Will vibe coding end like the maker movement?

If you're vibecoding the start of the singularity... then may be yes.

My general take on most vibe coding projects ("Hey, look, I built this over the weekend"), is general dismissiveness. Mostly because of the effort required, i.e. why should I care about something that someone did with almost zero effort, a few prompts?

If someone tells me they ran a marathon, I'm impressed because I know that took work. If someone tells me they jogged 100 meters, I don't care at all (unless they were previously crippled or morbidly obese etc.).

I think there are just a ton of none-engineers who are super hyped right now that they built something/anything, but don't have any internal benchmark or calibration about what is actually "good" or "impressive" when it comes to software, since they never built anything before, with AI or otherwise.

Even roughly a year ago, I made a 3D shooting game over an evening using Claude and never bothered sharing it because it seemed like pure slop and far too easy to brag about. Now my bar for being "impressed" by software is incredibly high, knowing you can few shot almost anything imaginable in a few hours.

I have a similar feeling to people who upload their AI art to sites like danbooru. Like I guess I can understand making it for yourself but why do you think others want to see it

A mix of perspectives in here that feel inter-related. The maker movement state-side leaned more "fun or artsy" while the real maker movement you could argue was thriving in China. Another darker way of looking at it is: if the maker movement was really believed to be a way to bring manufacturing back, it was effectively cargo-culting that by focusing only on a narrow set of building blocks. Maybe it's similar to building your own PC from parts at Fry's back at the day: that felt good... and you did feel you were really making something. But you were really doing final assembly and abstracting out the complexity of building those building blocks that went into it.

Anyway I think we are seeing a scenius phase -- it's just happening everywhere all at once on a world stage. And it's exciting. As with any moment in time there's a ton of experimentation and a small number of break-out hits. Also the pace of change means there's less staying power for a break-out hit than there used to be.

But the quick break-out hit phenomenon is particularly applicable for things that are more about the attention economy and less about the boring hidden things that traditionally have been where the economy's silent toil is really centered.

All of this makes me feel the author is too close to the creative end-consumer layer e.g. "make something flashy and cool whether it's a 3d-printer in a 5th avenue dept. store window, or a new app front end" but perhaps less focused on the full depth of things that really exist around them.

This really resonates with me in that a lot of NYC's "tech" circa 2013 was 3d printing oriented, much more so than in Silicon Valley. And I wondered why? but then it was a reflection that tech in NYC then was more about marketing, story telling, and less about the depth...

Obviously you had the west coast makers, you had the burners, so I don't mean to conflate all these differnet things. But the idea that Maker Faires were really about bringing manufacturing back... I don't know I think it was more about the counterculture, about having fun. I think that's coming back to tech right now as well in a sense. Even if it's also got dystopian overtones

I'd take vibecoded iot code any day vs the typical hot mess of poorly written code by non-experts following online tutorials and the casual stackoverflow copy-paste :)