The other thing that differentiates Spielberg's original work from all that's followed is the way it explored the details. From the sourcing of the amber, to the need to have paleontologists, botanists, and lawyers check Hammond's work, to the inclement weather, to the social interactions and workplace frustrations of the staff -- it all felt like much more of a living, breathing park than any of the renderings since…
This applies to most modern scripts. Writers/studios have largely decided people don't care about detailed, reasoned-out worlds with unspoken "show-don't-tell" internal logic. Are they wrong? I shudder to consider. Shows like Better Call Saul and Andor are the most recent high-profile counter-examples. So detailed and lived-in, because the writers wanted to ask interesting questions: How does the Empire do what it do…
I agree from a writing standpoint these are very interesting lines to follow, but the execution is just severely lacking. I don't think the writers have really ever met or spent time with farmers, infantrymen, tech bros, politicians hicks, tough guys, pilots, etc.