Rare concert recordings are landing on the Internet Archive
111–120 of 231 posts
Re: Rare concert recordings are landing on the Internet Archive
#112I think what the author is getting at is when loops are obviosuly "felt" and feel canned.
Strategy games typically have obvious, tight loops. Turn-based games are loop-driven by definition. And so on. This is fine.
But single player games, single player RPGs, etc, can suffer if the loop is really tight and obvious. Early on, you feel "oh, i get it. it's going to be 40 more hours of THIS". Novelty wears off if the loop doesn't really change or evolve. Whereas in turn-based games or strategy-based games, the loop itself IS the game because it progresses as the game state evolves. Nobody complains about the game-loop of chess because that's the game - if you don't like the loop, you don't like the game and the convo ends there, is what is is. But a single-player adventure game, for example, has to do a lot of other stuff right to keep a player incentivized to keep playing the "loop".
Best example would be BG3, where theres clearly a loop - but its massive. Theres a LOT of variation and events between leaving camp and returning later that night. So each "loop" rarely feels samey.
I think the issue is when gameplay loops become transparent and predictable rather than maintaining novelty. A LOT of games suffer for this - the type of game you agree is good, you enjoy it, but put it down after 12 hours for some reason. It's bc of this. The human brain seeks novelty.
Re: Rare concert recordings are landing on the Internet Archive
#113Re: Rare concert recordings are landing on the Internet Archive
#114Earlier quoted context omitted.
> However, I do notice that for more uncommon music, the record industry sort it just looks the other way. For example Eminem has tons of really old music on YouTube that I’m sure his lawyers could figure out how to get taken down. But it just stays up. Or artists that have seen the merit in tolerating it/somewhat encouraging it. I'm a pretty hardcore Nine Inch Nails fan (seen >30 shows). NINLive.com is a fantastic (…
NIN had a messy breakup with their original manager about 15 years into things. Once Trent Reznor emerged as more or less a free agent, he embraced radical approaches to distributing music and other media. The instrumental album "Ghosts I-IV" was released under a Creative Commons BY-NC-SA license, and the music went everywhere - and you can draw a line directly from that choice to the Oscar for the score for The Soci…
And you're not going to plug yourself I certainly will: Appreciate your work on the NIN Hotline all these years and everything else you've done/added to the community.
> Rumor has it that Trent Reznor himself uploaded material to The Pirate Bay,
You'd certainly know better than I would but I feel like I recall Rob Sheridan confirming that in one of his interviews years later (not that there was really any doubt).
Re: Rare concert recordings are landing on the Internet Archive
#115This is one of the best things I've read about in a bit. It wasn't uncommon to buy marked-up (overpriced) bootlegs of live performances on CDs in the 90s. You never knew in advance if it'd be a quality recording or total garbage. We've lost that. I still love when one of my live bootlegs of Faith No More comes on with them doing (sometimes mocking) parodies of popular music (their rendition of Nothing Compares to You…
Are you certain Faith No More did the cover? There's certainly a Mr. Bungle version [0] from a San Francisco gig in 1990. I remember grabbing this from the Bungle Fever FTP site back in around '99. I'd often download the bootlegs, burn them to audio CD and print out a cover of the gig poster if one was available. [0] https://www.youtube.com/watch?v=jTfSrUThyDk
Now that I think more about it, I must have got the track from a P2P service / network. But I had a bajillion Nirvana bootlegs when I was an adolescent. Thinking of the misnaming phenomenon, the hidden track (from Nevermind) was alternately named either "I Hate Myself and I Want to Die" or "I Love Myself and I Want to Live" on those live performances (after Cobain's suicide). 1990s and no or limited internet, so it was whatever someone decided.
Thanks for surfacing the track so readers can hear it! It's one of my favorites.
Re: Rare concert recordings are landing on the Internet Archive
#116This is one of the best things I've read about in a bit. It wasn't uncommon to buy marked-up (overpriced) bootlegs of live performances on CDs in the 90s. You never knew in advance if it'd be a quality recording or total garbage. We've lost that. I still love when one of my live bootlegs of Faith No More comes on with them doing (sometimes mocking) parodies of popular music (their rendition of Nothing Compares to You…
Mike Patton loves pop music. Those covers were most likely not mocking anything. I love me some Faith No More but haven't heard them cover Nothing Compares 2 U (which is actually a Prince tune). I'll have to check it out. EDIT: You weren't kidding. I can't find a cover of it. Please! Share it!
Re: Rare concert recordings are landing on the Internet Archive
#117I am an active and enthusiastic recordist and have decades of stuff I've accumulated over the years. One of the concerts I captured in the 90's, lives on as a bootleg which I often see around the scene of this one particularly great live electronic dance band, whose punters have created true value out of the hour and a half of live concert input I managed to record, standing right there front stage and center, with t…
Please, get someone who knows about usability or building web UIs to help you!
Re: Rare concert recordings are landing on the Internet Archive
#118Tangent idea: musicians should record every live show, and then put it on a streaming service, only for people who bought tickets to the show (possibly for an extra small fee on the ticket). Extra revenue for the artist, and a cool benefit for the fan (the liver performance you attended).
King Gizzard and the Lizard Wizard (yes really) do this, but not just for people who buy tickets to the show. They have 444 concerts up on Archive.org for free to all. https://archive.org/details/KingGizzardAndTheLizardWizard Plenty of other artists have free concert archives at https://archive.org/details/etree
Re: Rare concert recordings are landing on the Internet Archive
#119This is one of the best things I've read about in a bit. It wasn't uncommon to buy marked-up (overpriced) bootlegs of live performances on CDs in the 90s. You never knew in advance if it'd be a quality recording or total garbage. We've lost that. I still love when one of my live bootlegs of Faith No More comes on with them doing (sometimes mocking) parodies of popular music (their rendition of Nothing Compares to You…
Mike Patton loves pop music. Those covers were most likely not mocking anything. I love me some Faith No More but haven't heard them cover Nothing Compares 2 U (which is actually a Prince tune). I'll have to check it out. EDIT: You weren't kidding. I can't find a cover of it. Please! Share it!
There was a good bbc show of theirs floating around on YouTube. The music is so intense that I feel these quieter pieces give one a chance to catch one’s breath.
Re: Rare concert recordings are landing on the Internet Archive
#120Tangent idea: musicians should record every live show, and then put it on a streaming service, only for people who bought tickets to the show (possibly for an extra small fee on the ticket). Extra revenue for the artist, and a cool benefit for the fan (the liver performance you attended).
I wonder if a band could put together a live stream concert published to a private stream sent to a movie theater. A bunch of fans of the band could get together and have the concert experience with fellow fans but not have to pay as much as an in-person concert. Movie theaters would have another way to get people in the door.
Then again, the Dead were also pioneers of permitting and encouraging the bootleg scene.