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Typography of Neon Genesis Evangelion

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Re: Typography of Neon Genesis Evangelion

#111

Earlier quoted context omitted.

TTGL definitely gets whacky plotwise in the last few episodes but I don’t think it ever lost focus on its central themes at any point. From all the buzz I’d heard from friends and on the internet about NGE, I was ready to be bawling by the end with a tsunami of emotion. Not that it’s without precedent: TTGL, Kill La Kill, and Darling in the FranXX, to give some examples, have had me (and my partner) in tears at sever…

I see, I just enjoyed it and the mystery, the attention to detail, animation, direction choices No tearjerkers from the twists or relationships, maybe just from the fun and perplexing outcomes rendered awesomely Whiny angsty awkward teenagers are annoying, Gurren Lagaan doesnt have a main character like that which is refreshing but I never really considered comparing them - do a lot of people put them in the same cat…

I think they fit in similar categories because many mecha animes deal with themes of exponential escalation, which I suspect was heavily influenced by the collective national experience of a total war that culminated in daily firebombings of cities, and ultimately (being on the receiving end of) the only wartime use of nuclear weapons in history.

However, both series deal with that escalation in different ways. While in TTGL, the escalation is purely physical - the villains get perpetually stronger and the heroes have to strengthen themselves to stand up to them - the escalation in NGE is more personal.

“Why do you pilot the Eva?”, Shinji asks Rei and Asuka, a question with an answer seemingly so obvious that nobody else in the entire series asks it. And yet it gets to the heart of Shinji’s development.

In the beginning, he’s a terrified teenager who is in way over his head. As time goes on, he becomes more confident in his ability to pilot the Eva, yet his experiences leave him a shattered husk of a human being.

I think (and this somewhat gets into spoiler territory for anyone that hasn’t seen NGE yet) that the answer to the question of what happens when someone is put through so much trauma that it destroys who they are is that there is nothing in a void. Community can help repair the damage but some things can’t simply be handled by the self, no matter how hard one tries, how dearly they want it, or how capable they are at other things. At least, that’s the impression I got from the ending.

Re: Typography of Neon Genesis Evangelion

#112

Interestingly, the thick vertical strokes and skinny horizontal strokes you see in the Chinese characters in some of those fonts are the result of one individual's[0] personal style being adopted as the standard for non-cursive calligraphy; [0] https://en.wikipedia.org/wiki/Yan_Zhenqing

The famous calligraphers' styles were used in early woodblock printing, but the Song/Ming style you see nowadays are more rightly said to be influenced by the constraints of printing. A way to think about this is that Western serif typefaces come from unical script, but their present standard forms are more rightly said to be influenced by the limitations of metal type. file:///home/jhanschoo/Downloads/PJACNS-1(2015)…

That makes sense, I guess I was focusing in on a particular font in the article that clearly has the mark of Yan Zhenqing's style. I'm talking about whatever font is used in the characters 使使 over the red background. Even the shape of the downward left pie strokes is distinctly Yan's style.

Maybe that's just a testament to the distinctiveness of his style that it is still clear even after being adapted to the constraints of printing, or it might also just be that particular font?

Re: Typography of Neon Genesis Evangelion

#113
post #94
post #87

Earlier quoted context omitted.

Gurren Lagann Trigun Fullmetal Alchemist: Brotherhood (better remake of the 2003 series) One Punch Man Demon Slayer Akira Redline FLCL

Also, Kill La Kill. It’s by the same director as Gurren Lagann, and is a strange mix of excessive fan service and reverse Bechdel Test failure.

These are all great suggestions but I think it would be helpful to give a small intro to some of them as they are not quite what they seem on the surface. For example, "Kill La Kill" is mostly about exposing the absurdity of fan service in Anime. "One Punch Man" shows that being the best at something is actually the worst thing ever. And "FLCL" is really weird - I truly don't know what it's trying to say.
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