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In the Stacks

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Re: In the Stacks

#11

This was a beautiful story, but was it fiction? I can't find the song named in the article, nor the "King Ozy" producer they are talking about. Edit, the author, Robin Sloan, is a fiction writer. That's... a little disappointing, but still it was a wonderful story.

I agree it was a good story, but I became skeptical when I could not find the music (or any reference to it, or the composers) on-line. It should have somehow been tagged as fiction.

> We commissioned this new short story from Robin as a little love-letter and thank-you to the city and people...

Sure, it's right at the bottom, and "short story" is not entirely unambiguous, but I think most people would commonly use that phrase to refer to a work of fiction. I think I would have enjoyed it just as much if I'd known it was fiction from the start, but making that too obvious at the beginning may have removed a little of the charm.

The synth itself is real, however. Here's a video of someone much younger than Maisie making noises with it... https://www.synthtopia.com/content/2016/05/21/modular-synth-...

Re: In the Stacks

#12
post #9

Earlier quoted context omitted.

A “patch” could also include a wire to an an external sequencer or arpeggiator, and in this way would include a “melody”. This is trivially easy to do in a software synth, but also perfectly possible in an original “patch”.

The article makes it sound as if just switching the machine on with the right patch configured, gives you a polyphonic composition. Even if you patch-in a sequencer, the patch doesn't include the sequence. You couldn't use patch cords to determine the melody. Also, I think that back in the analogue synth days, you couldn't get a sequencer that stored multiple parts; one sequencer, one part. Also storage was limited;…

As pointed out in sibling posts, it is a (very charming, IMHO) work of fiction, and as such the librarian could be considered an unreliable narrator rather than a fact-checking journalist. A little artistic licence goes a long way and although it may not be exactly how modular synths commonly work I think it was a nice literary device to build wonder around what the machine can do.
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