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Twitter acquires Revue

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11–20 of 270 posts

Re: Twitter acquires Revue

#11
post #7

Excellent acquisition. Twitter will definitely compete and take marketshare from Substack with lower fees from 20% to 5%. I hope this acquisition is actually a stepping stone for Twitter to become a much better service. Twitter could absolutely become a paid service and move away from ads as its business model. No political ads to worry about. No interference with the product experience. And believe it or not, if I u…

An edit button does not make sense for a service like Twitter. There are way to many ways to abuse it, and any solution that tries to deal with those just ends up being equivalent to what already exists: Delete and repost.

Why does an edit button not make sense for a service like Twitter? How would it be abused?

Deleting and reposting hurts and would eliminate engagement statistics.

From a product experience, edited tweets, similar to Slack, could show an "(edited)" that when clicked on let's a user see the version history. That way, it can't be abused, but does allow for minor typos (e.g. https://twitter.com/sir/status/1353737949729468416)

Re: Twitter acquires Revue

#12
TWEET 1/7: It's ironic that the way Twitter proposes to improve its platform for writers is to move them off Twitter proper.

TWEET 2/7: Writers use Twitter begrudgingly because that's where the eyeballs are, but it is a terrible communications platform for any writing longer than a single tweet.

TWEET 3/7: Microblogging is core to its brand, but I shudder whenever I see a thread marked 1 of 22. Because of the character limitation, the writing on Twitter has a wooden cadence.

TWEET 4/7: The best thing Twitter could do for writers is give them some way to go beyond the standard character limit within the core platform.

TWEET 5/7: The limit doesn't need to be lifted entirely; maybe anything beyond the limit can be hidden by default, but with an option to reveal it.

TWEET 6/7: Restricting how writers write can sometimes encourage better writing. But Twitter is one of the largest communications platforms in the world, and it's got to reckon with that.

TWEET 7/7: Imagine if, instead of a char limit, you could only write rhyming couplets! It would be fun as a niche site, but not as a site used to communicate breaking news and longer, more thoughtful writing.

COUPLET 1/1: Twitter's a major communications hub, like it or not. Its restrictions on writing are a big blind spot.

Re: Twitter acquires Revue

#14

Earlier quoted context omitted.

An edit button does not make sense for a service like Twitter. There are way to many ways to abuse it, and any solution that tries to deal with those just ends up being equivalent to what already exists: Delete and repost.

Why does an edit button not make sense for a service like Twitter? How would it be abused? Deleting and reposting hurts and would eliminate engagement statistics. From a product experience, edited tweets, similar to Slack, could show an "(edited)" that when clicked on let's a user see the version history. That way, it can't be abused, but does allow for minor typos (e.g. https://twitter.com/sir/status/135373794972946…

> Deleting and reposting hurts and would eliminate engagement statistics.

Maybe there should be a maximum number of characters edited. If I have liked/retweeted a tweet, and its author then completely rewrites it,I would want my "engagement" eliminated.

Re: Twitter acquires Revue

#15

Earlier quoted context omitted.

I don't normally answer questions for others, but I feel uniquely qualified to chime in on this one! I am a pretty heavy Twitter user and have been for a long time. It's really the only "social" thing I use. I know Fleets is a Twitter thing... I remember seeing it someplace, maybe a story on Hacker News or something? Was it something like a replacement for Vine maybe? Or was it something with threaded conversations?…

Fleets are Instagram Stories - Now On Twitter. I think they appear just in mobile app, but also not sure, I use the web Twitter on phone.

They do appear on the mobile app. One person out of the hundreds I follow uses them, so therefore I am reminded that they exist, even though I never watch them. If that person happened to stop creating them, I would not know what they are or that they exist.

Re: Twitter acquires Revue

#19
This space is quite interesting. You have the gorilla at the picnic (Substack), the stagnating old timers (TinyLetter), the member management platforms (Memberful, probably Mailchimp), the link dump creators (curated.co) and the spunky indie upstarts (Buttondown).

Re: Twitter acquires Revue

#20
post #12

TWEET 1/7: It's ironic that the way Twitter proposes to improve its platform for writers is to move them off Twitter proper. TWEET 2/7: Writers use Twitter begrudgingly because that's where the eyeballs are, but it is a terrible communications platform for any writing longer than a single tweet. TWEET 3/7: Microblogging is core to its brand, but I shudder whenever I see a thread marked 1 of 22. Because of the charact…

Or alternatively (in my humble opinion), they should stop trying to be what they're not (a long form blogging platform) and instead stick to what they excel at (short broadcasts that are hashtag groupable and searchable).
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