> And a completely unreleated thought, maybe it is
> possible to remove the safetly limits on speakers
> of other brands and apply the same strategy to get
> better sound?
That’s a really interesting topic. I hope an audiophile
shows up to give some thoughts..
Probably want an audio engineer instead of an audiophile hobbyist, for a more proper and informed opinion. =)
However, as an audiophile hobbyist, getting good sound from bad hardware (or excellent sound from good hardware) via DSP is definitely a thing! In fact, it's essentially the reason why anything sounds any good at all these days, and why things like tiny laptop speakers and tiny portable Bluetooth speakers can sound halfway decent. Even inexpensive factory car audio can sound great these days, because you can throw a cheap DSP chip in front of not-very-special speakers.
I would suspect that many laptop manufacturers are doing some hardware/firmware/software magic already, in order to get decent sound from their hardware.
Hobbyists can do this as well. You can buy e.g. cheap speakers, measure their output with a microphone, and create a DSP profile to fix much of what they're doing wrong. The underlying principle here is that "good" sound is absolutely measurable, and it essentially is nothing more low-distortion playback that is tonally correct. The results can sound excellent. Here's an example of the process: http://noaudiophile.com/Micca_Club_3/
However, there are some physical limitations to this. Much of the sound we hear is reflected, not direct, and therefore part of a speaker sounding "good" is that it is emitting "correct" sound in a wide enough angle. If a speaker is shooting correct sound directly at you, but various and incorrect sound off at various angles, the result will not sound great because what actually reaches your ears is going to be a mixture of good (the direct sound) and bad (the indirect, reflected) sound. If a speaker is bad at this, that is not something that can really be fixed by DSP, so you need to get some elements of the physical design correct in the first place.
The software power management aspects of Apple's secret sauce ("you can dump more than max power into the speakers for x milliseconds, but after that, back off") are also beyond the limits of simple DSP solutions. There would presumably need to be some kind of stateful solution there like Asahi is doing.
There are also other things that Apple does in hardware. Their 16-inch laptops actually have six drivers. Two tweeters, and two pairs of dual-opposed woofers. Dual-opposed woofers give you twice the sound pressure and drastically reduce distortion caused via vibration. This of course takes more room, more hardware engineering, more expense, and isn't something we can software our way around. You actually don't see this in commercial subwoofers until you get up around the $2000 price level, though you could also build one yourself for much less if you don't mind DIY work. https://us.kef.com/products/kf92-subwoofer