vast majority of participants should be some kind of jobs program?
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#140After doing some testing, Imagen 4 doesn't score any higher than Imagen 3 on my comparison chart, approximately ~60% prompt adherence accuracy. https://genai-showdown.specr.net
- wine glass that is full to the edge with wine (ie. not half full)
- wrist watch not showing V (hands at 10 and 2 o'clock)
- 9 step IKEA shelf assembly instruction diagram
- any kind of gymnastics / sport acro