I wonder if this is about ending the "loudness war", or if it's more about helping amateur content with nearly inaudible levels. All the good reasons for compressing music or audio in general certainly apply to YouTube. The average viewer will probably listen through laptop speakers in a noisy environment, and a large dynamic range is not helpful to them. Also, does this mean they actually lower the volume of high RM…
> The average viewer will probably listen through laptop speakers in a noisy environment, and a large dynamic range is not helpful to them. If you use compression on the assumption that a chunk of your audience will be listening on shitty speakers you ensure that anyone not listening on shitty speakers also gets a shitty experience. Perhaps Google would like YouTube to be a non-shitty experience for people with nice…
This hyperbole serves no one. Modern limiters are tremendously transparent, and only people who are listening for it will notice the increase in compression.
That said, there is a case to be made for listener fatigue. Personally, I'm not on youtube for extended periods where that would be a problem, but I can see how it might be. Further, as a musician and engineer, I have long had to live with the fact that none of the streaming services (not even iTunes the app) are transparent. After having spent days on a mix and master, it's quite a shame I don't get to decide how the exact final product is sonically presented.