> The true “dark age,” of course, was the early 1940s when, simply as a side effect of industrial killing, great swathes of the past disappeared. One small yet major example—the extraordinary series of paintings of the visions of Hildegard of Bingen, made in the 1170s either by the saint herself or under her supervision, disappeared in the general catastrophe that unfolded in Dresden in early 1945. We only know what…
This is a very specific, narrow interpretation of the dark ages. It is not a good term to use in any circumstance, which the article illustrates well. Secondly, in the event of societal collapse, I'm not exactly looking for a great work of art. I image we lost far more texts through preventable destruction and lack of preservation than we lost novel texts written during the post-roman european collapse. I think the q…
You've basically defined away the problem. If its lost then we can't read and engage with it and therefore has no cultural value.
I mean sure, things we don't have by definition can't contribute to culture today. But that is a useless tautology when talking about lost works.