Interesting factoid: modern guitar effects typically have their input jacks on the right-hand side, and output jacks on the left. In this article's guitar rig diagram, the jacks are reversed, but this is accurate: back then, for whatever reason the jacks were reversed on each of these pedals. Modern reissues of the round-enclosure Fuzz Face pedals preserve this pattern despite the reversal of industry trends.
It does seem weird, I’d expect signal to flow from left to right, as English is written, as a number line is drawn, from -x to 0 to +x
Interesting factoid: modern guitar effects typically have their input jacks on the right-hand side, and output jacks on the left. In this article's guitar rig diagram, the jacks are reversed, but this is accurate: back then, for whatever reason the jacks were reversed on each of these pedals. Modern reissues of the round-enclosure Fuzz Face pedals preserve this pattern despite the reversal of industry trends.
It does seem weird, I’d expect signal to flow from left to right, as English is written, as a number line is drawn, from -x to 0 to +x
With your cable in your right hand, it is easier to plug into the right side of a pedal. If you were to try to do the equivalent with your left, the guitar neck would be a little bit in the way as well.
Star Spangled Banner was incredible. The way you can hear the machine guns, choppers, sirens, screaming in agony… that was a masterpiece.
> The way you can hear the machine guns, choppers, sirens, screaming in agony… You know, I've heard that performance so many times over so many decades that I don't have to hit a play button or even close my eyes in order to hear it. It's there inside my head when I want it to be. And somehow I never interpreted it in that way (sirens, screaming, etc) until just a moment ago. I thought it was just a quirky little ear…
Some of those sounds are also on his Band of Gypsy's album, most obviously the song "Machine Gun".
Ahem, just two words. Yamaha DX-7. Synth music elevated electric bound tones to anything ever heard. I remidn you that most of the rock and roll and rock music was about speed and mimicking the sound of a rumbling car engine, as it was a symbol of the freedom in America, being able to run away from your toxic communities to find yourself better anywhere else. That was the message for the young with rock and roll: a s…
The amusing thing (to me at least) is that while the DX7 gave users almost infinite options as to how they could create and shape sounds, if you know what to listen for you'll hear the E PIANO 1 and BASS 1 presets an about half of all mid 80s hits. Turns out when they gave musicians a tool with immense flexibility, many of them still chose to use two of the (admittedly great) preset sounds.
Apparently this happens every time. A sample disk included with tracker software was used in hundreds if not thousands of modules and pretty much defined the sound of the Amiga.
The amazing thing is that Hendrix during live performances has the same wonderful effects as he got in the studio. I only saw Hendrix play live one time, that was in San Diego a few weeks before he died in England.
Hendrix and Mayer created a great sound, but I've always thought the most incredible thing about Jimi Hendrix was: he only played the guitar about 11 years. TOTAL. He picked it up around age 15, and died age 27.
The amusing thing (to me at least) is that while the DX7 gave users almost infinite options as to how they could create and shape sounds, if you know what to listen for you'll hear the E PIANO 1 and BASS 1 presets an about half of all mid 80s hits. Turns out when they gave musicians a tool with immense flexibility, many of them still chose to use two of the (admittedly great) preset sounds.
To be fair, a lot of that is because the DX7 (or rather, FM synthesis in general) is just absolutely arcane when it comes to programming.
Yup. FM Synthesis is challenging enough to implement, but doing so on the DX7's interface is a whole other level of frustrating. It's far from the hands-on interfaces of most subtractive or modular synthesizers.
There’s a git repo associated with this article? I’m curious because to tell you the truth the novelty struck me as similar to comparisons I’ve toyed with using LLMs on my own. The AI-generated logic between comparing two dissimilar things is too sterile for my liking. I understand that this is appearing in technical publication, but for some reason that invites even further scrutiny on my behalf. Please share more r…
Here's the repo https://github.com/nahorov/Hendrix-Systems-Lab
Hmm. Yes. Does look like vibe work. Other comments here point to some technical inconsistencies that may support this claim further.
Interesting factoid: modern guitar effects typically have their input jacks on the right-hand side, and output jacks on the left. In this article's guitar rig diagram, the jacks are reversed, but this is accurate: back then, for whatever reason the jacks were reversed on each of these pedals. Modern reissues of the round-enclosure Fuzz Face pedals preserve this pattern despite the reversal of industry trends.
It does seem weird, I’d expect signal to flow from left to right, as English is written, as a number line is drawn, from -x to 0 to +x
the ergonomic advantage of left-to-right is that most players use right-handed guitars, so the guitar's cord comes out the right side of your body, and it's most ergonomic for it to be directed straight away from you to the right side of your pedal board, not criss-crossing in front of you towards the left side of your board.
I strongly believe that if you set aside genre preferences the solid body electric guitar coupled to a tube amplifier is objectively the greatest electronic instrument ever created. All other electronic instruments, with the one exception being the Theramin, have a fundamental problem with human expression. There is an unsolvable disconnect between what the performer's actions and their audience. See: https://www.scr…
I generally reserve the word electronic to mean something with a microcontroller or discreet logic components. Electronic guitars exist, but they're basically differently shaped keyboards. I often lament the lack of other electric instruments.
I have come around to the idea of guitars being electronic instruments. Strings are the original oscillators. Once they become electrical signals it isn't clear to me how they differ categorically from any other electric instrument. There are an almost infinite number of pedals, many of which offer things like filters, LFOs, and other synthesis stalwarts. You could even make the guitar a controller for more traditional synthesis work.