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Bob Dylan lays down what killed rock n roll (2016)

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Re: Bob Dylan lays down what killed rock n roll (2016)

#101

The article makes a very strenuous effort to make a point about something something racism in rock that sounds a bit boring and trite to my ears. After all, Bon Scott said it best years ago: In the beginning Back in nineteen fifty five Man didn't know 'bout a rock 'n' roll show And all that jive The white man had the schmaltz The black man had the blues No one knew what they was gonna do But Tchaikovsky had the news…

As a black English man who enjoys a bit of rock and metal myself I have wondered this myself. I have some theories, which I fully admit are half baked and quite possibly incorrect. However, I think that a lot of the culture around rock and metal is off-putting to a lot of black people.

If you look at something like black metal and it's sub-genres, a lot of the culture and imagery revolves around satanism and European paganism; which is popular with a certain segment of European people but would hold little to no interest to those of an Afro or Caribbean heritage. Especially since so many black people have quite strong Religious beliefs. (Less so these days possibly, but many still pay lip service at the very least.)

If you then look at the 80's hair metal and glam metal genres with the emphasis on long hair and make up and an image of sexual ambiguity. I think we can all agree that there (sadly) exists a big homophobia problem amongst many black communities; which means that the aforementioned sexual ambiguity would be very off-putting to them.

Those are obviously extreme examples, but I think I've maybe made my point.

I'm probably talking out of my ass, but those are my thoughts for what it's worth.

Re: Bob Dylan lays down what killed rock n roll (2016)

#102

Earlier quoted context omitted.

I didn't know metal was so big in Athens, Greece. Thanks. > So why didn't the black grasroots ever sprout an analogous new rock scene, instead of turning towards the mainstream, big stage, light show, for-profit music that comes from black artists for the last few decades? For me, that's like asking, 'why didn't Van Gogh ever develop something innovative, like the abstract artists, instead of painting in his popular…

To clarify, I'm skeptical of the article's attempt to point at racism, not of the existence of racism in general, neither even in the context that the article places it in. I'm criticising the article. I must say I don't appreciate your attempt to connect my comment with racist views you may have encountered in the past. I invite you to consider your comment in the context of the HN guidelines about responding to the…

I'm sorry you feel that way. To be clear, I am not calling you racist (whatever that means exactly) and I am not calling that sentence racist, etc. But I have said racist things and held racist perspectives in my life; I'm human; I probably still do, unwittingly. I take that seriously - it hurts people, maybe more than anything else in humanity. (To make clear my position: I'll be damned if the scourge continues, on anything like its current scale, past my generation.) Also, sometimes I say things that unwittingly contribute to racism. If you did one of those things - I'm not saying you did - it wouldn't make you the devil. It's not about judging you; I assume you don't want to do these things either.

This is my personal point of view in more detail. From the GGP:

> The article makes a very strenuous effort to make a point about something something racism in rock that sounds a bit boring and trite to my ears.

IMHO that sentence makes a joke of the article's points about racism, and calls them "boring and trite". Also, importantly it's an expression of feelings, not facts and reasoning.

I'm saying it fits a general pattern: Very often IME, when racism is mentioned, people express skepticism in the same manner. The manner is an essential factor: It implies (and the GGP sentence says almost explicitly), 'these people can be ignored; I won't give them the time of day'. The power imbalance, that the vulnerable can be ignored, is at the core of racism; it allows racism to continue and be perpetuated; it puts the vulnerable under constant threat. Whether intended or not, I think the sentence repeats and reinforces that.

To dramatize it, imagine a city council hearing: Someone says they are the victim of ongoing violence and threats from their neighbors, and gives a reasoned, factual account. The city council member doesn't ask detailed questions and explore the issue and possible solutions, they say, 'something something threats - how boring and trite'. It's a clear message that nobody need care and the attacks can continue.

Re: Bob Dylan lays down what killed rock n roll (2016)

#103

The article makes a very strenuous effort to make a point about something something racism in rock that sounds a bit boring and trite to my ears. After all, Bon Scott said it best years ago: In the beginning Back in nineteen fifty five Man didn't know 'bout a rock 'n' roll show And all that jive The white man had the schmaltz The black man had the blues No one knew what they was gonna do But Tchaikovsky had the news…

As a black English man who enjoys a bit of rock and metal myself I have wondered this myself. I have some theories, which I fully admit are half baked and quite possibly incorrect. However, I think that a lot of the culture around rock and metal is off-putting to a lot of black people. If you look at something like black metal and it's sub-genres, a lot of the culture and imagery revolves around satanism and European…

No, I agree. I listen to black bands but sometimes I'm happy that a few of them choose to sing (ish) in their native Scandinavian languages that I don't understand. I think I'd be very disturbed if I knew what they're singing about. Brrr.

And indeed casual racism, sexism, hooliganism, homophobia, and general assholeness was common among my metalhead friends growing up (and for some it wasn't just poseuring). So I can see why black kids wouldn't feel welcome in today's metal scene at least. At times I didn't either.

(My friends were equally dismissive of hair metal as "faggots" also, of course. Goes hand in hand with the rest. Oh, I did mention homophobia).

But, why not raise a middle finger to today's metal scene (or the rock scene back in the day) and go do their own thing- their own rock thing, like they did their own rap thing etc? That's what I wonder about.

Although, I guess I might as well ask why white kids don't all dig classical music, or their respective folk musics. Tastes change across generations.

Edit: having thought about it a bit more I think what you say is simply: any kind of rock was tainted by its association with attitudes that were offputting to black kids, one way or the other. So they didn't want to do their own rock thing because the idea of any kind of rock thing felt wrong and as if it couldn't really be "theirs". If I think of it that way, that answers my question actually.

Re: Bob Dylan lays down what killed rock n roll (2016)

#104

Earlier quoted context omitted.

To clarify, I'm skeptical of the article's attempt to point at racism, not of the existence of racism in general, neither even in the context that the article places it in. I'm criticising the article. I must say I don't appreciate your attempt to connect my comment with racist views you may have encountered in the past. I invite you to consider your comment in the context of the HN guidelines about responding to the…

I'm sorry you feel that way. To be clear, I am not calling you racist (whatever that means exactly) and I am not calling that sentence racist, etc. But I have said racist things and held racist perspectives in my life; I'm human; I probably still do, unwittingly. I take that seriously - it hurts people, maybe more than anything else in humanity. (To make clear my position: I'll be damned if the scourge continues, on…

>> IMHO that sentence makes a joke of the article's points about racism, and calls them "boring and trite". Also, importantly it's an expression of feelings, not facts and reasoning.

I understand what you are saying but I think it's an overgeneralisation. My comment said that the way the article frames the subject is boring and trite, not that the racism it is trying to point to doesn't really exist. I agree it does.

I don't want to have to give ideological credentials here because I don't think that's healthy in any situation, but of course I think that the existence of racism in the music industry, as anywhere is a problem. But everyone who tries to point out the problem doesn't do an equally good job and I've sure seen people do it very clumsily. I think the article is all over the place and doesn't quite hit the spot when it comes to sensitising the reader to the issue.

Edit: to clarify, in the following sentence:

>> The article makes a very strenuous effort to make a point about something something racism in rock that sounds a bit boring and trite to my ears

The phrase: "that sounds a bit boring and trite" has "a very strenuous effort" as a subject, not "a point about something something racism". I find the effort boring and trite, not the point.

I admit that this is not the only interpretation of my comment, but, again, I think it is the strongest interpretation - and it's certainly my intended interpretation.

Edit again: And the "something something racism" is meant to express my frustration at the author's inability to pin down the subject they're trying to discuss, not to deny racism exists. I mean, I read a huge article that kept meandering and never really getting to the point. I wanted to read more about what Dylan said and why, what were his experiences that formed his opinions. But I read a bloated piece stitching together bits and pieces of rock and roll history that may have been related, or not. I just didn't like the article.

Re: Bob Dylan lays down what killed rock n roll (2016)

#105

Earlier quoted context omitted.

Hip hip is the philosophy of survival in a racist culture. It dies when the racism dies.

Oh come off it. Little to no mainstream hip hop addresses racism in any meaningful way. It’s still mostly sex, drugs, objectifying women, glorifying the rich, and violence.

Since when has mainstream music been what is listened to outside of White American culture? Beyond the marketed artists is a voice you're not hearing and it speaks from a culture emerging out of lies told about itself and shunted from economic stability. The economic situations of 99% of the readers of HN is science fiction to large portions the economic underclass in the United States.

Re: Bob Dylan lays down what killed rock n roll (2016)

#108
I wouldn't have thought the article was very good, and the title is neither an accurate representation of what Dylan said, nor really what the article is about. But this thread is surprisingly pretty good!

As a gloss on what Dylan is saying about race and the music business, this clip where David Bowie turns the tables on an MTV interviewer in 1983 is worth watching, in a high-tension sort of way. He's pretty impressive as an investigative journalist: cool as steel, conceding nothing, and charming even as he drives the knife in deeper:

https://www.youtube.com/watch?v=L3i53rjh-PA#t=11m3s

(Edit: As a performer, at least,) the man ages well. (If you watch to the very end, he makes the same point as Dylan: "yeah but let's face it, somebody laid the ground rules down in the beginning".)

Re: Bob Dylan lays down what killed rock n roll (2016)

#109

The article makes a very strenuous effort to make a point about something something racism in rock that sounds a bit boring and trite to my ears. After all, Bon Scott said it best years ago: In the beginning Back in nineteen fifty five Man didn't know 'bout a rock 'n' roll show And all that jive The white man had the schmaltz The black man had the blues No one knew what they was gonna do But Tchaikovsky had the news…

I mean, if you exclude racism and structural racism as an answer, you’ll be wondering for a long time “why black people don’t rock anymore.” But it’s not my job to educate you, I’d suggest you look into yourself.

Please don't post ideological flamewar comments to HN or cross into personal attack. Neither of those makes for interesting conversation, only dumbed-down hostility. If you have a substantive insight to offer about the topic, that of course is welcome.

It's no one's job here to educate the others, thankfully. But learning from each other is the point of this place, and that only works if we don't get stuck in ideological tropes and internet putdowns.

https://hn.algolia.com/?dateRange=all&page=0&prefix=true&sor...

https://news.ycombinator.com/newsguidelines.html

Re: Bob Dylan lays down what killed rock n roll (2016)

#110
post #72

The article makes a very strenuous effort to make a point about something something racism in rock that sounds a bit boring and trite to my ears. After all, Bon Scott said it best years ago: In the beginning Back in nineteen fifty five Man didn't know 'bout a rock 'n' roll show And all that jive The white man had the schmaltz The black man had the blues No one knew what they was gonna do But Tchaikovsky had the news…

That's not true. Afropunk was a response to the question you pose. White people stole the rock from Black kids the way Ancient Greece stole the Hippocratic Oath from African culture. It is almost the same. Today, it's almost impossible to know Bo Diddley, Sister Rosetta Tharpe and other Black pioneers created rock in almost it's complete form. "History is written by the winners", they say, and our cultural memory is…

You're right, of course, although surely anyone who isn't ignorant knows that rock n roll was black music, and in any case Elvis (and countless others all the way—I would say down, but that's mean—to Cliff Richard and Pat Boone) were busy at that before the Beatles.

By the way, if anyone is interested in this who doesn't know the incredible story of the Detroit proto-punk band Death, it's sort of a glimpse into a parallel reality in which all this didn't happen (but it did happen, so they were forgotten for 30 years). The missing black Ramones, Stooges, Clash.

https://www.youtube.com/watch?v=OwehxN2ipCU

https://www.youtube.com/watch?v=uAZ9R2t5Jd0

https://www.youtube.com/watch?v=iIsE8TyNEL4

https://www.nytimes.com/2009/03/15/arts/music/15rubi.html?_r... ("Their musicianship tightened when their mother allowed them to replace their bedroom furniture with mikes and amps as long as they practiced for three hours every afternoon")

This interview is so great, everyone reading this thread should just watch it:

https://www.youtube.com/watch?v=Vru_cgNnNv4#t=59m50s

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