Oscilloscope Specifications: Maximum Sampling rate: 4MSPS Analog Bandwidth: ---> 200kHz Arbitrary Waveform Generator Specifications Maximum conversion rate: 1MSPS Analog Bandwidth: ---> 50kHz This is certainly not the first project in the "super miniaturized hardware tools" category, and as much as I like the idea of having a single tricorder-like device that can replace a lab full of hardware, all of the similar pro…
What analogue bandwidth do you want? Does the device need to have a display, or is a USB device ok?
Oscilloscope watch
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Re: Oscilloscope watch
#12Oscilloscope Specifications: Maximum Sampling rate: 4MSPS Analog Bandwidth: ---> 200kHz Arbitrary Waveform Generator Specifications Maximum conversion rate: 1MSPS Analog Bandwidth: ---> 50kHz This is certainly not the first project in the "super miniaturized hardware tools" category, and as much as I like the idea of having a single tricorder-like device that can replace a lab full of hardware, all of the similar pro…
What analogue bandwidth do you want? Does the device need to have a display, or is a USB device ok?
At work, I'm generally okay with a 400-500 MHz bandwidth for some of the more fiddly stuff. At home, 100 MHz is usually plenty, although I've occasionally had to take parts of my projects to the lab.
I'll concede that many hobbyists don't really need all of this capability (e.g. the Arduino + LED crowd), but I'd have a really hard time recommending a scope that doesn't do at least 100 MHz simply because you can already get 100 MHz hardware for dirt cheap.
It's gotten significantly easier for hobbyists to play with relatively high-end hardware that would have been out of reach a decade ago (FPGAs, fast memory, wired/wireless communication ICs, cameras, etc). A lot of this hardware requires relatively high bandwidth interconnects to work well (or to work at all), but today's hobbyists seem undeterred and are figuring out how to make it work.
But when the shit hits the fan, you don't want to be banging your head against the wall because of crappy test hardware.
Re: Oscilloscope watch
#13Re: Oscilloscope watch
#14Oscilloscope Specifications: Maximum Sampling rate: 4MSPS Analog Bandwidth: ---> 200kHz Arbitrary Waveform Generator Specifications Maximum conversion rate: 1MSPS Analog Bandwidth: ---> 50kHz This is certainly not the first project in the "super miniaturized hardware tools" category, and as much as I like the idea of having a single tricorder-like device that can replace a lab full of hardware, all of the similar pro…
I would pay a lot of money for a miniaturized tool that took RF performance seriously. I'm sure, but how many others would, vs just using bulky equipment? I agree the analog bandwidth is quite limited here, but it's good enough for audio work, and there's a large potential market there among live sound engineers.
If I can pay $100 for a super miniaturized audio only scope, or the same price for a bulkier 100 MHz scope, I'd go with the 100 MHz scope every time, so in that sense you're right.
That being said, it sure is nice that today's scopes are more like a lunchbox than a boat anchor. My lab at work easily has a million dollars worth of "full size" test and measurement equipment from Agilent and Tektronix, but there's no reason the entire budget has to go to them. We're happy to pay for stuff like this (http://www.triarchytech.com/) when it's a solid product that makes our lives easier.
Re: Oscilloscope watch
#15Max sampling rate (4MSPS) is too small. Note that for more or less proper measurement you need at least Sampling_rate=Freq*4. So, for something real you need 200MSPS or even more. Beside that the idea is very cool, would buy one. Eagerly waiting for a Spectrum Analyzer Watch to pop up on Kickstarter any time soon. :-)
Re: Oscilloscope watch
#16Earlier quoted context omitted.
I would pay a lot of money for a miniaturized tool that took RF performance seriously. I'm sure, but how many others would, vs just using bulky equipment? I agree the analog bandwidth is quite limited here, but it's good enough for audio work, and there's a large potential market there among live sound engineers.
Your output might be 20 kHz audio, but in the real world you're surrounded by analog at much higher frequencies. I've worked on enough "low bandwidth" audio projects plagued by problems at higher frequencies that I can't really recommend the "Its good enough for audio" approach anymore. You can easily have a tiny DSP with a noisy clock signal in the tens of MHz. Or a wonky USB signal. Or an intermodulation product fr…
Re: Oscilloscope watch
#17Re: Oscilloscope watch
#18Oscilloscope Specifications: Maximum Sampling rate: 4MSPS Analog Bandwidth: ---> 200kHz Arbitrary Waveform Generator Specifications Maximum conversion rate: 1MSPS Analog Bandwidth: ---> 50kHz This is certainly not the first project in the "super miniaturized hardware tools" category, and as much as I like the idea of having a single tricorder-like device that can replace a lab full of hardware, all of the similar pro…
I would pay a lot of money for a miniaturized tool that took RF performance seriously. I'm sure, but how many others would, vs just using bulky equipment? I agree the analog bandwidth is quite limited here, but it's good enough for audio work, and there's a large potential market there among live sound engineers.
Re: Oscilloscope watch
#19Earlier quoted context omitted.
I would pay a lot of money for a miniaturized tool that took RF performance seriously. I'm sure, but how many others would, vs just using bulky equipment? I agree the analog bandwidth is quite limited here, but it's good enough for audio work, and there's a large potential market there among live sound engineers.
I don't know much about the work of sound engineers, but I'm curious, can you please describe some of the applications this device would offer to sound engineers?
Re: Oscilloscope watch
#20Earlier quoted context omitted.
Your output might be 20 kHz audio, but in the real world you're surrounded by analog at much higher frequencies. I've worked on enough "low bandwidth" audio projects plagued by problems at higher frequencies that I can't really recommend the "Its good enough for audio" approach anymore. You can easily have a tiny DSP with a noisy clock signal in the tens of MHz. Or a wonky USB signal. Or an intermodulation product fr…
I'm thinking strictly of things like mixers and junction boxes. I take your point about DSPs and other system clocks (and am trying to figure out if this is an issue on a hybrid DSP/FPGA/discrete device right now), but in areas like live sound engineering your main enemies are things like ground loops, crosstalk between mixer channels and whatnot. These are installation issues rather than product development ones.
What benefit does an oscilloscope have over meter+ears when resolving ground loop or crosstalk issues? Time domain information doesn't seem terribly useful.