I sincerely hope that this is an effort that will bring the state of the art forward - the author's stance on scene referred workflows is a good premise
Ansel
101–110 of 167 posts
Re: Ansel
#102Earlier quoted context omitted.
I tried to use Darktable coming from Lightroom, and I have seldom felt as stupid. I just couldn't grasp how Darktable worked.
On the flip side, coming from Darktable and trying out Lightroom felt like trying to do good old darkroom work with my hands tied behind my back. Darktable offers a few really powerful, generic tools that you can use in different ways to get different effects – things like equaliser, parametric masks, LAB curves, etc. It makes little sense to use it without reading up on some of those more advanced tools first. Light…
Re: Ansel
#103My camera can send raw files to my phone wirelessly, with an ios app I can edit them on site and have a draft ready instantly. This is especially useful for events or anything time sensitive - but convenient in other use cases as well.
Still, I have good memories of Darktable and the author’s filmic module, I hope to try Ansel anyway at some point.
Re: Ansel
#104About the Ansel fork, I've used Darktable for 6 years and tried Ansel the last two weeks: if you have never used Darktable, Ansel UX is better for a first time user imo, more streamlined. Keep in mind that I'm biased as I agree with most of the author's points here: https://ansel.photos/en/news/darktable-dans-le-mur-au-ralent...
Re: Ansel
#105Earlier quoted context omitted.
On the flip side, coming from Darktable and trying out Lightroom felt like trying to do good old darkroom work with my hands tied behind my back. Darktable offers a few really powerful, generic tools that you can use in different ways to get different effects – things like equaliser, parametric masks, LAB curves, etc. It makes little sense to use it without reading up on some of those more advanced tools first. Light…
I mostly tag pictures, adjust exposure, sometimes split toning and contrast, that’s it basically. And cull pictures quickly.
Re: Ansel
#106This is the work of a former "darktable" developer (Aurélien Pierre) who decided to fork the codebase and go it alone. He has strong opinions about the correct way to do things. I like some of the cleanup on the UI that he has done. For now, Ansel and darktable are compatible in terms of the underlying database. So you can easily switch back and forth between them. If the fork diverges significantly, it would be more…
It is, at least of I go by my dad who is a Photoshop veteran, quite different to what he used to.
The only things I could see as, if I am really really critical, are:
- sharpening, usually decent enough but SharpenAI from Topaz is another league. As I said, good enough for all except the edge cases
- de-noising, same as sharpening, astro-denoise works like a charm so
- masks, which I haven't really figure out yet, so my problem and not darktable's, Lightroom and Photoshop seem a tad more intuitive so
One thing I'd love, but again maybe I just didn't find it yet, is the possibility to export the database of picture edits. For now, I have darktable create dedicated files once a photonis edited and I make back-ups of those. I did loose edits for around 100ish photos due to some unrelated issues which required reinstallation of darktable so, which again was on me for missing darktable stopped creating said files after an update. Being to just dump the darktable database of edit data would be really nice so.
Summary, I can only recommend it. Especially for people starting post processing, the learing curve for each software is basically the same after all, and without prior knowledge they wont recognize any differences.
Re: Ansel
#107Earlier quoted context omitted.
I tried to use Darktable coming from Lightroom, and I have seldom felt as stupid. I just couldn't grasp how Darktable worked.
On the flip side, coming from Darktable and trying out Lightroom felt like trying to do good old darkroom work with my hands tied behind my back. Darktable offers a few really powerful, generic tools that you can use in different ways to get different effects – things like equaliser, parametric masks, LAB curves, etc. It makes little sense to use it without reading up on some of those more advanced tools first. Light…
Re: Ansel
#108This is the work of a former "darktable" developer (Aurélien Pierre) who decided to fork the codebase and go it alone. He has strong opinions about the correct way to do things. I like some of the cleanup on the UI that he has done. For now, Ansel and darktable are compatible in terms of the underlying database. So you can easily switch back and forth between them. If the fork diverges significantly, it would be more…
> "Ansel is what Darktable 4.0 could have been if its developers were not so busy turning it into an usability nightmare. Ansel is a Darktable 4.0 variant where 30.000 lines of poorly-written code and half-broken features have been removed, and 11.000 lines rewritten : it runs faster, smoother, uses less power and requires less configuration. Enjoy an app focusing on getting work done and stability." Shots fired!
But then I care about the results, a nice picture to print or look at on a screen, way way more than about the tools used to get that result. Goes for cameras and lenses and whatnot as well.
Re: Ansel
#109I’ve used Darktable and would happily try Ansel. But in recent years ios compatibility became an important feature for me. My camera can send raw files to my phone wirelessly, with an ios app I can edit them on site and have a draft ready instantly. This is especially useful for events or anything time sensitive - but convenient in other use cases as well. Still, I have good memories of Darktable and the author’s fil…
Re: Ansel
#110Earlier quoted context omitted.
I mostly tag pictures, adjust exposure, sometimes split toning and contrast, that’s it basically. And cull pictures quickly.
Catalogue management is one of the things I agree Lightroom is better at – at least was, last I was a more active photographer.
Maybe I will never migrate off LR and just create a new catalog on some other computer with Ansel or something.
I use the last version of LR6 one could purchase outright, and I dragged it kicking and screaming all the way into Ventura, but I’m sure the party well end pretty soon.