A fair amount of “this is fine, governments enforce IP laws and that’s a public good” vibes in here, which is all a very reasonable perspective. I’d argue Kim was too successful and too unlikeable at the end of the day, and that was probably his downfall. Toward the end, MEGA had transitioned to actually partnering with hip hop artists for distribution. The US has a long history of IP rights holders criminalizing new…
That's the killer, right there.
"existing rights holders" is a big deal, and one that has been ignored by tech bros for a long time.
As a [former] artist, and [former] musician, I can say that the tech industry has been cooking the Goose that Lays the Golden Eggs. The opportunity for individual financial and ego success is a huge driver for modern popular art culture (for better and for worse).
If we take that away, guess what happens?
No one wants to do it, anymore.
This may be an issue, with AI-generated creative content. Unless the AI is truly better than human talent (and "better" is in the eye of the beholder), it has the very real prospect of turning the commercial creative industry into gray goo.
[EDITED TO ADD] Watching the karma count on this post, yo-yoing up and down, has been fascinating. This seems to be an issue that people have very strong feelings about.