Times New Bastard
11–20 of 138 posts
Re: Times New Bastard
#12I'm not sure if the serif-icity is the jarring part, I think it's the different point size (or whatever that word is for the horizontal height lines that fonts live within). I'm curious why type/font technology hasn't developed for variation in letters, where a handwriting or printing typeface (or "Ransom" :) could vary the letter "a" so all the "a"'s don't look alike, the same as happens irl.
People really seem to hate "handwritten" fonts. Comic Sans is the mainstream example, but there are a lot of other ones. As others said, stylistic alternatives definitely exist in most font packages, especially commercial ones used with Adobe products. So the fact that they are not widely used outside of graphic design probably goes back to people generally hate fonts that look handwritten for anything besides weddin…
The original and better case against Comic Sans was that there were much better handwritten, comic-text-style fonts and that Comic Sans was a particularly bad instance of one.
Just ask Dave Gibbons:
https://www.theguardian.com/technology/2009/aug/12/dave-gibb...
>"It's just a shame they couldn't have used just the original font, because it's a real mess. I think it's a particularly ugly letter form," he says. "The other thing that really bugs me that they've used an upper case I with bars on it: it looks completely wrong to the comic eye. And when you see store fronts done in it, it's horrible."
Re: Times New Bastard
#13Re: Times New Bastard
#14Re: Times New Bastard
#15Re: Times New Bastard
#16Earlier quoted context omitted.
People really seem to hate "handwritten" fonts. Comic Sans is the mainstream example, but there are a lot of other ones. As others said, stylistic alternatives definitely exist in most font packages, especially commercial ones used with Adobe products. So the fact that they are not widely used outside of graphic design probably goes back to people generally hate fonts that look handwritten for anything besides weddin…
I see a lot of the "why do people hate Comic Sans" articles on the web think it's just because it's a handwritten, casual font used in inappropriate situations, but this seems like post-hoc rationalization. It's the Comic Sans look specifically that people intensely dislike, not "handwritten" fonts in general. The original and better case against Comic Sans was that there were much better handwritten, comic-text-styl…
It's a handwritten, casual font used in inappropriate situations /and the only available for anything 'fancy' on the Average Computer used by Average Joe/.
Re: Times New Bastard
#17Earlier quoted context omitted.
People really seem to hate "handwritten" fonts. Comic Sans is the mainstream example, but there are a lot of other ones. As others said, stylistic alternatives definitely exist in most font packages, especially commercial ones used with Adobe products. So the fact that they are not widely used outside of graphic design probably goes back to people generally hate fonts that look handwritten for anything besides weddin…
I see a lot of the "why do people hate Comic Sans" articles on the web think it's just because it's a handwritten, casual font used in inappropriate situations, but this seems like post-hoc rationalization. It's the Comic Sans look specifically that people intensely dislike, not "handwritten" fonts in general. The original and better case against Comic Sans was that there were much better handwritten, comic-text-styl…
if any of the objection is to the precise letter drawings, ok fine, give me a different one, but the overall concept, I'm Comic Sans all the way.
Re: Times New Bastard
#18I'm not sure if the serif-icity is the jarring part, I think it's the different point size (or whatever that word is for the horizontal height lines that fonts live within). I'm curious why type/font technology hasn't developed for variation in letters, where a handwriting or printing typeface (or "Ransom" :) could vary the letter "a" so all the "a"'s don't look alike, the same as happens irl.
People really seem to hate "handwritten" fonts. Comic Sans is the mainstream example, but there are a lot of other ones. As others said, stylistic alternatives definitely exist in most font packages, especially commercial ones used with Adobe products. So the fact that they are not widely used outside of graphic design probably goes back to people generally hate fonts that look handwritten for anything besides weddin…
Re: Times New Bastard
#19I'm not sure if the serif-icity is the jarring part, I think it's the different point size (or whatever that word is for the horizontal height lines that fonts live within). I'm curious why type/font technology hasn't developed for variation in letters, where a handwriting or printing typeface (or "Ransom" :) could vary the letter "a" so all the "a"'s don't look alike, the same as happens irl.
> I think it's the different point size (or whatever that word is for the horizontal height lines that fonts live within). Agreed! The x-height [0] (among other things) differs jarringly between the serif and sans fonts used. 0: https://en.m.wikipedia.org/wiki/X-height#:~:text=In%20typogr... .
Re: Times New Bastard
#20I'm not sure if the serif-icity is the jarring part, I think it's the different point size (or whatever that word is for the horizontal height lines that fonts live within). I'm curious why type/font technology hasn't developed for variation in letters, where a handwriting or printing typeface (or "Ransom" :) could vary the letter "a" so all the "a"'s don't look alike, the same as happens irl.
People really seem to hate "handwritten" fonts. Comic Sans is the mainstream example, but there are a lot of other ones. As others said, stylistic alternatives definitely exist in most font packages, especially commercial ones used with Adobe products. So the fact that they are not widely used outside of graphic design probably goes back to people generally hate fonts that look handwritten for anything besides weddin…
You don't use it for a business letter for the same reason you don't use Times New Roman, Garamond, Baskerville, &c, for a comic.