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What the death of iTunes says about digital habits

theatlantic.com

111–120 of 120 posts

Re: What the death of iTunes says about digital habits

#111

Earlier quoted context omitted.

> They are studied in literary fields not because of the literary value of their writing, but because of their criticism and aesthetic positions. That's pretty hard to distinguish from "just" literature; of course not all literature is fictional or journalistic. But neither criticism nor aesthetics are particularly bounded in their ability to make negative or positive claims due to the flexibility of interpretation o…

>It's inherently subversive of any central and stabilizing intellectual tendency and I think most critical theorists admit their goals as being such. It's very hard for me to read that as anything but a good thing. It's one thing to say that critical theory has no value, but it's another thing to say its only value is subversion. Nevertheless, if what you're saying is true, then there is no better critic of critical…

> I'm skeptical of the idea that CT is subversive of any tendency - no critical theorist repudiated empirical investigation, for instance. When they do criticize, they don't want to completely do away (Adorno had praise for the enlightenment project). Habermas has been one of the loudest voices against "postmodernism".

If the point of critical theory, which since you pointed me to Wikipedia I'll quote "[is] to liberate human beings from the circumstances that enslave them", and some class of those circumstances are the beliefs and institutions we take for granted, why shouldn't I claim that the goal of critical theory (at least per Horkeimer) is to be subersive of these beliefs and institutions? Or are there self-claimed critical theorists who propose a criterion inconsistent with this goal?

Likewise if it's critical theory best addressing critical theory then surely we should leave the critical theorists to discuss among themselves. No need for anyone else to get involved if the activists are right.

> "Maximally orienting towards further action" is precisely the uncritical approach CTs stand against, where in the same breath we guide the Ministry of War "maximally" towards "further action".

It isn't uncritical! What I'm pointing at is that achieving something within the scope of both (a) clear, explicit commitments with (b) shared interests and backgrounds establishes together good-faith interlocution and a line of distinction of what possible worlds two disagreeing interlocutors within the same frame are committing to (since the frame doesn't have to be completely specified). If there is an intervention that distinguishes which of these sets of worlds are the actual world, then you've gained information.

Issues come when you don't decide to create commonalities between yourselves in a debate. It gives room for at least one of these interlocutors to not accept or gain any information due to it being possible to shift their commitments by loosening up the interpretation of the evidence. Good-faith/intellectual honesty is the only hedge I know against this and it means understanding what you won't simply leave up to interpretation because it allows something to go wrong.

You're still allowed to have dialectic here but it's dialectic that advances through the solution of problems rather than the production of non-evidentialised counter-interpretation, which are almost always possible to produce at the verbal level.

> Scientific inquiry has many prerequisites, Hegel himself a harsh critic of pure empiricism. The difference in prerequisites is what gives rise to the Anglophone science and the German Wissenschaft.

After the Duhem-Quine thesis it's been pretty clear to Anglo-American schools that observations are theory-laden which is why Pragmatism caught on, and is still being worked on to this day by the likes of Sellars, Brandom, McDowell, Wimsatt, Laudan, Van Fraasen... I don't believe any of them are going to be overtly spiteful of Hegel as all of them are dealing with science as a social activity to some extent or another and the structuralist/constructivist/intersubjective theses that get pulled into there. But they all feature prescriptive programmes which are meant to enable the solution of problems, which once again in my mind points to a standard of inquiry that can be truth-finding versus continual deconstructions.

I'm not sure what "difference in prerequisites" is pointing to but would hope you would elaborate.

Re: What the death of iTunes says about digital habits

#112
post #87

Earlier quoted context omitted.

it's much older than that if you count NeXTStep history. OS X didn't start from scratch

Fair point, though I'm satisfied at looking at Apple's marketed offerings. You could take NeXT back to Thompson & Ritchie. NeXTStep as ur-Aqua is also a fair argument, but again, not occurring on mainline Mac generally. By that argument Classic Mac might be traced to the Alto and MOAD.

i am not familiar with the history of the Alto or MOAD and how they connect to the classic mac. i'd love to learn more though.

according to wikipedia classic MacOS was partially based on Lisa OS, whereas OS X is nothing more or less than a full port of NeXTStep with a slight visual update. i have used both. they are the same UI. the difference is cosmetic. it's the same code too. i believe the kernel has changed more than the UI layer.

the question is not the spiritual ancestors but how old the code is that is still in use today. and i belive that if we look we'll find some Objective-C code in OS X today that goes all the way back to the first versions of NeXTStep.

Re: What the death of iTunes says about digital habits

#113

Earlier quoted context omitted.

New search field now return album covers (yuck). Old list search feature is now under View > Show Filter Field. Disappears after app restarts...

You can change that. I configured it to work as it used to. I use it as the old 2000s versions, no album cover stuff

Please, how?

I was just browsing my library today and it's a tragedy how bad it got...

Re: What the death of iTunes says about digital habits

#114
post #48

Earlier quoted context omitted.

You can get DRM free digital music from Amazon.

I'll have to check if it's available in my country, most of their options to buy digital content are not.

As an update: It is not. It looks available, but attempting to pay for something prompts me to enter a US/UK/DE payment method depending on which site I use.

Re: What the death of iTunes says about digital habits

#115

Earlier quoted context omitted.

I rigorously organize my mobile apps, so this is quite rare for me. However, pretty much everything I do through my desktop (GUI at least) is done with search. Actually, I do the same in my terminal too with `fzf`, but to a lesser extent.

With time I discovered that the muscle memory I build to do tasks on my phone and tablet is strictly bound to the exact locations of the app icon and all the action buttons in it. So I am like you. I religiously arrange my home screens (iPhone and iPad) but just use `fzf` and other similar software pieces (like `helm` for Emacs) for pretty much anything on my Macs. I am also pondering paying for Alfred for macOS. I h…

P.S. thanks for introducing me to fzf, you just saved me tons of time!

Re: What the death of iTunes says about digital habits

#116
post #62

Earlier quoted context omitted.

They totally destroyed the audiobooks feature. Can't edit ID3, no playlists with Catalina. It's hard to believe how they could destroy it so thoroughly.

First, I agree with you - it's bullshit they took away the features they did. That said, of all the people you know in the Apple ecosystem, how many people know/do the following: know what an id3 tag is, manage the metadata of their digital audio content, listen to audiobooks. Maybe I'm wrong, but most non-nerds I know don't and would not ever want to think about 1 and 2. Plenty of people who fall into 3, but again a…

> That said, of all the people you know in the Apple ecosystem, how many people know/do the following: know what an id3 tag is, manage the metadata of their digital audio content, listen to audiobooks.

You could say the same thing about using the Terminal.app - removing everything but the most widely and commonly used features is a foolish strategy. The sum of all niche audiences still makes up a significant user base.

That said, even as someone that carefully maintains a rather large and growing local music collection I'd almost agree with you and be fine with a stripped down Apple Music app since anyone serious about that interest probably uses one of the superior and more in-depth music management options out there. However iTunes/Apple Music is still required to sync that music to your iOS device. So while I'd have no problem completely replacing iTunes/Music.app with any of the more feature-complete options I can't. I have to use it, even if it's just for syncing and apparently it has lost quite a few features since Catalina (haven't upgraded yet).

In other words: If Apple doesn't care about the kind of users that maintains a local music library they shouldn't hold them hostage by only allowing to sync said library via their otherwise barebone app. It just means I have to manage my content in 2 locations.

Re: What the death of iTunes says about digital habits

#117
post #25

While the iTunes client has been something I've directed much dislike to over the years, the iTunes store feels like the last place I can get mainstream music DRM free to just play on any of my devices and keep regardless of what licensing deals change. While Spotify is great for access to music, the client is very poor for library/playlist management, and some music I'd just like to have my own copy of. If the store…

> ...the iTunes store feels like the last place I can get mainstream music DRM free to just play on any of my devices...

The question about DRM-free, lossless music sources comes up again and again, but personally I think it has never been easier to purchase digital, lossless, DRM-free music from countless stores. My favorites include:

- Bandcamp

- Boomkat

- Qobuz (particularly useful for mainstream music)

- Bleep

- 7Digital

- Juno Download

Re: What the death of iTunes says about digital habits

#118

Earlier quoted context omitted.

You can change that. I configured it to work as it used to. I use it as the old 2000s versions, no album cover stuff

Please, how? I was just browsing my library today and it's a tragedy how bad it got...

Sorry for the late reply. That's iTunes on Mojave. https://imgur.com/a/0DJml25

Haven't made the jump to Catalina just yet. Mostly because of Sizzling Keys (control iTunes from system wide keyboard shortcuts)

I think the trick is to set “filter by all” on the search field, but there might be some other preference setting somewhere.

Re: What the death of iTunes says about digital habits

#119
post #25

While the iTunes client has been something I've directed much dislike to over the years, the iTunes store feels like the last place I can get mainstream music DRM free to just play on any of my devices and keep regardless of what licensing deals change. While Spotify is great for access to music, the client is very poor for library/playlist management, and some music I'd just like to have my own copy of. If the store…

> ...the iTunes store feels like the last place I can get mainstream music DRM free to just play on any of my devices... The question about DRM-free, lossless music sources comes up again and again, but personally I think it has never been easier to purchase digital, lossless, DRM-free music from countless stores. My favorites include: - Bandcamp - Boomkat - Qobuz (particularly useful for mainstream music) - Bleep -…

Bandcamp: No mainstream music. While I have plenty of music there, but sometimes I just want to buy the Gorillaz

Boomkat: See above, except I've not personally used it. Also downloads seem to be a one time thing, sounds like you need to ask support for a limited number of redownloads?

Bleep: Limited selection, but has at least some

7Digital, Qobuz: Actually pretty ok, I'll have to check them out in the future.

Re: What the death of iTunes says about digital habits

#120
post #119

Earlier quoted context omitted.

> ...the iTunes store feels like the last place I can get mainstream music DRM free to just play on any of my devices... The question about DRM-free, lossless music sources comes up again and again, but personally I think it has never been easier to purchase digital, lossless, DRM-free music from countless stores. My favorites include: - Bandcamp - Boomkat - Qobuz (particularly useful for mainstream music) - Bleep -…

Bandcamp: No mainstream music. While I have plenty of music there, but sometimes I just want to buy the Gorillaz Boomkat: See above, except I've not personally used it. Also downloads seem to be a one time thing, sounds like you need to ask support for a limited number of redownloads? Bleep: Limited selection, but has at least some 7Digital, Qobuz: Actually pretty ok, I'll have to check them out in the future.

Qobuz has lots of popular music from major labels (including Gorillaz). I'm not sure how much more mainstream it can get, but if something you're looking for is missing, I'd say that's a failure and neglect the labels involved should be blamed for. Do you have an example of a release you can't find as lossless download (excluding obviously rare material)?

> Boomkat: See above, except I've not personally used it. Also downloads seem to be a one time thing, sounds like you need to ask support for a limited number of redownloads?

How many redownloads do you think you need? All your purchased releases stay with your account, ready to be downloaded at any time again and while I had to re-download some of them repeatedly due to network errors on my end I never ran into any download limits. Should be a non-issue.

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