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My Dad Painted Jethro Tull’s ‘Aqualung’ Cover and It’s Haunted Him

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Re: My Dad Painted Jethro Tull’s ‘Aqualung’ Cover and It’s Haunted Him

#121
post #34

Earlier quoted context omitted.

Not necessarily. At least for writing gigs my wife has done, often they involve assigning all rights but not ownership to the client. This is spelled out in the contract, I imagine to avoid controversy over whether there was "work for hire" or not. On the other hand, every dev job I've taken has had me sign a thing saying that the work I do is work for hire and the employer owns the copyright. Seems fair, they're giv…

Would this artist have made any money if they had assigned all rights and not ownership to the client? No. So what's the difference?

In practice, none. I just think contract law is interesting.

Re: My Dad Painted Jethro Tull’s ‘Aqualung’ Cover and It’s Haunted Him

#122

Earlier quoted context omitted.

We did but at least I, personally, have never bought or not bought a record because of its cover.

You can't honestly know what subconscious effects seeing that cover had. To say it had zero effect is pretty disingenuous when you take into account what we know about human decision making and a massive global ad industry.

Of course I can say that for myself. Every record I ever bought was because I knew at least some of the music on it beforehand and went to shop to get it. Cover could influence how I felt about the whole package afterwards, but since I never not bought something because how it looked, I can be pretty certain that it didn't matter for my purchases.

I agree that it would be different if my music discovery came from browsing records in music stores where look could influence me, but that is not how I ever went about it.

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