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Subvert – Collectively owned music marketplace

subvert.fm

121–130 of 140 posts

Re: Subvert – Collectively owned music marketplace

#121

Earlier quoted context omitted.

Fair enough. Genuinely asking, how do people who have never heard of you find your music if not through Spotify or social media?

Play shows, build a scene

Ah…so real work then :)

Re: Subvert – Collectively owned music marketplace

#122
post #117

Earlier quoted context omitted.

Telegram usernames are fully centralized - you have to trust Telegram FZ LLC to ensure auction results are respected. Which means there is no extra trust from blockchain, it's just a gimmick.

Yes, it is true that Telegram can technically ignore who owns an NFT with a username, just like any platform can strip a user of their username. However: 1. If someone approaches you and wants to buy your username, you can sell it without the need for trust in the buyer or a third party. 2. Consider this scenario: someone writes anonymously in a public channel and then Telegram removes the channel, and bans its usern…

Is there?

1. You buy a username. Old owner contacts support and claims their computer was hacked and they didn't want to sell. Will you lose your new username? No matter what the answer is, you will have to trust Telegram LLC to honor that.

2. Or that person can get a website and advertise on channel. Or a Twitter/Mastodon/whatever account. Or if you want obscure tech, they can publish a public key (directly, without blockchain).

You can certainly plug blockchain in many places. Hey, you could hook up blockchain to your light switch and use L2 transactions to turn the light on!

The real question is: given the specific real problem, is blockchain the best solution? So far the answer is usually "no" (unless the question relates to avoiding laws)

Re: Subvert – Collectively owned music marketplace

#123
post #115

Earlier quoted context omitted.

It's been 16 years, I think by that time we can be pretty sure cryptocurrency is not going to transform anything other than ransomware payments, law evasion and financial speculation.

It took the steam engine 100 years, I think the jury is still out.

The steam engine was almost immediately useful. It may not be used for cars or trains, but it was the best solution for pumping water from some mines.

In the more recent comparison, I remeber using the web in early 1990's, when it was less then 5 years old. (Fun fact: the images thing were still new, I remember each image had a "download" link in case yser's browser did not support them). It was already used, and had no analogies, and most importantly, the pages I were used were _not_ related to web or even CS, it was some physics thing.

It's time to accept reality: we've spent dozens of years and billions of dollars, and the most useful application is avoidance of financial controls. There is not going to be anything more.

Re: Subvert – Collectively owned music marketplace

#124
post #38

Earlier quoted context omitted.

Smart contracts only affects on-chain stuff, and this deals with real-world things. No smart contract is going to help you if webmasters update website, or if a board decides to add a rule. See also: NFT delisting.

When I imagine using crypto for this problem, the on-chain portion is a registry of hashes (for the songs) which maps them to addresses which I can send money to and then the contract multiplexes the money out to the appropriate people. So if it's one dude with a guitar and a microphone, 100% goes to him. But if it's a remix of a remix of a remix, then maybe that money gets split 50 ways. I don't know if I need a web…

That is so blockchain: a solution that does not work and users do not need.

Blockchain only sees hashes, so it has no way of knowing if that hash of a new song that was just uploaded is really a remix. But, if you solve this somehow (and I bet you can't in a way that can't be gamed), people can just distribute remixes outside of blockchain altogether. No blockchain is going to help you collect royalties from youtube stream.

Second, "money distribution for remixes without trusted parties" is not a very common problem. If contract participants want to cheat each other, they can do it easily by lying about number of listeners, they don't need to do something trivially detectable like messing with contract itself.

Re: Subvert – Collectively owned music marketplace

#125

The burning question I have is: Why do artists feel the need for a platform? The tools are out there to allow you to advertise, sell and distribute your music (I'm not talking about the distribution platforms like distrokid etc, fuck streaming, fuck social media and fuck making content whilst we're at it), why give away control over your art? My model is this: * Make some awesome music * Self host it. Provide means f…

Most people do not have the means to self-host it. A platform is just make an account, upload the files and cover, set the title, done. The platform might help with getting an audience as well. To self-host you need to have both the technical ability for it and pre-existing audience to use your self-hosted platform.

Most people should try harder. Whats the point of even making music if you're gonna pay all these platforms for no one to even to listen to your music.

And then you have to compete with the major labels who are buying streams to get their artists in the big playlists.

Its a really cleaver system, you have all these services that you pay upfront and then if you actually do get any streams you get like 0.0001% of a cent.

Its a con, the only people getting paid are the platforms.

If you have to use any platform stick your music on youtube using the lowest quality mp3's and then link back to your own website.

Re: Subvert – Collectively owned music marketplace

#126

Earlier quoted context omitted.

Play shows, build a scene

Ah…so real work then :)

Yeah and unfortunately it's brutal and pays very little, essentially you make more money from selling merch.

So essentially your music is just advertising for you to be able to sell merch LOL!

Re: Subvert – Collectively owned music marketplace

#127
post #26

I think this is great, but I do hope thought is being put into solving the hardest problem of all IMHO: Music Discovery I have bought a lot on Bandcamp, but would have bought 10x more if I could just find stuff I liked. The existing system makes discovery nearly impossible unless you happen to like the stuff being mainly bought and curated or are in a lucky genre. Discoverability is especially hard because 99% of the…

I run a self-learning music discovery engine called Gnoosic: https://www.gnoosic.com I can confirm that when you suggest a random band to a random user, they will dislike it with over 90% probability. I'd be interested to hear how well Gnoosic works for your musical taste.

Some interesting suggestions. However, from a number of starting points I was pointed as "Songraes", a band that doesn't seem to rate it's own Wikipedia article. I wonder if this has been "fixed" somehow?

Re: Subvert – Collectively owned music marketplace

#128
post #122

Earlier quoted context omitted.

Yes, it is true that Telegram can technically ignore who owns an NFT with a username, just like any platform can strip a user of their username. However: 1. If someone approaches you and wants to buy your username, you can sell it without the need for trust in the buyer or a third party. 2. Consider this scenario: someone writes anonymously in a public channel and then Telegram removes the channel, and bans its usern…

Is there? 1. You buy a username. Old owner contacts support and claims their computer was hacked and they didn't want to sell. Will you lose your new username? No matter what the answer is, you will have to trust Telegram LLC to honor that. 2. Or that person can get a website and advertise on channel. Or a Twitter/Mastodon/whatever account. Or if you want obscure tech, they can publish a public key (directly, without…

You seem to be arguing that it was possible to implement auctions without blockchain, and that such an implementation would be even better. I provided my example in response to josephg, who did not include "using blockchain is the best way to build such a product" in the list of constraints in his question. Therefore, I have not optimized my example for that.

So I'd rather stop argument here.

Re: Subvert – Collectively owned music marketplace

#129

Earlier quoted context omitted.

What do you mean "next to"? You provide a file, the system gives you a way to pay the people who made it and a way to prove to others that you've done so. If you keep CSAM next to your music, that's on you.

So each musician has to keep track of everyone's else tracks? Including key changes? Or is there an organization that manages it? What if an actor disappears and the timeout makes all the tracks unavailable until they are re-uploaded with a new key? I can go on indefinitely. There's a reason "smart contracts" are now just another way of saying "scam", and why blockchain is only seriously pushed by scammers and crimin…

How to move around the content isn't really a problem I'm trying to address. As far as I can tell it's a solved one, has been since Napster. Different users like to manage their media differently, I'm not going to tell them how to do that.

Same thing for managing user identity. Whether you want to build an organization around that problem or slap together a CLI and let the users fend for themselves, again not something I'm trying to weigh in on.

These are app-level decisions, not a protocol ones. And neither of them really lend themselves to on-chain solutions.

The unsolved problem I see here is that you've got a community of users, all with identical copies of a file, and they want to build consensus on how that file should "cite its sources". In the case of music, that's a bunch of fans wanting to pay the musicians, but it's structurally the same as if you're trying to give feedback to authors of a paper or claim that researcher X found vulnerability Y in code Z: you're building consensus on a directed graph between datasets and actors such that other actors have something to reference when they communicate (or send payments) to each other about those things.

That's the only part of the problem that's likely to come under attack by incumbents, so it's the only part you need a ruleset and computational verification for. Everything else can be handled "the normal way", by appealing to the good behavior of the incumbents.

People (e.g. Sony) are going to try to get paid for music they never played. People are going to take credit for research they didn't do (or did poorly). People are going to try to misrepresent the trustworthiness of things that they built and want to charge you for.

You can't put that on AWS because nothing on AWS is more trustworthy than its least trustworthy admin. You can't leave it to the courts because only the powerful can use the courts to their advantage, for the rest of us they only serve as a system for mutually assured destruction.

Which people get credit for which data is too contentious of a topic to trust to the hands of people who have pinky promised not to use it in their power games. If it weren't, there'd be no reason for Subvert to exist in the first place. I hope they can manage it by just being very careful about how they allocate trust among their owners, but history has given us centuries worth of reasons to be skeptical.

Meanwhile, other data that the powerful would prefer to tamper with remains intact in the various blockchains that protect it. The rules continue to be followed. There are a lot of problems with that space, especially at the interface between the rules-governed parts and the pinky-promise parts, but we've only been chipping away at those problems for decades. They feel a lot more tractable than anything involving the insufficiencies of the law.

Re: Subvert – Collectively owned music marketplace

#130

Earlier quoted context omitted.

FAQ: "Can I read the zine first?" has an email input box.

So you at least need to pay with personal information before you even know about the cause you are paying to.

If the extremely minute “payment” of coming up with a throwaway email address to get it sent to is too much for you, I don’t know what to tell you. This is one step above complaining that you have to “pay” by expending the energy to click a hyperlink.
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