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Black Mirror's pessimism porn won't lead us to a better future

theguardian.com

121–130 of 186 posts

Re: Black Mirror's pessimism porn won't lead us to a better future

#121
post #36

I agree in the sense that Black Mirror seems almost required to be extra pessimistic when... there's a better and far more complex story available with a different approach or ending. Granted I'm also WAY burnt out on pessimistic Si-Fi, it's the default now, and it's predicable and far too easy. That's not to say it can't be mostly dark, but for many movies and shows, that's most of the meat...

> Granted I'm also WAY burnt out on pessimistic Si-Fi, it's the default now, and it's predicable and far too easy.

Gosh yeah. Even watching Black Mirror this season is difficult because I'm so tired of dystopian stuff.

Can you recommend any recent non-dystopian scifi?

Re: Black Mirror's pessimism porn won't lead us to a better future

#122

Earlier quoted context omitted.

The part I don't like about it is that the premise is too often: "Imagine some theoretical technological advancement. Now take it out of context, put it in the worst possible circumstances, and imagine it appeared into a society like ours without any prior thought or discussion about the possible downsides of that technology." For example: in a society where autonomous security guard robots kill intruders, there woul…

For example: in a society where autonomous security guard robots kill intruders, there would not be people sneaking into warehouses. We have a society (in the US) where cops often shoot first and ask questions later, but many people still do crimes. People will take risks about things that desperately matter to them, and indeed stories of such risk-taking are common cultural fodder. Are you not just generalizing from…

> We have a society (in the US) where cops often shoot first and ask questions later, but many people still do crimes.

Often?

The reason they still commit crimes is there's fairly good chances they won't get caught and even better chances they won't get shot.

On the other hand, how often are people robbing places with hired security? Robot dog security is just security escalated.

Re: Black Mirror's pessimism porn won't lead us to a better future

#123

Earlier quoted context omitted.

> Imagine some theoretical technological advancement. Now take it out of context, put it in the worst possible circumstances, and imagine it appeared into a society like ours without any prior thought or discussion about the possible downsides of that technology This is precisely why I love Black Mirror. Despite the warnings, we're allowing companies to build killer robot and are running a large scale experiment to b…

We always have moved forward technologically despite doomers. They were there for first person shooter games, the Internet in general, dating apps, etc. That’s not to say those things didn’t have significant downsides. They do. But it took years to get there and they weren’t an overnight surprise, like they seem to be in the Black Mirror episodes I saw. Imagine what a few Black Mirror episodes would look like if they…

>We always have moved forward technologically despite doomers

Have we? There's a de facto moratorium on gene editing in humans that all nations have so far adhered to (except for one person who promptly went to prison), there's a general moratorium on gene terminator seeds that so far all nations have adhered to, and we're in discussions for a deep sea-mining moratorium. Not all technologies move forward without impediment.

Re: Black Mirror's pessimism porn won't lead us to a better future

#124

Earlier quoted context omitted.

> Imagine some theoretical technological advancement. Now take it out of context, put it in the worst possible circumstances, and imagine it appeared into a society like ours without any prior thought or discussion about the possible downsides of that technology This is precisely why I love Black Mirror. Despite the warnings, we're allowing companies to build killer robot and are running a large scale experiment to b…

We always have moved forward technologically despite doomers. They were there for first person shooter games, the Internet in general, dating apps, etc. That’s not to say those things didn’t have significant downsides. They do. But it took years to get there and they weren’t an overnight surprise, like they seem to be in the Black Mirror episodes I saw. Imagine what a few Black Mirror episodes would look like if they…

> We always have moved forward technologically despite doomers.

We nowadays always introduce technology no matter what. Focused on 'users' as a small subgroup for which we rationalize and validate the introduction. Success measured by profit and damn the externalities. It got reasonable outcomes in terms of (technological) progress for a long time. Today if the technology isn't outright owned by a billionaire class who get their hands on the innovations first, it is stock market driven development that not necessarily serves society. Today all the externalities are compounding into a real Black Mirror mess.

Re: Black Mirror's pessimism porn won't lead us to a better future

#125
post #91

It's not that Black Mirror is bad. It's that, as the article points out, we don't have a fictional vision of the future to use as a goal. The author mentions Jill Lapore's 2017 article in the New Yorker, which is sort of a survey paper of dystopian fiction from that period.[1] No alternatives are presented. For most of human history, the big problem was making enough stuff. There just wasn't any way to make enough st…

I remember an article, I think by Neal Stephenson, that described the change in the attitude of SF over the years. Things like 20000 leagues under the sea, off on a comet etc. were optimistic, adventurous and generally upbeat. Even the Asimov books were more about world building than doomsaying. There's quite a bit of dystopian pessimistic stuff that's in the market now and perhaps it's just because it's what sells o…

The dystopian era of SF movies started in 1972 with Silent Running.[1] That was the first "grubby future" Hollywood movie, and is an obscure but notable milestone in cinema history.

There was early dystopian SF. H.G. Wells' The Time Machine ends with a dystopia. E. M. Foester's The Machine Stops (1909) was way, way ahead of its time.

Vashti’s next move was to turn off the isolation switch, and all the accumulations of the last three minutes burst upon her. The room was filled with the noise of bells, and speaking-tubes. What was the new food like? Could she recommend it? Has she had any ideas lately? Might one tell her one’s own ideas? Would she make an engagement to visit the public nurseries at an early date? — say this day month.

To most of these questions she replied with irritation — a growing quality in that accelerated age. She said that the new food was horrible. That she could not visit the public nurseries through press of engagements. That she had no ideas of her own but had just been told one-that four stars and three in the middle were like a man: she doubted there was much in it. Then she switched off her correspondents, for it was time to deliver her lecture on Australian music.

The clumsy system of public gatherings had been long since abandoned; neither Vashti nor her audience stirred from their rooms. Seated in her armchair she spoke, while they in their armchairs heard her, fairly well, and saw her, fairly well. She opened with a humorous account of music in the pre-Mongolian epoch, and went on to describe the great outburst of song that followed the Chinese conquest. Remote and primæval as were the methods of I-San-So and the Brisbane school, she yet felt (she said) that study of them might repay the musicians of today: they had freshness; they had, above all, ideas. Her lecture, which lasted ten minutes, was well received, and at its conclusion she and many of her audience listened to a lecture on the sea; there were ideas to be got from the sea; the speaker had donned a respirator and visited it lately. Then she fed, talked to many friends, had a bath, talked again, and summoned her bed.

Social media. 1909.

[1] https://en.wikipedia.org/wiki/Silent_Running

[2] https://en.wikipedia.org/wiki/The_Machine_Stops

Re: Black Mirror's pessimism porn won't lead us to a better future

#127
post #14

Huh, i guess i both agree and disagree with this article. I disagree that black mirror has to save the world. Art doesn't have to literally save the world to be useful, it just has to add to the conversation. The fact we are talking about it proves that it has. On the other hand, i've never really liked black mirror that much. It feels polemical to me. Its unrelenting pessimism robs it of nuance, which makes it feel…

The part you’re misunderstanding about black mirror is that it’s about how technology will strip the humanity out of people. Also, the name of the show is BLACK mirror. Besides the iPhone symbolism by which the name is inspired, the whole point of the show is to hold up a mirror to the dark side of society. This may lead to a show that is without nuance or is less interesting, but thats the point of the show.

I understand that is the goal. I just don't think it succeeds.

To show darkness you have to have light. You can't cast a shadow if its pitch black.

In terms of black mirror, they show a society devoid of humanity, true. But in most episodes (there are probably some exceptions) it feels like the lack of humanity is not because of technology, but because the world of the show is populated by monsters. As a result, it doesn't effectively show the dehumanizing power of technology.

When watching an episode - ask yourself, would these characters still do monsterous things without the tech premise? If the answer is yes, then its not really about the tech.

Re: Black Mirror's pessimism porn won't lead us to a better future

#128
post #120

Earlier quoted context omitted.

For example: in a society where autonomous security guard robots kill intruders, there would not be people sneaking into warehouses. We have a society (in the US) where cops often shoot first and ask questions later, but many people still do crimes. People will take risks about things that desperately matter to them, and indeed stories of such risk-taking are common cultural fodder. Are you not just generalizing from…

No. You are just generalizing from specific news stories you've read about cops.

What would happen if we fed LLM all the videos from YouTube channels such as PoliceActivity?

Maybe I am generalizing too, based on the videos (bodycam) I have seen, but I agree with parent.

Re: Black Mirror's pessimism porn won't lead us to a better future

#129

Earlier quoted context omitted.

The part I don't like about it is that the premise is too often: "Imagine some theoretical technological advancement. Now take it out of context, put it in the worst possible circumstances, and imagine it appeared into a society like ours without any prior thought or discussion about the possible downsides of that technology." For example: in a society where autonomous security guard robots kill intruders, there woul…

> In a society where people can play back and re-live prior memories, it would not suddenly come up that one can relive experiences with past lovers. I think this episode was one of Black Mirror's strongest, because not only would it suddenly come up, it does to a lesser degree with the technology we have today. I've been the guy obsessively replaying painful memories from old photos I have. I don't think it was real…

I liked "Crocodile" too, if I remember the name correctly. The other one that got to me was the one with the two astronauts. It raised a lot of ethical / moral dilemmas in me.

Re: Black Mirror's pessimism porn won't lead us to a better future

#130

I feel like a big problem in the modern world is the small scale of our dreams. Dreams drive us, they change the world. In 1865, French author Jules Verne decided to write a book to inspire people to dream big, impossible dreams. He decided to write a novel proving that humans could do anything- by describing how, if enough people worked together, they could journey all the way to the moon. This became one of the fir…

Maybe this is an oversimplification, but optimism is gone from media because people are no longer optimistic about the future. For a long time, the next generation always just kind of assumed they'd have it better than the previous ones. Apart from a couple of terrible historic blips like world wars, of course. Everyone has kind of believed they'd live better lives than their parents. The Baby Boomers were the last g…

It's kind of a chicken and the egg, but I feel like 1966 with Vietnam, race riots across the US, the Cuban Missile Crisis only four years past, and everything else was hardly a time that people would have been optimistic.

But you had a guy who had been a bomber pilot in World War Two and flown combat missions against the Japanese, who desperately wanted to put a (gay) Japanese-American who had spent the war in an internment camp into his show, and a black woman (and have her kiss his white male lead star!), and later on, when people seemed to not be getting what he was trying to say, even added a good Russian character (played by an actual Russian-American). Because the point was to show, just like Verne a century earlier, that if truly all of humanity worked together, we could accomplish anything, for example travelling the stars. And so many people were inspired by his vision, and wanted to build his vision, to make his dreams real.

And nowadays the dreams that I see, both in stories and made manifest, seem drab and small and more than a little evil by comparison. And I do think that story-tellers (of whatever medium- very much including start-up founders) need to be aware of the power of their stories, that their myths become real, and have a responsibility to use that power for good and not for evil.

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