Please remember the above quote next time you hear some corporate puppet bring up the "starving artist" argument in a copyright policy debate.
Don Rosa: Why I Quit
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Re: Don Rosa: Why I Quit
#12"But it’s an unfortunate fact that there have never been, and I ultimately realized there never will be, any royalties paid to the people who write or draw or otherwise create all the Disney comics you’ve ever read." Please remember the above quote next time you hear some corporate puppet bring up the "starving artist" argument in a copyright policy debate.
Re: Don Rosa: Why I Quit
#13"But it’s an unfortunate fact that there have never been, and I ultimately realized there never will be, any royalties paid to the people who write or draw or otherwise create all the Disney comics you’ve ever read." Please remember the above quote next time you hear some corporate puppet bring up the "starving artist" argument in a copyright policy debate.
I don't understand what about it I should remember. Could you elaborate? I'm also not familiar with any general class of arguments called the "starving artist" argument. What are they and what do corporate puppets hope to prove using them?
Re: Don Rosa: Why I Quit
#14Earlier quoted context omitted.
I don't understand what about it I should remember. Could you elaborate? I'm also not familiar with any general class of arguments called the "starving artist" argument. What are they and what do corporate puppets hope to prove using them?
The arguments against the evils of sharing copyrighted works with your friends online. The arguments for ridiculous "life of the author plus a century" copyright terms. Disney is a huge purveyor of these bogus arguments, all while stiffing the content creators who work for them.
Re: Don Rosa: Why I Quit
#15Re: Don Rosa: Why I Quit
#16"But it’s an unfortunate fact that there have never been, and I ultimately realized there never will be, any royalties paid to the people who write or draw or otherwise create all the Disney comics you’ve ever read." Please remember the above quote next time you hear some corporate puppet bring up the "starving artist" argument in a copyright policy debate.
Corporations withholding royalties from artists is obviously bad. But it's entirely consistent to condemn such abuse while still supporting the idea that artists ought to be repaid for their work.
Re: Don Rosa: Why I Quit
#17Earlier quoted context omitted.
The arguments against the evils of sharing copyrighted works with your friends online. The arguments for ridiculous "life of the author plus a century" copyright terms. Disney is a huge purveyor of these bogus arguments, all while stiffing the content creators who work for them.
Oh. But Disney comics is the only case where no royalties are ever paid, at least according to Don in this article. I don't think he'd want us using those words as a blanket permission to pirate copyrighted works.
Re: Don Rosa: Why I Quit
#18"But it’s an unfortunate fact that there have never been, and I ultimately realized there never will be, any royalties paid to the people who write or draw or otherwise create all the Disney comics you’ve ever read." Please remember the above quote next time you hear some corporate puppet bring up the "starving artist" argument in a copyright policy debate.
Don't frame it like that. It's dishonest. Corporations withholding royalties from artists is obviously bad . But it's entirely consistent to condemn such abuse while still supporting the idea that artists ought to be repaid for their work.
Re: Don Rosa: Why I Quit
#19I might not understand the complaint here. I don't get paid royalties on the software I write either, because my employer owns the copyright to my work. That licensing arrangement suits both of us because I would like to collect a salary without assuming the risk that my work won't be profitable. It's not an exploitive relationship.
Re: Don Rosa: Why I Quit
#20I might not understand the complaint here. I don't get paid royalties on the software I write either, because my employer owns the copyright to my work. That licensing arrangement suits both of us because I would like to collect a salary without assuming the risk that my work won't be profitable. It's not an exploitive relationship.
Work-for-hire is actually the norm in the mainstream comics world (DC, Marvel). Creator-owned comics do exist and there's a pretty big label that does nothing but (Image), but as you say there's considerable risk involved.
This doesn't mean that Disney should or should not follow that practice.